Menace Ruine : Cult of Ruins,альбом, рецезия, трек-лист, mp3, тексты песен.

Ruins (2014 Kranky) All rights belong to Grouper Tracklist: Made of Metal- 0:00 Clearing- 1:39 Call Across Rooms- 6:20 Labyrinth- 9:20 Lighthouse- 13:08 Ho. .

Cauldron is a 2008 album by Ruins. Where Time Is Left Behind (Echoes of Ghosts)" – 5:36. Threshold Forms" – 4:29. Hanged After Being Blinded" – 6:15.

Symphonica is the 11th studio album by the Japanese Zeuhl band Ruins. For this album, Yoshida Tatsuya enlisted the help of a keyboard player (Kenichi Oguchi) and two female singers (Emi Eleonola and Aki Kubota) to remake several older Ruins songs. Yoshida is also joined by bassist Sasaki Hisashi. Graviyaunosch" – 6:21. Praha In Spring" – 4:37. Brixon Varromiks" – 8:41. Bliezzaning Moltz" – 7:12. Tatsuya Yoshida: drums, vocals.

Cauldron (Ruins album). Cauldron is a 2008 album by Ruins.

Drone Plane (album) by Symphocat, released 25 February 2019 1. Symphocat - Warm Red 2. Symphocat - Ruins of Regrets 3. Symphocat . Drone Plane is a musical variation in the desire to feel the fusion with the air space, to touch the vast and to come into contact with it. Cold, sometimes melancholy ambient drone envelops the consciousness of the observer looking through the eluminator over the horizon in recent years, I wanted to capture the sensations that I experienced when flying on an airplane high in the clouds, and watching the soaring, flying objects from the ground.

Ruins is Grouper's "unplugged" record, essentially, as much as that might sound odd for a musician who has always put acoustic guitar and piano and voice at the core of her work. Here she foreswears the looping pedals and the innumerable layers of fuzz, and what we're left with is achingly beautiful. Ruins is Grouper's "unplugged" record, essentially, as much as that might sound odd for a musician who has always put acoustic guitar and piano and voice at the core of her work.

a virtual traveller 10 000 feet above spies a land he will never reach or understand.

These themes suffuse Ruins. It is an album haunted not only by the ruins of rural Aljezur, through which Harris walked on her several-mile hike to the nearest beach, but by emotional ruins – the sort of edifices which, while long since uninhabitable, still persist in the mind. Harris seems irritated by the question of why the album took so long to emerge ( aren’t everyone’s releases from an earlier time by the time they’ve been mixed, mastered and pressed? ). Of course, Ruins isn’t her first retrospective release, and like the recent The Man Who Died In His Boat (a partner piece to 2008’s exquisite Dragging A Dead Deer Up A Hill), it hasn’t suffered at all for its time spent on the shelf.