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This segment takes us through Baltimore, Worcester, and Burlington

June 2009 is a compilation album by American recording artist Toro y Moi, released on April 24, 2012 by Carpark Records. Originally sold as a tour-only CD-R, it consists of previously unreleased material produced and recorded by Bundick in June 2009, before his debut studio album, Causers of This (2010), was recorded.

Relix Magazine ‎– none. Format: CD, Compilation. Country: Released: 2009. Genre: Rock, Folk, World, & Country.

Very Best of the Relix Years is an album by the country rock band the New Riders of the Purple Sage. It was released in England on the Retro World label on June 2, 2009. It contains previously released songs from five Relix Records albums. Very Best of the Relix Years includes the complete contents of Live on Stage, an album that was recorded live in 1975 and released in 1993, and Keep On Keepin' On, a studio album released in 1989.

In the late '80s and early '90s, NRPS, led in various configurations by this time by John Dawson and t Rusty Gauthier, recorded several albums for Relix Records, and this two-disc set collects some of the best tracks from that time period

Formerly known as Relix The Underdog.

1969–1993 Very Best of the Relix Years includes the complete contents of Live on Stage, an album that was recorded live in 1975 and released in 1993, and Keep On Keepin' On, a studio album released in 1989. It also includes selected songs from Before Time Began that were recorded in the studio in 1969 and released in 1986, as well as selections from Midnight Moonlight, a studio album released in 1992, and Live in Japan, a live album recorded in 1993 and released in 1994. Confusingly, the front cover of Very Best of the Relix.

Information on Various Artists. Peoples Potential Unlimited Family Album. LP. 80. critic score. Strange Breaks & Mr Thing II.

With that in mind, June 2009 almost has to be chronologically sequenced in light of just how jarring "Sad Sams" turns out to be. Up to that point, it's mostly hummable, punchy guitar music with some bubble-funk affectations, pleasant if not particularly unique amongst the scores of lo-fi artists doing the same thing. Still, there's no getting around the fact that June 2009 acquires most of its value, if not all of it, in context with Causers of This and Underneath the Pine. But it allows you to think "big picture" not only about Bundick, but the role of production and atmosphere in general. The most common criticism of Toro Y Moi is that it's more "vibes" than "songs," which assumes a false binary.