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[rmb] - Widescreen album

[rmb] - Widescreen album

  • Performer: [rmb]
  • Genre: Electronic
  • Title: Widescreen
  • Released: 1998
  • Style: Breakbeat, Trance, Downtempo
  • Country: Poland
  • MP3 version size: 1101 mb
  • FLAC version size: 1746 mb
  • Other: ASF MIDI AHX MOD AA MPC AHX
  • Rating: 4.4
  • Votes: 373

Description

Listen free to RMB – Widescreen (Madmans Legend (Widescreen), Shadows (maxi version) and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

RMB - Widescreen Year: 1998 Track n. 2: Spring (Album Maxi Version). You can find the other songs from this album on my channel.

This is the second album from RMB and it seems that the second album is a difficult task for the majority of artists, especially if you have establish a name and a style in the music industry. This crossroad appears here, since we are in the post rave era where tracks are more slow, boring and softer. This album is not bad, although it's a lot different from This world is yours. It shows that RMB are capable of producing in a large variety of electronic styles. Despite this, my cryticism on this album are that some tracks do not seem to be propperly finished (everything (all three versions), uprising, no woman no kids, while these tracks have so much potential.

A Tribute To RMB by RMB. This World Is Yours by RMB. View all albums . Widescreen. By: RMB (1998, Electronic). 1. Madman’s Legend 11. Baraka (Short Album Version). 12. Spring (Album Maxi Version). 13. Spring (Live At Mayday 97).

Widescreen Tracklist.

Widescreen - RMB. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве. Madmans Legend (Widescreen). 2. Shadows Maxi Version Widescreen. 3. Everything Groove Version Widescreen. 5. Everything (The Rise Widescreen). 6. Fighting for a Fine Place (Widescreen). 7. Unreality (Widescreen).

This album has an average beat per minute of 129 BPM (slowest/fastest tempos: 100/150 BPM). See its BPM profile at the bottom of the page. Tracklist Widescreen.

Features Song Lyrics for Rmb's Widescreen album. Spring (Live At Mayday 1997) Lyrics. Reality (album cut) Lyrics. 4. Break the Silence Lyrics. Rmb Lyrics provided by SongLyrics. Do you like this album?

Exclusive discount for Prime members. Sample this album Artist (Sample). 30. Shadows (Maxi Version Widescreen).

Tracklist Hide Credits

1 Madman's Legend 7:20
2 Shadows (Maxi Version)
Music By, Words By – Sharam Khososi*Vocals – Tina Lux*
6:02
3 Everything (Groove Version) 3:12
4 Everything (Can't Hide Version) 4:13
5 Everything (The Rise) 3:50
6 Fighting For A Fine Place 3:18
7 Unreality 5:10
8 Reality (Album Cut) 5:55
9 Anyway
Vocals – Pete L.
5:57
10 Break The Silence 6:37
11 Baraka (Short Album Version) 2:18
12 Spring (Album Maxi Version)
Vocals [Uncredited] – Marion Haarmeyer
3:29
13 Spring (Live At Mayday 97) 2:23
14 Rhythm Desease 2:42
15 Fatal Illusion 4:53
16 No Friend 1:31
17 Uprising 3:10
18 No Women No Kids 3:50

Companies, etc.

  • Phonographic Copyright (p) – Low Spirit Recordings
  • Copyright (c) – Low Spirit Recordings
  • Manufactured By – Sonopress – V-3072
  • Distributed By – BMG

Credits

  • Artwork, Photography By [Landscapes] – Lilly Tomec
  • Guitar – Pete L. (tracks: 3 to 5, 8, 9)
  • Music By, Words By, Producer – Farid Gharadjedaghi, Rolf Maier-Bode
  • Photography By [Band] – Ralf Strathman*
  • Vocals – Angela Caran (tracks: 3 to 5, 8, 10)

Notes

Made in the EU

Total 76:45

Contains vocal samples from the movies "Se7en" (track 6 - Morgan Freeman), "The Usual Suspects" (track 10 - Kevin Spacey), "Leon - The Professional" (tracks 8 - Gary Oldman + 18 - Gary Oldman, Natalie Portman & Jean Reno) and "Twelve Monkeys" (track 1 - Frederick Strother and Bruce Willis).

