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Watch pianist Noriko Ogawa give an electrifying piano lesson on Satie's effervescent 'Le Piccadilly'.
Using an 1890 Érard piano, Noriko Ogawa has recorded Satie's most famous pieces for the first volume of a series of the complete solo piano music on BIS, including the Trois Gymnopédies, the Gnossiennes, Avant-dernières pensées, the Sonatine bureaucratique, Embryons desséchés, and others from Satie's iconoclastic oeuvre.
Noriko Ogawa, Erik Satie. Noriko Ogawa, Erik Satie - Piano Music, Vol. 1 (Album).
This album has an average beat per minute of 100 BPM (slowest/fastest tempos: 66/170 BPM). See its BPM profile at the bottom of the page. Tracklist Noriko Ogawa plays Erik Satie on an 1890 Erard piano, Vol. 1. Gnossienne no. Lent. Avant-dernières pensées.
Offer, Satie: Piano Music, Vol. Noriko Ogawa (piano). In this utterly delightful disc manages to convey not only Satie’s quirkiness, but his honest. gawa does use the sustaining pedal, but sparingly. BBC Music Magazine, September 2016, Mor. elease Date: 1st Jul 2016. Catalogue No: BIS2215. Label: BIS. Length: 77 minutes. Presto Recording of the Week. Presto Recordings of the Year.
Noriko Ogawa is a major pianist who bases her career half in her native Japan and half in Europe. Her repertory is primarily of the Romantic era and later, with an emphasis on recent classics. She released a stunning disc of complete Takemitsu piano music, and has also recorded piano concertos of Tcherepnin, as well as music by Harald Saeverud, Johan Peterson-Berger, and selections of Japanese solo piano music and music for cello and piano. After the turn of the century she continued projects to record more Rachmaninov and music of Schumann and Debussy.
The selling point of this album – the first in a new survey of Erik Satie’s piano music – is the fact that the instrument featured is an Érard from 1890, the same year Satie started work on his stunningly weird and hypnotic Gnossiennes
Featuring Erik Satie’s pieces for children as well as the Sports et divertissements suite, established artist Noriko Ogawa presents her second collection of Satie’s piano music, all performed on a 1890 piano by Erard, whose crisp sound is a perfect match for these humorous yet tender works. 96 kHz, 24-bit PCM – BIS Studio Masters.
Noriko Ogawa continues her foray into the world of French piano music. Praised for her complete Debussy piano works on Bis Recordings, Noriko Ogawa is now tackling Satie, whose visionary music, ideas and sense of humour inspire her. Inside the new issue of Pianist, out end of July (issue 91, Aug/Sept 2016) she talks to Erica Worth about her views on Satie's music £1. 9. Shop now. Latest Blogs. 5 fun piano warm-ups for beginners.
| Gnossiennes | (18:50) | |
| 1 | Gnossienne No. 1 Lent | 3:34 |
| 2 | Gnossienne No. 2 | 1:49 |
| 3 | Gnossienne No. 3 Lent | 2:29 |
| 4 | Gnossienne No. 4 Lent | 2:09 |
| 5 | Gnossienne No. 5 Modere | 3:29 |
| 6 | Gnossienne No. 6 | 1:07 |
| 7 | Gnossienne No. 7 | 3:53 |
| 8 | Le Piccadilly (Marche) . Pas trop vite | 1:23 |
| Chapitres tournés en tous sens | (5:10) | |
| 9 | I. Celle qui parle trop. Vif | 0:50 |
| 10 | II. Le porteur de grosses pierres. Très lent | 2:20 |
| 11 | III. Regrets des enfermés (Jonas et Latude). Soyez modéré | 1:54 |
| Avant-dernières penseés | (2:45) | |
| 12 | I. Idylle. Modéré, je vous prie | 0:51 |
| 13 | II. Aubade. Pas vite | 1:08 |
| 14 | III. Méditation. Un peu vif | 0:42 |
| Croquis et agaceries d’un gros bonhomme en bois | (4:36) | |
| 15 | I. Tyrolienne turque. Avec precaution et lent | 1:51 |
| 16 | II. Danse maigre (à la manière de ces Messieurs). Assez lent, si vous le voulez bien | 1:21 |
| 17 | III. Españaña. Sorte de Valse | 1:19 |
| Sonatine bureaucratique | (3:44) | |
| 18 | Allegro | 1:04 |
| 19 | Andante | 1:11 |
| 20 | Vivace | 1:28 |
| 21 | Poudre d’or (Valse) . Modéré | 4:36 |
| Embryons desséchés | ||
| 22 | I. d’Holothurie. Allez un peu | 1:53 |
| 23 | II. d’Edriophthalma. Sombre | 2:27 |
| 24 | III. de Podophthalma. Un peu vif | 1:42 |
| Descriptions automatiques | ||
| 25 | I. Sur un vaisseau. Assez lent | 2:12 |
| 26 | II. Sur une lanterne. Lent | 1:57 |
| 27 | III. Sur un casque. Pas accéléré | 0:54 |
| Heures séculaires et instantanées | ||
| 28 | I. Obstacles venimeux. Noirâtre | 1:46 |
| 29 | II. Crépuscule matinal (de midi). Sans grandeur | 0:52 |
| 30 | III. Affolements granitiques. Vivement | 0:53 |
| 31 | Prélude en tapisserie . Lent | 2:03 |
| Les trois valses distinguées du précieux dégoûté | ||
| 32 | I. Sa taille. Pas vite | 1:04 |
| 33 | II. Son binocle. Très lent, s’il vous plait | 1:28 |
| 34 | III. Ses jambes. Déterminé | 0:46 |
| 35 | Je te veux (Valse) . Modéré | 5:16 |
| Trois Gymnopédies | ||
| 36 | Gymnopédie No. 1. Lent et douloureux | 3:28 |
| 37 | Gymnopédie No. 2. Lent et triste | 3:09 |
| 38 | Gymnopédie No. 3. Lent et grave | 2:47 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| BIS-2215 | Noriko Ogawa, Erik Satie | Noriko Ogawa, Erik Satie - Piano Music, Vol. 1 (38xFile, FLAC, Album) | BIS | BIS-2215 | UK & Europe | 2016 |
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