Disastroid - Missiles.

Disastroid: Broken, New Day, Chasing Ghosts и другие песни.

Gatefold CD of Disastroid's 2014 LP "Missiles" Artwork by Travis Williams 1. Lost in Space 03:49 2. Bird Watcher 04:51 3. Unsound Mind 05:35 4. Hellbender 04:20 5. Mighty Road 06:39 6. Obeah 05:07 7. Missiles 06:06 8. Machete 00:59 Recorded and Engineered by Greg Francis at Studio SQ, San Francisco Mixed by Scott. Evans at Antisleep Audio, Oakland Mastered by Mike Wells Mastering, Los Angeles Includes unlimited streaming of Missiles via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 7 days. San Francisco's Disastroid plays a heavy mix of stoner, grunge, and noise rock. Check out more neato stuff at ww. isastroid. com Enver Koneya Travis Williams Braden McGaw.

Missiles" by Disastroid. We’re helping KOOK celebrate the release of their new record on May 17. Fri, 17 may at 20:00 pdt. KOOK II Release Show with Ape Machine, Disastroid, and Sky Pig. Homestead Bowl & The X Bar · Cupertino, CA, United States.

Tracks count: 8. Views: 2. Disastroid - Mighty Road 06:40. Disastroid - Machete 00:59. Disastroid - Hellbender 04:20. Disastroid - Missiles 06:06. Disastroid - Lost in Space 03:49. Karoshi - Disastroid. Life or Death - Disastroid. Money and Guilt - Disastroid.

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Their last album, Missiles, is dexterous and energetic in part to the fretwork abilities of both Enver Koneya (vocals/guitar) and Travis Williams (bass), while Braden McGaw (drums) leads the unit in a variety of time signatures. The songwriting on their new album, Screen, distances itself from the former with more straightforward riffs, a muddier sound, and fewer dynamics throughout the nine tracks. Think of trudging riffs being led by a steadier time keep, like a giant marching to a war drum cadence. Screen shows how versatile their songwriting is, along with confounding us writers even more. Disastroid’s music is the soundtrack to the interstellar war of the three heads of King Ghidorah against Frank Kozik, George Carlin, and David Yow. The differences between Screen and Missiles aren’t substantial but considerable enough to be noticed off the cusp. The tracks Coyote and Dinosaur are go-to examples to back up this description with its repetitive, robotic-like riffing throughout. The first QOTSA album is a good reference point to get an idea of that description. Getting in the Way and the title track are the grunge sounding tracks on the record, which seems appropriate given.