Tracklist Hide Credits

Endtroducing...
A1	Best Foot Forward	0:49
A2	Building Steam With A Grain Of Salt Performer ["I Feel A New Shadow" Sample] – Jeremy StorchWritten-By ["I Feel A New Shadow" Sample] – Jeremy Storch	6:40
A3	The Number Song	4:40
A4.a	Changeling Performer ["Invisible Limits" Sample] – Tangerine DreamWritten-By ["Invisible Limits" Sample] – Chris Franke*, Edgar Froese, Peter Baumann	7:51
A4.b	** Transmission 1
B1	What Does Your Soul Look Like (Part 4) Performer ["The Vision And The Voice (Part One) - The Vision (Ray Smith)" Sample] – Flying IslandWritten-By ["The Vision And The Voice (Part One) - The Vision (Ray Smith)" Sample] – Flying Island	5:08
B2	Untitled	0:24
B3.a	Stem/Long Stem Performer ["Orion" Sample] – Nirvana Written-By ["Orion" Sample] – Alex Spyropoulos, Patrick Campbell-Lyons	9:17
B3.b	** Transmission 2
C1	Mutual Slump Performer ["Possibly Maybe" Sample] – Bjork*Written-By ["Possibly Maybe" Sample] – Bjork*	4:02
C2	Organ Donor	1:57
C3	Why Hip Hop Sucks In '96	0:43
C4	Midnight In A Perfect World Performer ["Sower Of Seeds" Sample] – Baraka Performer ["The Madness Subsides" Sample] – Pekka PohjolaWritten-By ["Sower Of Seeds" Sample] – Baraka Written-By ["The Madness Subsides" Sample] – Pekka Pohjola	4:57
D1	Napalm Brain/Scatter Brain	9:23
D2.a	What Does Your Soul Look Like (Part 1 - Blue Sky Revisit) Performer ["All Our Love" Sample] – Shawn Phillips Performer ["The Voice Of The Saxophone" Sample] – In MotionWritten-By ["All Our Love" Sample] – Shawn Phillips Written-By ["The Voice Of The Saxophone" Sample] – J. Heath*	7:27
D2.b	** Transmission 3
Excessive Ephemera
E1	Best Foot Forward (Alternate Version)	1:16
E2	Building Steam With A Grain Of Salt (Alternate Take Without Overdubs)	6:43
E3	The Number Song (Cut Chemist Party Mix) Remix, Producer [Additional] – Cut Chemist	5:09
E4	Changeling (Original Demo Excerpt)	1:00
F1	Stem (Cops ‘N’ Robbers Mix)	3:46
F2	Soup	0:43
F3	Red Bus Needs To Leave!	2:40
F4	Mutual Slump (Alternate Take Without Overdubs)	4:21
F5	Organ Donor (Extended Overhaul)	4:29
G1	Why Hip-Hop Sucks In ’96 (Alternate Take)	0:54
G2	Midnight In A Perfect World (Gab Mix) Vocals – Gab*Written-By – Josh Davis, T. Parker*	4:55
G3	Napalm Brain (Original Demo Beat)	0:35
G4	What Does Your Soul Look Like? (Peshay Mix) Remix, Producer [Additional] – Peshay	9:18
H	DJ Shadow Live In Oxford, England, Oct. 30, 1997	12:35
Endtroducing... Re-Emagined
I1	Best Foot Forward (Teeko Remix) Remix, Producer [Additional] – Teeko	1:43
I2	Building Steam With A Grain Of Salt (Salva Remix) Remix, Producer [Additional] – Salva*	4:17
I3	The Number Song (Lee Bannon Remix) Remix, Producer [Additional] – Lee Bannon	3:00
J1	Transmissions (Kuedo Remix) Remix, Producer [Additional] – Kuedo	4:16
J2	Changeling II (Adrian Younge Remix) Backing Vocals [Background Vocals] – Loren Oden, Saudia YasmeinDrums – David Henderson Electric Guitar – Jack WatersonElectric Piano [Fender Rhodes], Organ [Hammond], Bass Guitar, Alto Saxophone, Baritone Saxophone, Bass Clarinet, Clarinet, Flute – Adrian YoungeGuitar – C.E. Garcia*Remix, Producer [Additional] – Adrian Younge	3:04
J3	What Does Your Soul Look Like (Part 4) (DJ Spinn Teklife Remix) Remix, Producer [Additional] – DJ Spinn	4:24
K1	Stem/Long Stem (Clams Casino Remix) Remix, Producer [Additional] – Clams Casino	3:28
K2	Mutual Slump (Daedelus Remix) Remix, Producer [Additional] – Daedelus	4:07
K3	Organ Donor (UZ Remix) Remix, Producer [Additional] – UZ	3:55
L1	Midnight In A Perfect World (Hudson Mohawke Remix) Remix, Producer [Additional] – Hudson Mohawke	3:30
L2	What Does Your Soul Look Like (Part 1) (Prince Paul Remix) Remix, Producer [Additional] – Prince Paul	3:39
L3	Building Steam With A Grain Of Salt (Bondax & Karma Kid Remix) Remix, Producer [Additional] – Bondax, Karma Kid	4:00

