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Francesco Covarino - Olive album

Francesco Covarino - Olive album

  • Performer: Francesco Covarino
  • Genre: Jazz / Rock
  • Title: Olive
  • Released: 2017
  • Style: Free Improvisation, Experimental
  • MP3 version size: 1926 mb
  • FLAC version size: 1231 mb
  • Other: WMA AC3 MPC APE FLAC WAV RA
  • Rating: 4.4
  • Votes: 322

Description

Интернет-магазин yoox. Огромный выбор одежды обуви и аксессуаров

Perfect for reflection, Francesco Covarino, Alessandro Incorvaia's creative one take improvisation experience, "Chiodi," is three legendary soundscapes mastered by sonic sound engineer Taylor Deupree. Multiplicity by RAIC. A wild free improvisational ride that melds free jazz, black metal, noise rock, and lounge into one vision. Bandcamp New & Notable Jan 9, 2019.

Sites: Bandcamp, SoundCloud, fcovarino. In Groups: Covarino/Incorvaia.

by Francesco Covarino. supported by. Jonathan Herweg.

Francesco Covarino – Olive. The standard approach with drums is having them anchor everything else, there’s also a tendency to insert dramatic flourishes in one’s playing so as to let people know wh. antasangremagazine. 11 Ekim 2017 ·. Virlyn - Inner Emigration Label: Xtraplex Records. Virlyn – Inner Emigration.

There are no setlists by Francesco Covarino on setlist. fm yet. You could help us by adding a first setlist. You can track changes of setlists by this artist by selecting the option below.

Various Artists: Tsss Tapes Free Percussion. Recital springs forward with new records from Rip Hayman and Matthew Sullivan, out next month. March 21. Wharp & Rom distill our technological gripes into a catchy new ditty, announce debut album.

Francesco Zappa is a 1984 album by Frank Zappa. It features chamber music by the Italian composer Francesco Zappa, who composed between 1763 and 1788. David Ocker played a piece of Francesco Zappa's music for Frank Zappa because it was popular with some college music students.

Covarino/Incorvaia are Francesco Covarino (drums) and Alessandro Incorvaia (guitar), from Perugia in Italy, now living in Granada and London. Having grown up listening to bands such as June of 44, Dirty Three and Fugazi, Covarino/Incorvaia’s sound is defined by electric guitar and drums played quietly, a minimal set up, not too many notes, lots of space, small sounds, occasional noises and silence. How did you record the album? Incorvaia: We recorded Chiodi in January 2018, I flew from the UK on a Thursday night and on Friday morning we were in a studio in Granada. The first two tracks on Chiodi are the actual first two tracks we played that morning.

Our ‘best of 2017’ feature continues as we chat to Francesco Covarino, one half of Covarino/Incorvaia who released ‘Granada’ with us in the summer. A few weeks ago Thirsty Leaves Music released my first solo album, Olive. It contains short improvisations on drums and percussion, and it was released on CD with beautiful packaging. I recorded those improvs on a single day when my wife was pregnant with our first daughter, so it is a very special album to me and I’m very proud of how it came out. In January, we’re recording some new music with my duo Covarino/Incorvaia, we will record some drums/guitar improvs for a couple of days here in Granada.

Tracklist

1 oliva #91 3:29
2 oliva #56 2:31
3 oliva #85 1:30
4 oliva #30 2:20
5 oliva #116 1:09
6 oliva #44 2:25
7 oliva #70 2:02
8 oliva #64 1:54
9 oliva #3 1:27
10 oliva #55 2:34
11 oliva #39 2:01
12 oliva #119 1:36
13 oliva #106 2:03
14 oliva #87 0:55
15 oliva #92 1:31
16 oliva #121 1:51

Credits

  • Drums, Percussion – Francesco Covarino
  • Recorded By, Mixed By, Mastered By – Marcos Muniz

Notes

Recorded in Granada, September 23rd, 2016.
No editing or overdubbing was used on these recordings.

CD comes in a hand-made & numbered paper gatefold, and includes 2 bonus tracks (total: 16 tracks, 31'30").
The digital version does not include tracks "oliva #64" & "oliva #87".

Drawings by Maria Rakitzi
Artwork design by moody alien & Francesco Covarino
Packaging design by patkiout.co

Comments

Bremar Bremar
The standard approach with drums is having them anchor everything else, there’s also a tendency to insert dramatic flourishes in one’s playing so as to let people know who’s the engine. Francesco is not one of these types; no big runs through the toms nor are you going to come across a 30 or 40 piece kit. I have known some drummers in my time and let me tell you, this guy’s humility is a rare trait to come across.He doesn’t give you anything on this record except his playing. No singer, no wailing guitars and no bassist simmering in the background with their six strings primed for a fusion solo.In a manner quite incompatible with a lot of others out there he zeroes in on one element of his array per piece and then gets into it right down to the barest of expression. Another detail to note would be his refusal to put things in a sequential order, you’ll start high up in the 90s and then a little over halfway through you’re down below the teens. It would appear he has many of these little excursions for us as there are jumps between numbers which leave a lot of uncharted ground left to be explored.Covarino really likes his silence, the pauses between sounds are no doubt there to add dynamics and increase the level of atmosphere. But for all the experimenting going on you can feel a subtle investigation of recognized time signatures which is interesting to contrast against the expressive playing he demonstrates for us. It’s easy to dismiss this as primordial noodling about until you’ve listened closely to how these pieces are put together.This one is working off of instinct.In his statement about ‘Olive’ he makes it plain that he’s no theory-driven studio session player. His inspiration for this entire outing was his daughter: he wanted her to know exactly what he was doing on a particular date before she’d been born. I’d have never guessed this no matter how many times I listened. There’s an inscrutable layer of opacity to ‘Olive’ and try as I might I can’t make out any other background noises despite him saying this was recorded in busy surroundings.There are no discernible overdubs, so these are one-take tracks. The amount of discipline required to do that is remarkable; apparently random yet absolutely precise work even down to the exact date it was completed.Review completed Monday, October 30 2017, 11.18AM PST.