00:00 "I Can't Turn You Loose" (Otis Redding) 04:45 "Pain in My Heart" (Naomi Neville) 07:30 "Just One More Day" (Steve ey Robinson) 1. .

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In Person at the Whisky a Go Go is a live album by Otis Redding, recorded at the Whisky a Go Go on Sunset Strip in Los Angeles, California in April 1966. It was released posthumously in 1968. The recording was made before Otis Redding attained crossover fame at the Monterey Pop Festival. The original issue of the album presented a selection of songs from the three shows.

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Released October 1968. In Person At Whisky a Go Go Tracklist. 1. I Can't Turn You Loose - Live Lyrics.

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Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter, record producer, arranger, and talent scout. Considered one of the major figures in soul music and rhythm and blues, and one of the greatest singers in the history of popular music, his singing sty. ore . Year: 1968. Style:MLA Chicago APA. "In Person at the Whisky a Go Go Album.

For his ’66 stint at the Whisky A Go Go, he was backed by his road band, the Otis Redding Revue a ten-piece group similar to the bands who supported him whenever he toured the south. This is the residency that is captured in its entirety on Stax’s six-disc box Live at the Whisky A Go Go: the Complete Recordings. Otis Redding says these words just before launching into Respect on April 8, 1966, wrapping up the first of seven sets he’d play over the course of three days at Los Angeles’ Whisky A Go Go. A few songs earlier, he first informed the crowd that they were recording the concert with plans of releasing it as an album, playing the newly-written Good to Me for the second time in nine songs simply because it was the single and they needed to get it right.

The recording was made before Otis Redding attained crossover fame at the Monterey Pop Festival, and with his regular touring band. s and The Mar-Keys horns. Eight of the tracks on this album (3-6, 9-12) were originally released on Recorded Live: Previously Unreleased Performances (Atlantic SD 19346). However, the rights to the recordings had reverted to Stax from Atlantic in 1972 and erroneously submitted back to Atlantic for that release