Symphonic poem N., inspired by "Torquato Tasso" by the German dramatist Johann Wolfgang von Goethe. London Philharmonic Orchestra, conductor: Bernard Haitink.

Klavier-Konzert n., Simphonische Dichtung "Lasso Lamento e Trionto" ‎(LP). Top-421, Top - 421. Franz Liszt. Konzert Für Klavier Und Orchester Nr. 2 In A-Dur, Tasso - Symphonische Dichtung ‎(Cass, Album). Germany.

Franz Liszt (1811 - 1886) combined his love for literature and the other arts and music in a form of composition he called the Tone Poem, or Symphonic Poem. A Tone Poem is a one movement compositions reminiscent of concert overtures written by Beethoven, Mendelssohn, Berlioz and others. Tasso, Lamento e Trionfo ( Tasso, Lament and Triumph) was inspired by the life of Torquato Tasso, an Italian poet of the 16th century. Liszt referred to two works written about the poet, one by German writer and poet Johann von Goethe and another by Lord Byron, an English poet.

Tasso: Lamento e trionfo (1849) is the second of twelve symphonic poems Liszt wrote during his tenure as Grand Ducal Director of Music Extraordinary at Weimar. Liszt very much admired the work of sixteenth-century Italian poet Torquato Tasso and used Tasso's writings as the basis of a number of his own works. Tasso: Lamento e trionfo was originally conceived as an overture for Goethe's play Tasso, presented on the centenary of the poet's birth at a performance in Weimar in August 1849

Artists Franz Liszt Symphonic Poems (Philharmonia Slavonica feat: conductor Alfred Scholz) Symphonic Poem No. 2, S. 96 "Tasso, Lamento e Trionfo". Symphonic Poem No. 96 "Tasso, Lamento e Trionfo" Franz Liszt.

Tasso: Lamento e Trionfo. Opus/Catalogue NumberOp. I-Catalogue NumberI-Cat. No. IFL 370. v'ts/Sec's. Orchestra: piccolo, 2 flutes, 2 oboes, 2 clarinets (B♭), bass clarinet (B♭), 2 bassoons, 4 horns (2 in B basso, 2 in C), 4 trumpets (C), 3 trombones, tuba, timpani, triangle, snare drum, cymbals, bass drum, harp, strings.

Franz Liszt composed his Tasso, Lamento e trionfo (Tasso, Lament and Triumph) in 1849, revising it in 1850–51 and again in 1854  . The secondary theme is in E major, a relatively distant major key of a raised third in a minor-key piece. He would use this same raised-third relationship, possibly with a similar intent effectively, in both Prometheus and the Faust symphony Use in popular culture. Symphonic Poem N., Tasso, Lamento e Trionfo: Scores at the International Music Score Library Project (IMSLP). v. t. e. Symphonic poems by Franz Liszt.

Home Franz Liszt Symphonic poem No. 2 & Lamento e Trionfo& (1849-54). Franz Liszt (1811–1886). 2 & Lamento e Trionfo& (1849-54) S. 96. Sheet Music. Budapest Symphony Orchestra Arpad Joo (conductor). Berlin Philharmonic Orchestra Herbert von Karajan (conductor). Paul van Kempen (conductor). Leipzig Gewandhaus Orchestra Kurt Masur (conductor). Georgia Mangos (piano) Louise Mangos (piano). Dresdner Philharmonie Michel Plasson (conductor). Philharmonia Orchestra Constantin Silvestri (conductor).

Piano Concerto No. 2: III. Allegro deciso. Nuremberg Symphony Orchestra & Räto Tschupp. 4. Piano Concerto No. 2: IV. Marziale, un poco meno allegro. 5. 2: V. Allegro animato - Stretto - molto accelerando. 6. Hungarian Rhapsody No. 2, . 44/2. South German Philharmonic Orchestra & Alfred Scholz. 7. 6 in D-Flat Major.

3. Mephisto Waltz, for orchestra No. 111 (LW G37). Szózat & Ungarischer Hymnus, patriotic songs (2) transcribed for orchestra (after Egressy & Erkel), S. 353 (LW G34). Orchestra: Budapest Symphony Orchestra. As a young musician in the . Joo won Boston’s International Franz Liszt Piano Competition. But how can we defend dismissing every one of Joo’s performances of the Liszt symphonic poems as meaningless?