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Count Basie - Giants Of Jazz - Count Basie album

Count Basie - Giants Of Jazz - Count Basie album

  • Performer: Count Basie
  • Genre: Jazz
  • Title: Giants Of Jazz - Count Basie
  • Released: 1982
  • MP3 version size: 1802 mb
  • FLAC version size: 1762 mb
  • Other: MP1 VOX WMA VQF MP2 MPC DMF
  • Rating: 4.6
  • Votes: 685

Description

baritone sax), Basie (piano), Lester Young (tenor sax) 3. John's Idea (Basie - Durham) (1937) 05:53 solos: Basie (piano), Herschel Evans (tenor sax) .

Masters of Jazz: Count Basie - Count Basie. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией.

Count Basie Orchestra: все альбомы, включая All that Jazz, Vol. 118: Basie's Broadcast from Berlin, Milestones of a Legend: Sammy Davis J. Vol. 6, All About That Basie и другие.

Listen free to Count Basie – Masters Of Jazz: Count Basie (What Am I Here For, April In Paris and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues as a 'ghost band'.

A trimmed version of a Count Basie hits package barely clocking in at LP length, this 12-track CD has some gems, some tunes readily associated with other big bands, and assuredly the high standard of excellent playing you'd expect.

Count Basie Verve Records. Count Basie Verve Records. 18 June at 12:58 ·. How did all these people get in my room?

Three vinyl set with booklet.

Count Basie: An Introduction to Count Basie: His Best Recordings, 1936-1944 (Best of Jazz, 1996) Basie's first band produced a string of jazz classics: "One O'clock Jump," "Jumpin' at the Woodside," "Swingin' the Blues," "Down for Double," etc. Many were collectively worked out "head arrangements," while others were crafted by such gifted writers as Eddie Durham, Buster Smith, and Buck Clayton. His debut recording with the Count, which still stands as a landmark jazz vocal album, presented Williams' hip, modern take on the blues and gave Basie another big hit with "Every Day I Have the Blues. Count Basie: Chairman of the Board (Blue Note, 1958) This indispensable recording showcases the work of three brilliant arrangers from inside the band-saxophonists Frank Foster and Frank Wess, and trumpeter Thad Jones-plus ex-Basie saxophonist and frequent contributor Ernie Wilkins.