Barcode and Other Identifiers

  • Barcode (Text): 7 43215 73142 9
  • Barcode (String): 743215731429
  • Mastering SID Code (Variant 1 & 4): IFPI L024
  • Mastering SID Code (Variant 2): IFPI LB47
  • Mastering SID Code (Variant 3): IFPI L002
  • Mould SID Code (Variant 1): IFPI 0745
  • Mould SID Code (Variant 2): IFPI 0757
  • Mould SID Code (Variant 3): IFPI 01H3
  • Mould SID Code (Variant 4): IFPI 0718
  • Matrix / Runout (Variant 1 & 4): V-3072/4321573142 A
  • Matrix / Runout (Variant 2): V-3072/321573142B 03
  • Matrix / Runout (Variant 3): 50735 760 01 +
  • Matrix / Runout (Mould Text Variant 3): SONOPRESS V-3072/4321573142 B
  • Rights Society: GEMA/BIEM
  • Label Code: LC 4660
  • SPARS Code: DDD

Other versions

Category Artist Title (Format) Label Category Country Year
74321573144 RMB Widescreen ‎(Cass, Album) BMG 74321573144 Poland 1998
479 RMB Widescreen ‎(Cass, Album, Unofficial) Gold Lion 479 Ukraine 1998

Video

Comments

Pooker Pooker
The second Alum is much better than the first, more melodic and emotional, this one is filled with life, energy, colors, fast trips. excellent release!
Jerdodov Jerdodov
Madman's Legend contains samples from films 12 Monkeys, Legends Of The Fall and Léon.Everything (Groove Version) contains samples from film Apocalypse! Now.Everything (The Rise) contains samples from film Léon.Fighting For A Fine Place contains samples from films Apocalypse! Now and Seven.Reality contains samples from film Léon.Anyway contains samples from film Heat.Break The Silence contains sample from film The Usual Suspects.Fatal Illusion contains sample from film Seven.No Friend contains samples from film 12 Monkeys.No Women No Kids contains samples from films Léon, The Godfather and 2001: A Space Odyssey.
Thetalas Thetalas
[quote=undefined][/quote]No friend ends with a Robert De Niro sample from Scorsese's "Cape Fear".
Quashant Quashant
This is the second album from RMB and it seems that the second album is a difficult task for the majority of artists, especially if you have establish a name and a style in the music industry. This crossroad appears here, since we are in the post rave era where tracks are more slow, boring and softer. This album is not bad, although it's a lot different from This world is yours. It's logical because it comes in 1998 where the rave era was over. Some tracks remind this era (Spring, Baraka) while others are a mixture of ambient, breakbeat and trance and some are just cd fillers (No women no kids, Rhythm desease, Madman's legend, No friend). I don't understand the extended number of tracks, since some of them look incomplete, for example there is another version of Baraka in a Mayday compilation far better than this....radio version??. Perhaps RMB wanted to give us tracks with different style and length. In my opinion the tracks here should have stopped in number 13. Anyway, the truth is that this duo had potentials and this was proved throughout the years. Try to listen to all RMB tracks in order to have a complete image about the legacy that those guys left behind. And about this album, a final judgement. Could have been better.
Friert Friert
Maybe the extended number of tracks and shorter versions were supposed to give a feeling of a DJ(?)-album? Many of the tracks towards the end show us that RMB aimed at a different direction of style they chose for themselves, as their following releases also contained breakbeat tracks. Howerver, I think "No Women No Kids" is still cool and even Farid called "Fatal Illusion" as his personal favourite track of this album in a radio interview ;-).
RED RED
Nice album with many tracks in different styles, some very ambient, some rave tracks (spring, reality, break the silence, everything (the rise), of which the first three songs are among the best tracks of the album) and lots of breakbeat and chemical beat orientated tracks. It shows that RMB are capable of producing in a large variety of electronic styles. Despite this, my cryticism on this album are that some tracks do not seem to be propperly finished (everything (all three versions), uprising, no woman no kids, while these tracks have so much potential. Even worse, some tracks just sound like cd-fillers (unreality, baraka, rythm disease). To bad not more of the brilliant tracks like spring and reality, in which they show what they are really good at, are on this album. I appriciate RMB's journey through different styles, but it could have been a brilliant album, where it not that they tried to be too 'widescreen' and put too many songs on the one disc. Good, but not excellent.