La Dispute : Somewhere at the Bottom of the River Between Vega & Altair,альбом, рецезия, трек-лист, mp3, тексты песен.

Somewhere at the Bottom of the River Between Vega and Altair by La Dispute, released 11 November 2008 1. Such Small Hands 2. Said the King to the River 3. New Storms for Older Lovers 4. Damaged Goods 5. Fall Down, Never Get Back Up Again 6. Bury Your Flame 7. Last Blues for Bloody Knuckles 8. The Castle Builders 9. Andria 10. Then Again, Maybe You Were Right 11. Sad Prayers for Guilty Bodies 12. The Last Lost Continent 1. La Dispute spent roughly a year of its existence writing and recording their first full length album, called "Somewhere at the Bottom of the River Between Vega and Altair," in hopes of accurately displaying their growth both as individuals and as a single artistic unit while creating an end product that encourages the listener to both think and feel.

Somewhere at the Bottom of the River Between Vega and Altair is the debut album by American post-hardcore band La Dispute. Supported by three release shows, it was released on November 11, 2008, alongside Here, Hear II. through No Sleep Records on both CD and vinyl. The album's title is derived from an Asian folktale, which the album's lyrics loosely follow.

Jordan Dreyer, the vocalist and lyricist for La Dispute, views Somewhere’s broad scope as a sign of the times. I think the bands we idolized at the time operated on a grand scale. I wanted to do that, he says. But along with mid-2000s indie music ambition, Dreyer identifies another, perhaps more crucial, ingredient: We didn’t know any better. We didn’t know enough to doubt what we were doing. The writing on Somewhere is fearless, but not undisciplined. With the band’s fourth album-their first on Epitaph Records-set to be released in early 2019, La Dispute have outgrown the types of spaces Somewhere was born in, but not the ethos it was born from. According to Dreyer, the idea of simply reissuing Somewhere or taking it out on tour didn’t feel fitting.

is by no means the first album to blend punk with poetry – that’s been happening since Patti Smith moved to New York City with Arthur Rimbaud whispering in one ear and Bob Dylan in the other – but that doesn’t make it any less of an outlier, or any less impressive. Jordan is certainly an anomaly, Jeremy adds, He and I have such different approaches but similar struggles, if that makes sense. I go for the ‘less is more’ approach while that man writes novels that take you in so many different places. La Dispute’s later albums, Wildlife and Rooms of the House, are less contested contributions to modern hardcore. One is much harsher and darker, while the other is more gentle and melodic. Both see Dreyer journey straying away from himself and deeper into fiction.

Such Small Hands Lyrics. 11. Said the King to the River Lyrics. La Dispute Lyrics provided by SongLyrics.

The biggest comparison is between Aaron Wiess and La Dispute vocalist Jordan Dreyer. Both of them use the clean emotional singing to the extremely hurt emotional shouts of anger and rage. There's some a slight differences between them though. This album would be much less if it weren’t for this album’s creative playing. The chords shift through some fantastic riffing throughout the whole album. Seamlessly dividing between clean and distorted parts, sometimes combining them at the same time, the guitar players are the main focus of the group. They aren’t incredibly technical in a sense, but they are extremely tight. But where there is no insane technicality, there is experimentation.

Produced by La Dispute. Album Somewhere at the Bottom of the River Between Vega and Altair. New Storms For Older Lovers Lyrics. The chronologically third in a trilogy of songs which detail the adultery of a man and a woman, and the confrontation between the man and the woman’s husband, and the husband and the woman herself. The timeline goes: - Sad Prayers For Guilty Bodies (the adultery) - Last Blues for Bloody Knuckles (the husband pleading with his wife) - New Storms for Older Lovers (the husband confronting the adulterer).