Cantata BWV-060 (2:51:12) "O eternity, you word of thunder". Johann Sebastian Bach: The Collection. Bach - Wedding Cantata BWV 202 "Weichet nur, betrübte Schatten" (.

Johann Sebastian Bach composed the church cantata Wer nur den lieben Gott läßt walten (Who only lets dear God rule), BWV 93 in Leipzig for the fifth Sunday after Trinity and first performed it on 9 July 1724. He based the chorale cantata on the hymn of the same title by Georg Neumark (1657). It is part of his chorale cantata cycle. Bach composed the chorale cantata in 1724 as part of his second annual cycle for the Fifth Sunday after Trinity

Lobet Gott in seinen Reichen (Laud to God in all his kingdoms), BWV 11, known as the Ascension Oratorio (m), is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti (Oratorio for the feast of the Ascension of Christ), probably composed in 1735 for the service for Ascension and first performed on 19 May 1735.

Helmut Walcha Plays Bach. Jean-Sébastien Bach - Johann Sebastian Bach (1685-1750) Cantate - Kantate - Cantata BWV 80 - Ein feste Burg ist unser Gott Fête de la Réformation (31.

Cantata BWV 93 Wer nur den lieben Gott läßt walten Discussions - Part 1. Discussions in the Week of July 23, 2000 (1st round). Aryeh Oron wrote (July 25, 2000): Background. The two cantatas here (the other is BWV 117) are typical of the 'chorale cantatas' that Bach composed in Leipzig, in which the foundation of the entire cantata structure is a traditional hymn or chorale, the musical presence of which is felt in each movement. These two are otherwise, however, strikingly different in form. Cantata BWV 93, Wer nur den lieben Gott läßt walten, composed in the late 1720's, is shaped more like a usual 'chorale cantata', opening with a splendid chorale fantasia, in which the chorale appears both in straight harmonized form. Good points: The dulcet voices and tasteful singing of Fischer-Dieskau (Mvt. 2) and Schreier (Mvts.

Audio CD. Dietrich Fischer-Dieskau.

BWV: 56 Tonart: g-moll (key of G minor) Text: Dichter unbekannt: angeknüpft wird as das Sonntagsevangelium (Matthäus 9, 1-8) Entstehung (Place and date of the composition): Leipzig, 1731 oder 1732. Ich Habe Genug Kantate Am Feste Mariae Reinigung (Festo Purificationis Mariae). Cantata for Festival of the Purification of Mary). Johann Sebastian Bach - Dietrich Fischer-Dieskau, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter - Kantaten, Cantatas: Ich Will Den Kreuzstab Gerne Tragen, BWV 56, Ich Habe Genug, BWV 82 ‎(LP, Album, Gat).

S. Bach, Mathis, Reynolds, Schreier, Fischer-Dieskau, Münchener Bach-Orchester, Münchener Bach-Chor, Karl Richter ‎– Kantaten, Himmelfahrt - Pfingsten - Trinitatis, Ascension Day - Whitsun - Trinity, Ascension - Pentecôte - Trinité. Label: Archiv Produktion ‎– 2722 025, Archiv Produktion ‎– 2722025. Kantaten BWV 11 - Lobet Gott In Seinen Reichen (Praise God In His Riches) - Ende. B2. Kantaten BWV 44 - Sie Werden Euch In Den Bann Tun (They Shall Put You Out Of The Synagogues). C1. Kantaten BWV 34 - O Ewiges Feuer, O Ursprung Der Liebe (O Eternal Fire, O Source Of Love). Kantaten BWV 129 - Gelobet Sei Der Herr, Mein Gott (Praise Be The Lord, My God). F. Kantaten BWV 39 - Brich Dem Hungrigen Dein Brot (Deal Thy Bread To The Hungry).

Bach - Dorische Toccata & Fuge, Passacaglia - Karl Richter Orgel. Bach - Kantaten BWV 51, BWV 93, BWV 129- Mathis, Reynolds, Schreier, Fischer-Dieskau, Karl Richter. Bach - Kantaten BWV 80, BWV 26, BWV 116 - Mathis, Schmidt, Schreier, Fischer-Dieskau, Karl Richter. Bach - Sonaten Violin & Cembalo - Reinhard Goebel & Robert Hill. Thomas Quasthoff - Mozart Arias. Thomas Quasthoff - Schubert - Goethe-Lieder, Charles Spencer Piano. Thomas Quasthoff - Schubert - Schwanengesange & Brahms - 4 ernste Gesange, Justus Zeyen Piano