Features Song Lyrics for Loney Dear's Hall Music album.

Listen free to Loney, dear – Hall Music. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

Loney Dear- Calm Down. Eclectic Music YouTube Diary. Phonofile (от лица компании "Loney dear Recordings"); UBEM, Sony ATV Publishing, ASCAP, LatinAutor, LatinAutor - SonyATV, UMPG Publishing, CMRRA" и другие авторские общества (3).

Текст песни: Sleep well tonight Tomorrow we’ll fight Sleep while you can Rest while you still ca. .

Официальный представитель Music Hall в РФ. Скидки. Все в наличии в салоне.

Maria, Is That You, 02:24.

Loney Dear ‎– Hall Music. Label: Something In Construction ‎– SICNOTE 100. Format: CD, Album. Songwriter – Emil Svanängen. Written-By, Arranged By, Producer, Mixed By, Performer – Loney Dear.

Hall Music ‎(LP, Album, Ltd, Cya). Polyvinyl Record Company. Hall Music ‎(CD, Album). SICNOTE 100. Loney Dear. Something In Construction. UK. 2011.

Listen to Hall Music in full in the this site app. Play on this site.

Loney Dear's sixth album somehow captures the monstrous complexity of love, says Maddy Costa. Words fail," notes Emil Svanängen part-way through Hall Music. It probably isn't intentional, but that sliver of lyric sums up the thinking behind his sixth album as Loney, Dear. Love is too complicated, too ecstatic, too painful, to articulate without drifting into cliche ("Last night I dreamed about you again"), sentimentality ("I want your name next to mine"), or petulance ("I wanted someone seeing how sad I was"). So Svanängen communicates that monstrous complexity by swamping his lyrics with layer upon layer of harmonious yet clashing sounds.

This is especially true on Hall Music, Loney Dear’s third properly released full-length (not counting the three albums Svanängen self-released before getting picked up by Sub Pop for Loney Dear’s stateside debut, 2007’s Loney, Noir). Where Dear John hinted at cinematic grandeur and prayer-like melody, Hall Music is a spacious and somber affair. Opener Name is tender and earnest, buoyed by a wordless chorus and vocal echoes that recall Arthur Russell’s landmark World of Echo. Like Russell, Svanängen has never shied from a studious approach to pop music. The album ends on a highlight, though. What Have I Become? finds Svanängen taking a backseat to vocalist Malin Ståhlberg, whose voice sweeps a range from warm and mellow to piercing. It’s little surprise that the song’s arrangement is Hall Music’s most rhythmically engaged, pushing polyrhythmic percussion against driving keys and gliding streams of brass and strings. In a land with a thousand seasides/ I never really learned to swim at all, Ståhlberg sings, before resolving I really don’t care no more, as if resignation were its own catharsis.