Companies, etc.

• Record Company – Mo Wax
• Record Company – A&M Records
• Record Company – FFRR
• Recorded At – The Glue Factory
• Published By – Universal/MCA Music Ltd.
• Phonographic Copyright (p) – Universal Island Records Ltd.
• Copyright (c) – Universal Island Records Ltd.
• Record Company – BMG
• Published By – Sony/ATV Harmony UK
• Published By – Sony/ATV Music Publishing (UK) Ltd.
• Record Company – Mercury Records Ltd.
• Published By – Universal Music Publishing Ltd.
• Record Company – Virgin Records Ltd.
• Published By – BMG VM Music Ltd.
• Record Company – Welk Music Group
• Record Company – Island Records
• Published By – Carlin Music Corp.
• Record Company – Elektra Entertainment
• Licensed From – One Little Indian Records
• Licensed From – Mother Records Ltd.
• Licensed From – Elektra Entertainment Group
• Published By – Warner Chappell Music Ltd.
• Published By – Imagem Entertainment Limited
• Record Company – Baraka
• Record Company – Sony Music Entertainment
• Published By – Kensington Music Ltd.
• Published By – Universal Island Records Ltd.
• Remixed At – The Red October Chemical Storage Facility
• Recorded At – Oxford Brookes University
• Phonographic Copyright (p) – BBC
• Licensed Through – BBC Worldwide
• Phonographic Copyright (p) – Universal/Island Music Ltd.
• Copyright (c) – Universal/Island Music Ltd.
• Licensed To – Island Music Ltd.
• Record Company – Universal Music Operations Ltd.
• Record Company – Universal International Music B.V.
• Mastered At – SC Mastering
• Lacquer Cut At – Alchemy Mastering
• Copyright (c) – Eliot Wilder
• Pressed By – Optimal Media GmbH – BG 37421
• Pressed By – Optimal Media GmbH – BG 37422
• Pressed By – Optimal Media GmbH – BG 37425
• Pressed By – Optimal Media GmbH – BG 37426
• Pressed By – Optimal Media GmbH – BG 37428
• Pressed By – Optimal Media GmbH – BG 37429

Credits

• A&R [Mowax International A&R] – James Lavelle (tracks: A1 to D2.b)
• Design – Estuary English
• Engineer – DJ Shadow (tracks: A1 to D2.b)
• Engineer [Assistant] – The Automator* (tracks: A1 to D2.b)
• Interviewee [From Book] – DJ Shadow
• Interviewer [From Book] – Eliot Wilder
• Lacquer Cut By – Barry Grint, Bazza
• Liner Notes [From Book] – Eliot Wilder
• Management – Chris Mcilvenny
• Management [Project] – Chas Chandler
• Mastered By – Bob Macciochi*
• Photography By [All Photography Except Where Indicated] – B+*
• Photography By [From the Book, Pages 12, 14 To 16, 20 To 22, 24, 28, 30, 32] – Phil Knott
• Photography By [Gatefold Montage Shot By] – Barney Bankhead, Will*
• Producer, Mixed By – DJ Shadow
• Promotion [Marketing] – Sue Armstrong
• Research [Additonal Photography Research], Photography By [Additional Photography Research] – M J McMahon, Matthew Jones
• Sleeve [Sleeve Design], Design [Sleeve Design] – Ben Drury (tracks: A1 to D2.b), Will Bankhead (tracks: A1 to D2.b)
• Written-By – DJ Shadow (tracks: A1 to D2.b), DJ Shadow (tracks: E1 to G1, G3 to L3), J. Davis* (tracks: A1 to D2.b), Josh Davis (tracks: E1 to G1, G3 to L3)

