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Matthew Earle - Compositions For Sine Waves album

Matthew Earle - Compositions For Sine Waves album

  • Performer: Matthew Earle
  • Genre: Electronic
  • Title: Compositions For Sine Waves
  • Style: Drone, Minimal
  • MP3 version size: 1509 mb
  • FLAC version size: 1787 mb
  • Other: TTA MOD RA MP1 DTS AAC AU
  • Rating: 4.1
  • Votes: 822

Description

Polygon Window – Surfing On Sine Waves Label: Wax Trax! Records – TVT 7204-2, TVT Records – TVT 7204-2 Format: CD, Album Country: Original UK/US.

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Surfing on Sine Waves is a studio album by Polygon Window, a pseudonym for the English electronic music producer Richard D. James, better known by the alias Aphex Twin. It was originally released on 11 January 1993 by Warp. It is the second release in Warp's Artificial Intelligence series. The cover of the album features a photograph of Chapel Porth beach, Cornwall.

Electronics – Matt Earle. Compositions for sine waves No processing no sampling Recorded june 2004 @ the shed. Stamped CDr in generic cardboard sleeve with cutout inserts. Matthew Earle - Compositions For Sine Waves. Download free Matthew Earle - Compositions For Sine Waves. Related tracks or music albums. Ljiljana Stojanović - Sine,Sine. Bass Mekanik - Sonic Overload. Andy Todd - Sine EP. Tim Blechmann - Sine Tempore 2. DR - Square, Sine, White Noise & Tape Hiss.

They are obtained by a cd player. Repress of Polygon Window - Surfing On Sine Waves. Matrix, Runout (Variant 1 & 3): WARPCD7 10208481 03 % MADE IN . BY PDO. Matrix, Runout (Variant 2): WARPCD7 10208481 04 % MADE IN . Mastering SID Code (Variant 1, 2, 3): IFPI L132.

All the great songs and lyrics from the "Surfing on Sine Waves" album ont he Web's largest and most authoritative lyrics resource. Style:MLA Chicago APA. "Surfing on Sine Waves Album.

Surfing on Sine Waves is rarely rated with the Selected Ambient Works albums or the early singles collected on Classics, but it's still a key record from the era that put James on the map and began the myth-making that would mushroom to Howard Hughes proportions around the time of the "Windowlicker" single. Listening to Surfing on Sine Waves in the context of electronic music circa 2002, I get an idea what it must have been like to listen to Buddy Holly in 1970. Naturally, there are both positive and negative aspects to re-experiencing artifacts from an earlier time. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed.

Surfing on Sine Waves (1993) Surfing on Sine Waves1993. Bytes (1993) Bytes1993. The album was re-released in North America in 2001 by Warp to celebrate the opening of its American division (albums by Warp had been distributed in the United States through licensing deals with many labels-this one was originally released on Wax Trax!/TVT Records there). The re-release features two previously unreleased tracks that were recorded during the same time this album was created.

Waves : 1 Dimensional Waves 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 Examples - Problems - Solutions - Terminology. A particularly simple kind of wave, the sine wave, is illustrated in figure . This has the mathematical form: (. ). h is the displacement (which can be either longitudinal or transverse), is the maximum displacement, sometimes called the amplitude of the wave, λ is the wavelength. pngFigure . : Sine wave]] -.

Tracklist

1 Composition For 2 Sine Waves 20:12
2 Composition For 3 Sine Waves 19:20
3 Composition For 1 Sine Wave 40:10

Credits

  • Electronics – Matt Earle*

Notes

Compositions for sine waves
No processing no sampling
Recorded june 2004 @ the shed

Stamped CDr in generic cardboard sleeve with cutout inserts.

Comments

Mora Mora
While perhaps not reaching Sugimoto or Sachiko levels of silence (there is, in fact, material (you guessed it, sines waves) playing consistently for the duration of the album), I nevertheless sincerely wish you luck on attempting to focus on the music alone for the full 1:19:42 over which this album . . . hovers.I learned of Matthew Earle's work largely through his collaborations with other (generally Australian electroacoustic) artists, including Will Guthrie and Anthony Guerra. Never sure of who was contributing what, this release helps clarify Earle's contributions to their collective releases. Not really music for headphones, the tidal amplitude and beat frequencies which span the first two tracks are somewhat ritualistic in their effect on the listener's attention. I was consistently lulled into brief solipsism before noticing some faint phasing effect, or a new pulsing signature. There is certainly something about frequencies in the high ranges present in this work that promotes introversion.As for the third piece, unsure of whether what I was hearing when I turned up the volume was in fact simply the noise from my analogue pre-amp, I decided to import 'Composition for 1 Sine Wave' and check out the waveform - which was essentially blank. The kind of song you leave on in the background to test your friend's and family's hearing . . . and unnerve yourself at 2 AM.