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The sources that director Roland Wilson refers to in his liner notes indicate that Carissimi's seventeenth century oratorios were performed by groups of six to 20 singers. True, the seven singers used here are within the bottom of that range.

Request an album send to friend. Dialogo Del Gigante Golia; Oratorios (2005). Giacomo Carissimi - Dialogo Del Gigante Golia; Oratorios.

giacomo carissimi la capella ducale musica fiata koln baroque music sound recordings oratorios vocal music roland wilson music in ritual.

Giacomo Carissimi, Musica Fiata, La Capella Ducale, Roland Wilson - Dialogo Del Gigante Golia Oratorios ‎(CD). 71 104. Shostakovich, Auerbach - Petersen Quartett, Zoryana Kushpler. Ernst Krenek - Petersen Quartett, Rosetti Bläserquintett - Alpbach-Quintett - Symphonische Musik ‎(CD, Album). Capriccio (2). 67 176. Austria.

Кариссими - небольшие латинские оратории Giacomo Carissimi (1605-1674) - Oratorios 1. Regina Hester 2. Dialogo del Gigante Golia 3. De Tempora Interfecto Sisar 4. Diluvium Universale - Dialogo del Noe Кариссими писал как церковную, так и светскую музыку. Авторство многих сочинений (в том числе семи месс, трёх магнификатов и более сотни мотетов, в том числе в сборнике Римский Арион, или первая книга духовных песен ) ныне оспаривается. Cologne Musica Fiata La Capella Ducale Roland Wilson. In recent years there have been a number of recordings with music by Giacomo Carissimi. Many of these feature his oratorios which gave the composer his fame in his own time and in modern times also. There are recordings of his best-known oratorios, like Jephte, Ionas, Job.

Wolf Matthias Friedrich, bass I (arias). Matthias Vieweg, bass II (Jesus). on period instruments). Roland Wilson, dir. CD also contains: Handel's choral cantata: "Ach Herr, mich armen Sunder" a 9.

Tracklist: 1. Regina Hester, oratorio for 2 sopranos, bass & continuo 2. Dialogo del Gigante Golia, oratorio for soprano, bass & continuo 3. Interfecto Sisara, oratorio for 6 voices, 2 violins & continuo 4. Diluvium universale, oratorio for 2 sopranos, double chorus, 2 violins & continuo. The vocalists of La Capella Ducale are moderately committed to what they're singing about, but for all the scholarship on display here, the music is singularly unsuited to the forces deployed.

This album has an average beat per minute of 87 BPM (slowest/fastest tempos: 70/98 BPM). See its BPM profile at the bottom of the page. Tracklist Polyhymnia Caduceatrix & Panegyrica (La Capella Ducale & Musica Fiata feat. conductor: Roland Wilson). BPM Profile Polyhymnia Caduceatrix & Panegyrica (La Capella Ducale & Musica Fiata feat. Album starts at 70BPM, ends at 98BPM (+28), with tempos within the -BPM range. Try refreshing the page if dots are missing).

La Capella Ducale was founded in 1992 by Roland Wilson as a supplement to Musica Fiata, to ensure a stylistic unity in performance of larger works. The ensemble impressive performance has been attested by the critics. The extraordinary homogeneous connection is also highlighted with the instrumental sound. The second focus of the ensemble is the German church music before . La Capella Ducale & Musica Fiata enjoyed great success in concert and on CD with music by Thomaskantors before . Bach: the recently discovered Psalmen Davids by Johann Hermann Schein and cantatas by Johann Schelle, as well as cantatas and the oratorio Das jüngste Gericht by Dietrich Buxtehude. To previous recordings of music by Heinrich Schütz, publication of the Symphoniae Sacrae I on Deutsche Harmonia Mundi was added in spring 2010.