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Skelethon is the sixth studio album by American hip hop artist Aesop Rock. It was released through Rhymesayers Entertainment on July 10, 2012. The album is entirely produced by Aesop Rock himself. Guest appearances include Allyson Baker, Hanni El Khatib, Rob Sonic, Kimya Dawson, Murs, and Blueprint. The album's artwork was done by Aryz. Music videos were created for "Zero Dark Thirty", "ZZZ Top", and "Cycles to Gehenna". A music video for "ZZZ Top" features the martial arts master Patti Li.

Record Label: Rhymesayers Entertainment. Genre(s): Rap, Pop/Rock.

Skelethon is the sixth studio album Aesop Rock. The album was released on July 10, 2012 through Rhymesayers Entertainment. It debuted and peaked at number 21 on the Billboard 200, selling 14,000 copies in its first week and has sold over 20,000 copies as of July 29, 2012. Out of Aesop’s 7 recorded studio albums, Skelethon has peaked and debuted higher than any of the other albums.

Skelethon Album Art. Aesop Rock. Skelethon Album Art Lyrics. About Skelethon Album Art. The well-known Spanish artist Aryz signed the cover. Skelethon Album Art" Track Info. Release Date July 10, 2012. Skelethon Aesop Rock.

Complete your Aesop Rock collection. That’s when I knew that at some point between his 2011 album None Shall Pass and his newly released Skelethon, Aesop had finally snipped the final remaining threads that had been tying him to the fringes of rational thought. Either that, or he had just stopped trying to put his ideas into terms that were meant to be understood. We waited for a couple of hours to hear classics such as Night Light, Day Light, Big Bang, and No Regrets, but were given nothing but incomprehensible tracks off Skelethon. If Aesop had replaced BIG WIZ with a live band, the show would have been a huge success,.

Aesop Rock's sixth album, his first without any Blockhead beats or guest rappers, evokes the self-doubt, sleepless nights, and isolated focus required to finish something great. This is rap as Rorschach blot. Pick over Skelethon at your own peril. The portmanteau breaks down to the marathon of skeletons. 360 chambers of death, kid. Probably the most logical left turn for the Long Island-hatched rapper who warned "Abandon All Hope" on his first video: body splayed into a crucified scarecrow, blood and tar on the vocals, words loaned from the inscription above the Inferno. By 23, he'd died 1,000 Deaths and vowed to die a thousand more

Aesop Rock hasn’t ever truly met his potential, and this can be attributed to disharmony in his discography. The New-York-born rapper loves strong beats as much as cerebral storytelling and ess lyrical play, but his problem’s always been balancing the two. Labor Days bolstered abstract lyrics that had a spring in their step, but that were done a disservice with the album’s dry production that offered nothing new. None Shall Pass featured great production, but tracks that failed to come together as a coherent whole. Skelethon is the most natural Aesop release in years. There’s a wide variety of ideas at play throughout the album, but never does the display of versatility feel forced. For instance, one aspect of the album that’s immediately noticeable is how it features many tracks that are among Aesop’s greatest.