Recorded By, Mixed By – Dominique – Patricia Markusfeld.

1977's "Le Desert Noir" album Alain plays various electric guitars, acoustic 12-string electric bass, wah-wah bass, acoustic piano, Jean-François Leroy is on. .Alain Markusfeld (guitares) et Jacques Verrecchia (claviers) remplacent respectivement Jean Kraut et Gilles Jérome

The song 'Le Désert Noir' by Alain Markusfeld has a tempo of 86 beats per minute (BPM) on 'Le Désert noir'.

Collectable Artists egg Alain Markusfeld. Все замечания, дополнения и предложения присылайте на mailectable-records.

Le Desert Noir is a music studio album recording by ALAIN MARKUSFELD (Psychedelic/Space Rock/Progressive Rock) released in 1977 on cd, lp, vinyl and/or cassette. After six years of silence, Markusfeld comes back in 1977 for a third album with "Le d�sert noir", in full prog's fall. Probably due to the time influence, the sound is far squarer than on its debut albums. On another hand, the production is excellent and so the sound's very good. The music features excellent guitar as usual, with much wha wha.

Third album of Alain MARKUSFELD after "Le Monde En Etages" (1970) and "Le Son Tombe Du Ciel" (1971), "Desert Noir" (1977) offers ethereal, delicate and fragile melodies based on the perfection of his guitarist's play. The result is close to a great success worthy of JADE WARRIOR or Steve TIBBETTS, made of highly evoking, long and instrumental parts.

Le Desert Noir is a heavier guitar album which features drums on almost every track, overall very hendrix influenced. With Platock, there is more maturity in his sound, combining delicate acoustic guitars and more piano to his trademark sound, with less reliance on drums. Contemporus attempts to continue in the same vein, but fails to reach the same energy level, except possibly on the sidelong "Contemporus" suite. Start with Platock, which most will agree is his best. Alain Markusfeld's first album, released in 1970 was composed by Markusfeld himself who also plays guitar on "La terre se dévore! (partie 2)". All pieces features Markusfeld french singing, in a rather spoken theatrical and declamatory style, which may remind of Ange. The lyrics, somehow science fiction inspired, feature a metaphysical, philosophical dimension with a good amount of delirious sick humour.

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Album · 2012 · 13 Songs. More By Alain Markusfeld.