Strauss: Rosenkavalier (Highlights) (classical music album) - Play streams in full or download MP3 from Classical Archives (classicalarchives. com), the largest and best organized classical music site on the web.

Richard Strauss - Kenny, Tomlinson, Montague, David Parry ‎– Der Rosenkavalier Highlights. Label: Chandos ‎– CHAN 3022. Series: Opera In English –. Format: CD, Album. Mezzo-soprano Vocals – Diana Montague. Orchestra – The London Philharmonic Orchestra. Producer – Brian Couzens. Soprano Vocals – Jennifer Rhys Davies. Soprano Vocals – Rosemary Joshua. Soprano Vocals – Yvonne Kenny. Recorded: Blackheath Halls; 14-16 & 18 December 1998.

Cast: The Feldmarschallin: Yvonne Kenny, soprano Baron Ochs: John Tomlinson Octavian: Diana Montague Herr von Fanimal: Andrew Shore Sophie: Rosemary Joshua Marianne: Jennifer Rhys-Davies Annina: Elizabeth Vaughan. Major-domo/Landlord: Eugene Ginty Valzacchi: Gareth Roberts Boots: Paul Parfitt. Running footmen: Gareth Roberts, Eugene Ginty, Stuart McIntyre, Neil Bellingham, Paul Parfitt, Mark Campbell-Griffiths Servants: Paul Parfitt, Neil Bellingham, Mark Campbell-Griffiths, Geoffrey Shaw, Nicholas Gedge, Anthony Scales

Richard Strauss, Yvonne Kenny, John Tomlinson, Diana Montague, Andrew Shore, Rosemary Joshua, Jennifer Rhys-Davies, Elizabeth Vaughan, Eugene Ginty, Gareth Roberts, Paul Parfitt, Stuart MacIntyre, Neil Bellingham, Mark Campbell-Griffiths, Geoffrey Shaw, Nicholas Gedge, Anthony Scales, Peter Kay Children's Choir, David Parry. Download now. English.

R. Strauss: Rosenkavalier (Highlights). London Philharmonic Orchestra. Liner Note Translation.

Der Rosenkavalier (highlights) Album Cover Art. Strauss ; Yvonne Kenny, John Tomlinson, Diana Montague, Rosemary Joshua, London Philharmonic Orchestra, David Parry. CD 1. 1. Der Rosenkavalier: Act I. Introduction. length: 3:12 conductor: David Parry orchestra: London Philharmonic Orchestra. 2. How are were! How you are! (Octavian, Marschallin). length: 5:25 conductor: David Parry orchestra: London Philharmonic Orchestra. 3. Ah, there he goes. (Marschallin, Octavian). length: 4:46 conductor: David Parry orchestra: London Philharmonic Orchestra. 7. I'll go now, go to church, and pray (Marschallin, Octavian). length: 3:18 conductor: David Parry orchestra: London Philharmonic Orchestra.

By Richard Strauss, Yvonne Kenny, David Parry. Der Rosenkavalier, Op. 59, TrV 227 (Sung in English): Act II: Introduction - A solemn day, a wondrous day (Faninal, Marianne, Major-Domo) - John Tomlinson, Diana Montague, Andrew Shore, Rosemary Joshua, Jennifer Rhys-Davies, Elizabeth Vaughan, Eugene Ginty, Gareth Roberts, Paul Parfitt, Stuart MacIntyre, Neil Bellingham, Mark Campbell-Griffiths, Geoffrey Shaw, Nicholas Gedge, Anthony Scales, Peter Kay Children's Choir, London Philharmonic Orchestra, 1:590:30. 9.

Not exactly a highlights disc, this, but a judiciously pruned and fully coherent presentation of a masterpiece that's arguably too verbose for its own good. All the hits are intact: Baron Ochs's rantings, the slithering presentation of the Rose, the velveteen final trio, and, of course, those indestructible waltzes. David Parry plays up the composer's frothy textures, keeping his strings away from the unlimited schlag bar. Chandos supplies an excellent synopsis together with full English texts.

Richard Strauss: Der Rosenkavalier (Highlights). Released by Universal Music Group Jan 2002 14 Tracks. Richard Strauss: Der Rosenkavalier (Highlights) is a Instrumental album released on Jan 2002. This album is composed by Richard Strauss. Richard Strauss: Der Rosenkavalier (Highlights) Album has 14 songs sung by Frederica von Stade, Rotterdam Philharmonic Orchestra, Evelyn Lear. Listen to all songs in high quality & download Richard Strauss: Der Rosenkavalier (Highlights) songs on Gaana.

Strauss: Der Rosenkavalier (excerpts). 20 January 2012 - 3:17pm. Submitted by root admin. Budgetary constraints perhaps precluded the recording of a complete Rosenkavalier in English; but, paradoxically, these highlights capture moments in the opera where text, borne aloft by song, matters less than when echt-Straussian word-intensive dialogues assume centre-stage. Fans of the cast will want this disc; others should perhaps wait for the complete opera.