Notes

Issued in a large cardboard box, "DJ Shadow" is embossed on cover. A sticker affixed to the blister informs the release is coming with a hardcover 48-page book featuring new interview with the artist. Endtroducing and Endroducing Re-Emagined both were issued in a gatefold sleeve with printed inner sleeves while Excessive Ephemera was issued in a standard sleeve with different inner sleeves compared to the ones to be found on the limited run of Excessive Ephemera released in 2005.

On LP1, A4.b, B3.b and D2.b's timings are not given, instead they are blended with the timings of the track they are following.

LP1: Endtroducing..... was originally released on Mo Wax MW059, Sept 16, 1996.
Reissued on UK A&M Records 540 007 in Sept 16, 1996.
Issued in the US on FFRR 69712 4123-2 Nov 19, 1996.
Recorded @ The Glue Factory, San Francisco.

On inner sleeves and completion from the book:
All tracks Published by Universal / MCA Music Ltd.
℗ & © 1996 Universal-Island Records Ltd.
Except
A2 ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "I Feel A New Shadow" used courtesy of BMG Records.
Published by Universal / MCA Music Ltd. / Sony/ATV Harmony UK / Sony/ATV Music Publishing (UK) Limited.
A3 ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "Orion" used courtesy of Mercury Records Limited.
Published by Universal / MCA Music Ltd. / Universal Music Publishing Limited.
A4.a ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "Invisible Limits" by Tangerine Dream, licensed courtesy of Virgin Records Ltd.
Published by Universal/MCA Music Limited / BMG VM Music Limited.
B1 Contains a sample of "The Vision And The Voice (Part 1) - The Vision (Ray Smith)" courtesy of Welk Music Group (US).
B3.a ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "Love Suite" used courtesy of Island Records.
Published by Universal/MCA Music Ltd. / Carlin Music Corp.
C1 ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "Possibly Maybe" used courtesy of Elektra Entertainment. Under license from One Little Indian Records, Mother Records Limited and Elektra Entertainment Group.
Published by Universal/MCA Music Ltd. / Universal Music Publishing Limited / Warner Chappell Music Ltd. / Imagem Entertainment Limited.
C4 ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "The Madness Subsides licensed courtesy of Virgin Records Ltd. Contains a sample of "Sower Of Seeds" courtesy of Baraka.
Published by Universal/MCA Music Ltd. / BMG VM Music Limited.
D2.a ℗ 1996 Universal-Island Records Ltd.
Contains a sample of "The Voice Of The Saxophone" from "Afro American Suite Of Evolution" used courtesy of Sony Music Entertainment. Contains a sample of "All Our Love" courtesy of A&M Records Ltd.
Published by Universal/MCA Music Limited / Kensington Music Limited.

On labels:
Endtroducing.....
Published by Universal-Island Records Ltd.
℗ 2016 Universal-Island Records Ltd.

LP2: Excessive Ephemera
Recorded @ The Glue Factory, San Francisco.

From the book:

E3 Remixed at The Red October Chemical Storage Faculty. [sic]
H Recorded for BBC Radio at Oxford Brooks University. Recorded 30th October 1997. ℗ 2005 BBC licensed courtesy of BBC Worldwide.

On labels:
Excessive Ephemera.....
Published by Universal-Island Records Ltd.
℗ 2016 Universal-Island Records Ltd.

LP3: Endtroducing Re-emagined

On labels:
Endtroducing Re-emagined.....
Published by Universal-Island Records Ltd.
℗ 2016 Universal-Island Records Ltd.

