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Gary_Numan Synth-pop 2002 UK
Gary Numan - Warriors album

Gary Numan - Warriors album

  • Performer: Gary Numan
  • Genre: Electronic
  • Title: Warriors
  • Released: 2002
  • Style: Synth-pop
  • Country: UK
  • MP3 version size: 1920 mb
  • FLAC version size: 1684 mb
  • Other: MOD ADX XM WMA MMF DXD VOX
  • Rating: 4.6
  • Votes: 673
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Description

Since the late 80's none of the warriors material has been played live so here is a selection of live Warrios tracks from 83-88

Gary Numan : Warriors,альбом, рецезия, трек-лист, mp3, тексты песен.

Features Song Lyrics for Gary Numan's Warriors album.

Warriors is the fifth solo studio album by English musician Gary Numan, originally released in September 1983. It was his last studio album released on Beggars Banquet Records. Singles, sales and tour. Bonus tracks on the 1993 reissue. Bonus tracks on the 2002 reissue. Gary Numan returned to England in May 1983 to record the album.

Gary Numan ‎– Warriors. Label: Beggars Banquet ‎– BBL 47 CD, Beggars Banquet ‎– BBL 47CD. Format: CD, Album, Reissue, Remastered. Originally mastered at Trident. CD remastered from analog studio tapes at Loud. All songs published by Numan Music Limited.

Tracklist: 1. Warriors, 2. I Am Render, 3. The Iceman Comes, 4. This Prison Moon, 5. My Centurion, 6. Sister Surprise, 7. The Tick Tock Man, 8. Love Is Like A Clock Law, 9. The Rhythm Of The Evening. More albums from Gary Numan: Scarred by Gary Numan. British Live Performance Series by Gary Numan. Live At The Forum Box Set by Gary Numan. Machine And Soul by Gary Numan. Big Noise Transmission by Gary Numan. Outland by Gary Numan. The Unknighted Nations by Gary Numan. View all albums . Warriors.

Band Name Gary Numan. Labels Pid Beggars Banquet ADA. Music StyleNew-Wave. Members owning this album2. 3. Iceman Comes, The. 4. Prison Moon, This. 7. Tick Tock Man, The.

Dance is the third solo studio album by English musician Gary Numan, released in 1981. It was the first studio album Numan released after his "Farewell Concerts" staged at Wembley Arena (although Numan would return to performing live shows in 1982). Dance features the UK Top 10 single "She's Got Claws". The album itself reached on the UK charts

Live at Hammersmith Odeon 1989. Gary Numan & Ade Fenton. 2016 Original Motion Picture Soundtrack. The Global Party Album 2016.

Tracklist Hide Credits

1 Warriors 5:50
2 I Am Render
Lyrics By – Gary NumanMusic By – John Webb
 4:56
3 The Iceman Comes 4:25
4 This Prison Moon 3:18
5 My Centurion 5:22
6 Sister Surprise 8:29
7 The Tick Tock Man
Keyboards – Terry Martin
 4:22
8 Love Is Like Clock Law 4:00
9 The Rhythm Of The Evening 5:54
Bonus Tracks
10 Poetry And Power 4:25
11 My Car Slides 3:01
12 My Car Slides 4:42
13 Nameless And Forgotten 5:02
14 Sister Surprise (Single Version) 4:52
15 Warriors (Full Length Version) 7:30

Credits

  • Bass – Joe Hubbard
  • Drums – Cedric Sharpley*
  • Engineer – Nick Smith , Pete Buhlmann
  • Engineer [Assistant To Nick Smith] – Mark Brown
  • Engineer [Assistant To Pete Buhlmann] – John Webb
  • Guitar – Bill Nelson, Gary Numan, Rrussell Bell
  • Keyboards – Bill Nelson, Chris Payne , Gary Numan, John Webb
  • Layout [Cd], Design [Additional] – Steve Webbon*
  • Liner Notes – Steve Malins
  • Mastered By [Originally] – Ray Staff
  • Mixed By – Gary Numan, Pete Buhlmann
  • Other [Make Up] – Patti Burris
  • Percussion – Cedric Sharpley*, Gary Numan, John Webb
  • Photography By – Geoff Howes
  • Producer – Gary Numan
  • Remastered By – John Dent
  • Saxophone – Dick Morrissey
  • Songwriter – Gary Numan (tracks: 1, 3 to 15)
  • Viola – Chris Payne
  • Vocals – Gary Numan, Tracey Ackerman*

Notes

Recorded at Rock City Studios, Shepperton, Middlesex. Originally mastered at Trident. CD remastered from analog studio tapes at Loud.

All songs published by Numan Music Limited.
℗ 1983 Beggars Banquet Records Ltd. © 2002 Beggars Banquet Records Ltd.

On Rear:
BBL 47CD

On CD:
℗ & © 2002 Beggars Banquet.
BBL 47 CD

Remastered edition comes in a standard jewel case with sixteen page booklet. Credits are taken from the booklet.

Tracks 10 & 14: Gary Numan - Sister Surprise 7" single A & B-sides.
Tracks 11 & 12: Gary Numan - Warriors 12" single B-sides.
Track 13: previously unreleased.
Track 15: Gary Numan - Sister Surprise 12" single A-side.

Website listed below barcode is US address only:
http://www.beggars.com/us
Otherwise this is essentially identical to its UK counterpart.

Barcode and Other Identifiers

  • Barcode: 6 07618 00472 9
  • Matrix / Runout: 48481AM-02 BBL-47 020810-19

Other versions

Category Artist Title (Format) Label Category Country Year
24-0241-1, BEGA 47, 240241-1 Gary Numan Warriors ‎(LP, Album) Beggars Banquet, Beggars Banquet, Beggars Banquet 24-0241-1, BEGA 47, 240241-1 UK 1983
24 02414 Gary Numan Warriors ‎(Cass, Album) WEA, Warner Bros. Records 24 02414 Canada 1983
240 241-1 Gary Numan Warriors ‎(LP, Album) Beggars Banquet 240 241-1 Netherlands 1983
P-11410 Gary Numan Warriors ‎(LP, Album) WEA, Beggars Banquet P-11410 Japan 1983
P-11410 Gary Numan Warriors ‎(LP, Album, Promo) WEA, Beggars Banquet P-11410 Japan 1983

Video

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Comments

Waiso Waiso
A lot of Numan fans seem torn about this album; I myself am in a very shaky middle ground, I've never been able to make my mind up on whether simply casting it off as a weak link or as some misunderstood experiment. The first track, Warriors, sort of brings up all of the album's strengths and weaknesses: it's long and somewhat meandering, not really sure what it should be, and while being fairly catchy and the lyrics are interesting, I've never really understood exactly what Numan wants me to make out of the song. Each of the rest of the album's songs, including the b-sides, give me that, or a similar, feeling. The only two tracks that I've ever been decided on, and genuinely enjoyed, would be My Centurion and the b-side Poetry And Power, which many other fans have regarded as among the worst pieces here.I think it's the execution of these tracks that confound my ears. I've heard most of these songs live on many various occasions, and I've preferred those recordings far more than the original studio mixes, even if the production on either don't differ greatly, thus the execution of it. I sort of think of Numan's questionable costuming during this album's phase that kind of coincides with the contradicting style of the music, wishing to say one thing, but then not quite saying it clearly.