Bach: Cantatas for Soprano. Carolyn Sampson has risen to the top of the heap of Baroque-oriented singers over the years with her consistently strong performances in Masaaki Suzuki's Bach Collegium Japan Bach cantata cycle and under other high-profile conductors. Sampson maintains a balance between technical brilliance and thoughtful approaches to the text, and when everything falls into place the results are immensely satisfying. That shows signs of happening in the first two of the three cantatas here, all of them written during Bach's youthful Weimar period

Gavotte Sehet in Zufriedenheit Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans. Tritt auf die Glaubensbahn, BWV 152. 10. I. Sinfonia Johann Sebastian Bach; Freiburger Barockorchester; Petra Müllejans. 11. II. Aria "Tritt auf die Glaubensbahn" (bass) Johann Sebastian Bach; Andreas Wolf; Freiburger Barockorchester; Petra Müllejans. Featuring soloists Carolyn Sampson and Andreas Wolf with the Freiburger Barockorchester and Petra Müllejans, this release focuses on a selection of cantatas by . In particular, it brings together excerpts for soprano from cantatas written during the composer’s time in Weimar, including Mein Herze schwimmt im Blut and Weichet Nur, Betrübte Schatten. 96 kHz, 24-bit PCM – harmonia mundi Studio Masters. For Your Consideration More ▸.

Recitativo "Der Heiland ist gesetzt" (bass) 13. Tritt auf die Glaubensbahn, BWV 152: IV. Aria "Stein, der über alle Schätze" (soprano) 14. Tritt auf die Glaubensbahn, BWV 152: V. Recitativo "Es ärgre sich die kluge Welt" (bass) 15. Tritt auf die Glaubensbahn, BWV 152: VI.

Composed By – Johann Sebastian Bach. Conductor, Violin – Petra Müllejans. Mezzo-soprano Vocals – Bernarda Fink. Orchestra – Freiburger Barockorchester.

by Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans. Weichet Nur, Betrübte Schatten, Bwv 202: VIII. Recitativo "So Sei Das Band Der Keuschen Liebe" by Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans. Digital Booklet: Bach: Cantatas for soprano.

Carolyn Sampson, soprano. JS Bach: Cantatas for Soprano. Harmonia Mundi: HMM902252. Carolyn Sampson (soprano), Andreas Wolf (bass-baritone), Freiburger Barockorchester, Petra Müllejans. Carolyn Sampson, soprano. com/watch?feature youtu. be&v WRr3jYIOHA. Abbandonata - Handel Italian Cantatas.

Bach: Cantatas for soprano Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans. Booklet for Bach: Cantatas for soprano. Label: Harmonia Mundi. Johann Sebastian Bach (1685-1750): Weichet Nur, Betrübte Schatten, BWV 202: 1I. Aria "Weichet nur, betrübte Schatten"06:37. Info for Bach: Cantatas for soprano. For biographer Philipp Spitta, Bach's period as organist and later Konzertmeister to the Duke of Weimar (1708-17) was the time of his ‘early mastery’. Nowhere is this more evident than in the small but highly distinguished body of cantatas he wrote there, whether for the court chapel – the Himmelsburg or ‘Castle of Heaven’ – or for some clearly very joyful wedding (BWV202).

Johann Sebastian Bach (1685-1750). Weichet Nur, Betrübte Schatten, BWV 202 1 I. Aria "Weichet nur, betrübte Schatten" 06:37 2 II. Recitativo "Die Welt wird wieder neu" 00:25 3 III. Aria "Phoebus eilt mil schnellen Pferden" 03:31 4 IV. Recitativo "Drum sucht auch Amor sein Vergnügen" 00:37 5 V. Aria "Wenn die Frühlingslüfte streichen" 02:52 6 VI. Recitativo "Und dieses ist das Glücke" 00:42 7 VII. Aria "Sich üben im Lieben" 04:19 8 VIII. PERSONNEL Carolyn Sampson, soprano Andreas Wolf, bass-baritone Freiburger Barockorchester Petra Müllejans, conductor.

The English soprano, Carolyn Sampson, read music at the University of Birmingham where she won the Arnold Goldsbrough Prize for Baroque performance. She currently studies with Richard Smart. Carolyn Sampson's concert engagements have included Messiah with The Orchestra of the Age of Enlightenment a USA tour with The King's Consort as featured soloist, . Carolyn Sampson: Short Biography General Discussions. Recordings of Bach Cantatas & Other Vocal Works.

Carolyn Sampson (soprano), Andreas Wolf (bass-baritone), Freiburger Barockorchester, Petra Müllejans. From the ravishing duets for soprano and oboe of the latter to the penitential strains of BWV199, the radiant voice of Carolyn Sampson and the virtuosos of the Freiburger Barockorchester do full justice to Bach's inventiveness.