The release:

Mastered at SC Mastering www.scmastering.com
Lacquers cut at Alchemy Mastering
Management for Tap Management
Project management for UMC
Marketing for UMC
Additional photographic research at Capture
First half of liner notes taken from 'Endtroducing' (part of the 331/3 series) © Eliot Wilder, 2005, and Bloomsbury Continuum US, an imprint of Bloomsbury Publishing Inc.
℗ Universal-Island Music Ltd. © Universal-Island Music Ltd. Licensed to Island Music Ltd. a division of Universal Music Operations Ltd. Universal International Music B. V.
Made in Germany

Barcode and Other Identifiers

• Barcode (Text, on sticker): 6 02547 95720 7
• Barcode (String, from sticker): 602547957207
• Matrix / Runout (Side A, runout grooves hand etchings): 4795722-A1 BAZZA ALCHEMY BG 37421-01 A1 Ɩı [short line and flipped 1 symbol or ji]
• Matrix / Runout (Side B, runout grooves hand etchings): 4795722-B1 BG 37421-01 B1 Ɩı [short line and flipped 1 symbol or ji]
• Matrix / Runout (Side C, runout grooves hand etchings): 4795724-A1 BAZZA ALCHEMY BG 37422-01 A1 =ı [equal symbol, flipped 1 symbol]
• Matrix / Runout (Side D, runout grooves hand etchings): 4795724-B1 [upside down bold chevron symbol] BG 37422-01 B1 =ı [equal symbol, flipped 1 symbol]
• Matrix / Runout (Side E, runout grooves hand etchings): 4795726-A1 BG 37425-01 A1 BAZZA ALCHEMY Ɩı [short line and flipped 1 symbol or ji or ^ and flipped 1]
• Matrix / Runout (Side F, runout grooves hand etchings): 4795726-B1 BG 37425-01 B1
• Matrix / Runout (Side G, runout grooves hand etchings): 4795728-A1 BG 37426-01 A1 BAZZA ALCHEMY
• Matrix / Runout (Side H, runout grooves hand etchings): 4795728-B1 BG 37426-01 B1
• Matrix / Runout (Side I, runout grooves hand etchings): 4795729-A1 BAZZA ALCHEMY BG 37428-01 A1
• Matrix / Runout (Side J, runout grooves hand etchings): 4795729-B1 =ı [equal symbol, flipped 1 symbol] BG 37428-01 B1
• Matrix / Runout (Side K, runout grooves hand etchings): 4795731-A1 BG 37429-01 A1 BAZZA ALCHEMY =ı [equal symbol, flipped 1 symbol]
• Matrix / Runout (Side L, runout grooves hand etchings): 4795731-B1 J= BG 37429-01 B1 =ı [equal symbol, flipped 1 symbol]
• Other (Category printed on sleeve's spine and side A label of record 1): 4795722
• Other (Category printed on inner sleeve and both labels of record 1): 00602547957221
• Other (Category printed on sleeve's spine and side A label of record 2): 4795724
• Other (Category printed on inner sleeve and both labels of record 2): 00602547957245
• Other (Category printed on sleeve's spine and side A label of record 3): 4795726
• Other (Category printed on inner sleeve and both labels of record 3): 00602547957269
• Other (Category printed on sleeve's spine and on side A label of record 4): 4795728
• Other (Category printed on inner sleeve and both labels of record 4): 00602547957283
• Other (Category printed on sleeve's spine and on side A label of record 5): 4795729
• Other (Category printed on inner sleeve and both labels of record 5): 00602547957290
• Other (Category printed on sleeve's spine and on side A label of record 6): 4795731
• Other (Category printed on inner sleeve and both labels of record 6): 00602547957313
• Rights Society: BIEM/SDRM
• Label Code: LC 00407

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
MW059	DJ Shadow	Endtroducing..... ‎(2xLP, Album, Gat)	Mo Wax	MW059	UK & Europe	1996
B0025630-02	DJ Shadow	Endtroducing... (20th Anniversary Endtrospective Edition) ‎(CD, Album, RE + CD, Comp, RE + CD, Album)	Island Records	B0025630-02	US	2016
MW059MC	DJ Shadow	Endtroducing..... ‎(Cass, Album)	Mo Wax	MW059MC	UK	1996
CM0329	DJ Shadow	Endtroducing..... ‎(CD, Album, Unofficial)	中国黄标	CM0329	China	Unknown
540 607-2	DJ Shadow	Endtroducing..... ‎(CD, Album, RP)	Mo Wax	540 607-2	UK & Europe	Unknown

Yndanol

I hate so much that this is the only version of the vinyl with the entire track listing

Unirtay

What do you mean by "entire track listing?" Are the songs in a different order?

