Peace Records 001, 1999 Japan 1. Fight For Freedom 2. Trap 3. Violence and Crime 4. Mind Revolution 5. Respect 6. Destroy Bonus: Punk Navigation EP.

At the time of its release, the album was not particularly well-received by critics or audiences, only peaking at number thirty on the UK Albums Chart. However, retrospective critical reception has been very positive

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Album cover by the mighty Phil Keller. 15 tracks of badassery. There's many more comps to come. Why? Well, because we appreciate your support, and so do the bands more than friends. Smash Your Head On The Punk Rock, Vol. 1, by Smash The Discos.

Punk rock started in 1976 on New York’s Bowery, when four cretins from Queens came up with a mutant strain of blitzkrieg bubblegum. The revolution they inspired split the history of rock & roll in half. But even if punk rock began as a kind of negation - a call to stark, brutal simplicity - its musical variety and transforming emotional power was immediate and remains staggering. Their first album explored obsessions like robotics, Ronald McDonald and cannibalistic apes, making devolution feel like the future. With their third album, the New York crew set themselves on a course to becoming the most important noise band of the past three decades. Amp-torture clinics like "Starpower" and "Expressway to Yr Skull" explore what bassist Kim Gordon had called "the darkness shimmering beneath the shiny quilt of American pop culture.

The band will release their seventh album on July 19 via Hopeless records, and is the follow-up to their 2016 comeback record 13 Voices. The album follows three years of solid touring from Sum 41, during which the world went through some serious changes. During the writing process, frontman Deryck Whibley found himself drawn to lyrics of division, social turmoil and hate

It's out May 21 via Daft Life Limited, an imprint of Columbia Records. If previous reports are correct, the album will feature Giorgio Moroder, Nile Rodgers, and Panda Bear. Watch the video for "Harder Better Faster Stronger": Artists In This Story.

Punk may have seen ‘no future’, but it was not year zero. Four decades since it exploded onto the scene, Nick Soulsby traces the records that laid the foundations for a movement that tore the whole house down. Punk liked to posit itself as a year zero, an existential yell rising up out of nothing more than pure opposition to the staid aspects of the mid-’70s music scene. In this year of punk celebrations we’re awash with images, reminiscences and tributes rehashing and repeating the idea of punk as a singular phenomenon