Album · 1989 · 11 Songs. More By Harry Connick, Jr. See All.

Harry Connick, J. s vocals perfectly fit the moods throughout the 1989 Billy Crystal film When Harry Met Sally. This soundtrack album (which stands apart from the movie) was a big hit and a major step forward for the young pianist-vocalist, although it appears to have been the high point of his career.

When Harry Met Sally Soundtrack. 10 liked songs, 3. k views, composed by null. When Harry Met Sally. Music from the Motion Picture), 11 songs.

Producer – Harry Connick, J. Marc Shaiman. Producer – Ann Marie Wilkins, Jeff Stott. Vocals – Harry Connick, Jr. (tracks: 1, 2, 4, 6, 8, 9, 11). Notes.

More Harry Connick, Jr. Listen to When Harry Met Sally. Music From The Motion Picture in full in the this site app. Play on this site. You look like someone who appreciates good music.

Stompin' At The Savoy. Harry Connick, Jr. Тексты песен. Политика конфиденциальности. Условия использования.

The soundtrack for When Harry Met Sally. is an album by the American singer and pianist Harry Connick J. released in 1989 on Sony/Columbia (US). starring Billy Crystal and Meg Ryan. Bobby Colomby, the drummer for Blood, Sweat & Tears and a friend of director Rob Reiner, recommended Harry Connick Jr. as the musician to work with on the soundtrack. When Reiner listened to the tape Colomby gave him, he was struck by Connick's voice and how it sounded like a young Frank Sinatra. The movie's soundtrack album was released by Columbia Records in July 1989. The soundtrack consists of standards performed by Harry Connick Jr. with a big band and orchestra arranged by Marc Shaiman

The soundtrack for one of the biggest Hollywood successes of the '80s, When Harry Met Sally. consists of standards performed by singer and pianist Harry Connick, J. with a big band and orchestra arranged by Marc Shaiman. The soundtrack album (which stands apart from the movie) was a big hit and a major step forward for the young pianist-vocalist

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Rather than take the easy route of licensing classic performances of the Great American Songbook, director Reiner enlisted a young, then-obscure Harry Connick Jr. to offer his own readings of these 1930s and 1940s staples. Though Connick plays it fairly straight, he injects his interpretations with stylistic flair and formidable technical facility ("Stompin' At The Savoy").