Karg

This is a fantastic collection in beautiful packaging. This album is a true gem in every sense. HOWEVER, I just purchased this box set brand new still sealed from Amoeba in Hollywood and half of the tracks are skipping on the first play. I am hoping Amoeba will resolve this with me but clearly it isn't their fault so I feel bad even asking. Pretty gutted to spend $100+ on a sealed box set I've been looking forward to enjoying and having it this defective.

Dianalmeena

That's why I check all my LP's just to be sure that everything's good or like it should. On the other hand as soon as you open (even only to check) you can't get the price like (for a maybe wrong) sealed one. I had so many albums that were sealed and isn't really not good or sometimes disappointing. Jay-Z's Black Album not plane and full of little bubbles, even Wendy Rene(which was highly acclaimed) was a real disappointment. Not from the sound but the vinyls.. Better open it cause after awhile you can't change it no more.Peace

Ynneig

The whole collection is well worth it. The Reimagined vinyl is ludicrously well produced and mastered - It's also a good snapshot of just how amazing producing / mastering has become when listening to the 1996 Endtroducing, made using 12bit samplers - the Endtroducing Reimagined sounds absolutely massive, the bass is so huge.

Grosho

The first sleeve of "Excessive Ephemera" misprints/typos a track title -- Building Steam With A Grain Salt / Alternate take without overdubs -- but the hard cover book has the correct full title.

Kagrel

Does anyone know if the release sold directly through Universal is any different than the one sold through dj shadow dot com?

Zeli

A gorgeous set, packaged very nicely, pressed beautifully, and worth every penny!! No funny “remastered” business here, J.S. sticks to his guns, but the program has been changed up a bit on the original album component of this release, and appropriately so. By squeezing "Changeling/Transmission 1" onto side A, it shifts and shuffles how side B and C open and close, then goes back to the original programming in time for side D, ending each record with a "Transmission" basically. The record is also cut at a lower volume than the 96' vinyl release, but reinstates the color labels (which are not found on the 2002 repress, they came with black labels). I must say that the "Re-Imagined" material has more to do sonically with Shadow's most current release "The Mountain Will Fall" than it does with his first original masterpiece (the only real keeper being "Changeling II (Adrian Younge Remix)"). Mr. Younge seems to understand "Endtroducing.....", and in my opinion this man and his band should have been left to handle the whole remix/re-imagined project. ".....Ephemera" serves it's purpose with being exactly what it is-"Excessive.....", with the absolute must have "DJ Shadow Live In Oxford, England, Oct. 30, 1997" representing the other brilliant side of this man-“the performer".

GAZANIK

Don't know what my fellow "discogs audiophile nerds" buddies think about this one but I'm playing the original album out of this box right now and it's a huge improvement on my 2011 repress (I did buy it on CD at release time), pretty good pressing to my ears at least !As for the bonuses I already had the "Excessive Ephemera" part of the 2005 Deluxe CD edition and listened to the remixes and of course they don't surpass the original (which you would have guess I'm a huge fan...) but they are interesting and an enjoyable listening for sure !So pretty happy with that box, yes it's no cheap but I would say it's a "Normal" price for 6 gatefold LPs in a nice sturdy box and a short but nice book these days, at least the pressing seems really good and this album well deserve that I bought it for a fourth time over the last 20 years enjoying it again and again...

Maveri

The Adrian Younge remix is really nice, the rest are pretty forgettable and i dont think anyone will be talking about them in 5 years never mind 20. It does sound good and is a nice pressing but stick to the original and save your money.

Modigas

I'm a massive fan of the Salva and DJ Spinn remixes as well - that footwork vibe really works nicely over the dusty hip-hop vibe of the original Endtroducing tracks.