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Karen Gwyer - Truancy Volume 120 album

Karen Gwyer - Truancy Volume 120 album

  • Performer: Karen Gwyer
  • Genre: Electronic
  • Title: Truancy Volume 120
  • Released: 2015
  • Style: Experimental, Electro, Abstract, Techno, Ambient
  • MP3 version size: 1932 mb
  • FLAC version size: 1427 mb
  • Other: FLAC MOD MP1 VOC AUD WMA ADX
  • Rating: 4.6
  • Votes: 793

Description

Stream Truancy Volume 120: Karen Gwyer by TRUANTS from desktop or your mobile device.

Karen Gwyer - The Workers Are on Strike Karen Gwyer - Why Don't You Make Your Bed? Karen Gwyer - It's Not Worth the Bother Karen Gwyer - Why Does Your Father Look so Nervous? Karen Gwyer - He's Been Teaching Me to Drive Karen Gwyer - Did You Hear the Owls Last Night?

레딧. DJ Mix – Karen Gwyer. 모. From the text accompanying the mix -. This mix is the result of some very focused dives straight down into several different label holes (hence the recurring artists), combined with a few assorted new and slightly less new favourites. I love hearing tight curation across loads of releases on a label. Never having run a label myself, I’m really impressed with how solidly they all hold together sometimes.

gwyer volume 120 disques. In an interview with the Quietus in November, Gwyer carefully describes the aesthetic she might be striving for in her own music as wanting to be loud, banging and not what people expect, whilst still meandering between house, techno and hugely experimental noise. There's none of her own productions in her Truancy Volume (from what we can see in the tracklist) but we can't help feel that small description perfectly.

Truancy Volume 120: Karen Gwyer. 14 May 2015 ·. Come thru and grab this record. Real proud of Ben who's been making waves around here for a while, also half of thee Ter(r)a duo.

Having found a more regular home for her productions via No Pain In Pop for the last two years, her newest release titled the Bouloman EP sees her forthcoming on the brilliantly consistent Nous label; home to the Fluenka Mitsu record from Call Super that came (and went very fast) earlier this year. There’s none of her own productions in her Truancy Volume (from what we can see in the tracklist) but we can’t help feel that small description perfectly narrates the hour long mix she has recorded for us.

London-based Midwestener Karen Gwyer recorded her debut album on No Pain is Pop while pregnant with her first child. Karen Gwyer - BOILER ROOM. For forty minutes, London-based electronic experimentalist Karen Gwyer colonised St. John's with a torrent of beautiful, beautiful noise. com Truancy Volume 120: Karen Gwyer - Truants. com Karen Gwyer, New Roof - Eclectic CollectiveEclectic Collective. ww. clecticollective.

Listen to Needs Continuum by Karen Gwyer on Deezer. Composers: Karen Gwyer. Total duration:47 min. 01. Sugar Tots. Writer: Karen Gwyer, Composers: Karen Gwyer.

Prophase Metaphase Anaphase Telophase. Месяц релиза - любой - January February March April May June July August September October November December.

Karen Gwyer and Beatrice Dillon join forces for a limited 12" release on Alien Jams. Both artists find themselves deeply ingrained in London’s vibrant electronics scene, however these two musicians approach their sound from two distinctly different angles. Dillon's "Curl" combines synthesised percussive effects with dubby analogue tones – maintaining the avant garde sensibilities of her Blues Dances release on Where to Now? – while the synths of Gwyer's "Common Soundproofing Myths" wail like sirens before falling into intoxicating acid territory

Tracklist Hide Credits

1.1 Heckadecimal Bentings Bang (Side A2)
1.2 Yellow Hyper Balls Fuck Off
1.3 Unknown Artist Untitled
1.4 Yellow Hyper Balls Take Your Clothes Off
1.5 TML Residuals
1.6 Community Corporation Grandmont Rosedale War
1.7 John T. Gast Congress
1.8 Aïsha Devi Throat Dub (The Hieroglyphic Being Experience 9)
Remix – Hieroglyphic Being
1.9 Acre Untitled 2
1.10 Villa Abo* Luminous
1.11 Heckadecimal Floater
1.12 Yellow Hyper Balls Forgery
1.13 Nadia Khan Selective Thoughts
1.14 Iueke Tape 5.2

Credits

  • DJ Mix – Karen Gwyer

Notes

From the text accompanying the mix -

“This mix is the result of some very focused dives straight down into several different label holes (hence the recurring artists), combined with a few assorted new and slightly less new favourites. I love hearing tight curation across loads of releases on a label. Never having run a label myself, I’m really impressed with how solidly they all hold together sometimes. It’s as though I’m roaming through a massive multi-room gallery of crazy good, seemingly disparate sonic shit, and I’m coming out of it bearing witness to a singular vision. This isn’t news to most people, I know, but in the process of preparing this mix, I really took the time to indulge. So thanks for that.”

Track 1.1 not in the database at time of the original submission. Released as a cassette 05 November 2014 on the Always Human Tapes label.
Track 1.2 available on Yellow Hyper Balls - Above Ground.
Track 1.4 not in the database at time of the original submission. Released as a cassette 20 April 2015 on the Always Human Tapes label.
Track 1.5 not in the database at time of the original submission. Released as a cassette 30 April 2015 on the Always Human Tapes label.
Track 1.6 available on Community Corporation - The Salt Mines.
Track 1.7 available on John T. Gast - Excerpts.
Track 1.8 available on Aïsha Devi - Hakken Dub / Throat Dub.
Track 1.9 - no information given in original tracklist as to which particular Acre release this "Untitled" piece is taken from.
Track 1.10 available on Various - The Dying Lights.
Track 1.11 available on Various - Human Crisis.
Track 1.12 available on Yellow Hyper Balls - Above Ground.
Track 1.13 available on Nadia Khan - Open Interior.
Track 1.14 available on Iueke - Tape 5.