Album · 2016 · 11 Songs. More By Fatima Al Qadiri.

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Listen free to Fatima Al Qadiri – Brute (Endzone, Blood Moon and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

Brute by Fatima Al Qadiri, released 04 March 2016 1. Endzone 2. Blood Moon 3. Breach 4. Curfew 5. Battery 6. 10-34 7. Oubliette 8. Blows 9. Aftermath 10. Fragmentation 11. Power. Startoucher What an amazing album, notwithstanding the great cover.

The sculpture was part of Kline's Freedom exhibit, which used a version of Al Qadiri's "Star Spangled," a baleful synthetic choral track that twisted the . national anthem, as its soundtrack. Like the Francis Scott Key composition, Brute has a Baltimore connection, in addition to one with Ferguson and the .

Fatima Al Qadiri production remains almost intact between her last record and Brute, it's deep but this time it kinda holds back a little bit, which is a shame especially for the subject matter of the album. Or consider a donation?

referencing Brute, LP, Album, HDBLP031. There's something very intense, magnetic on Fatima Al Qadiri's sounds. Maybe it's the wide stereophonic images, the deep choruses, or the atmospheres; fact is that if you don't pay attention, you risk being inducted to a bottomless aesthetic tunnel of hypnosis, darkness and emotions. Reply Notify me Helpful.

Fatima Al Qadiri - Blood Moon 03:31. Fatima Al Qadiri - Breach 02:45. Fatima Al Qadiri - Curfew 02:43. Fatima Al Qadiri - Battery 02:57. Fatima Al Qadiri - 10-34 02:40. Fatima Al Qadiri - Oubliette 03:32. Fatima Al Qadiri - Blows 03:20. Fatima Al Qadiri - Aftermath 03:55. Fatima Al Qadiri - Fragmentation 04:09. Fatima Al Qadiri - Power 04:50. Asiatisch - Fatima Al Qadiri. GSX Remixes - Fatima Al Qadiri. Desert Strike - Fatima Al Qadiri. Genre-Specific Xperience - Fatima Al Qadiri. Shaneera EP - Fatima Al Qadiri.

Fatima Al Qadiri - Brute Of all the artists dismantling grime in recent years, Fatima Al Qadiri has been among the most transformative. She's used the bones of a largely aggressive sound to explore the exquisite loneliness of digital culture, unpack the fetishization of warfare in the Western world and, with Asiatisch, interrogate Orientalism. Even when the execution was shaky, these conceptual records revealed how the elements of club music could be used to other ends. What was also remarkable about Al Qadiri was how she got her points across with more or less the same set of sounds. In a different interview, Al Qadiri explained that she didn't want to drown the album in samples. Instead, she "wanted the bare minimum just to illustrate the context, to set the tone.