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Watch the video for Dream Boy from Annette Funicello's The Very Best Of Annette Funicello (1958-1960) for free, and see the artwork, lyrics and similar artists. Annette Joanne Funicello was born October 22, 1942 in Utica, NY. Her family moved to California when she was four years old, where she was later discovered at age 12 by Walt Disney as she performed in Swan Lake at a dance recital. Mr. Disney cast her for his new show, "The Mickey Mouse Club". Annette was a popular cast member and soon transitioned into music and film, quickly becoming a household name. Annette recorded her first song, "How Will I Know My Love" in 1958, after first singing it in a scene on The Mickey Mouse Club.

Love is the eponymous debut album by the Los Angeles-based rock band Love, and was released in March 1966 on Elektra Records. Arthur Lee, who was originally from Memphis, Tennessee, but had lived in Los Angeles since he was five, had been recording since 1963 with his bands, the LAG's and Lee's American Four. He had written and also produced the single "My Diary" for Rosa Lee Brooks in 1964 which featured Jimi Hendrix on guitar.

Annette Sings Songs With an Italian Flavor Music Directed by Tutti Camarata. SIDE ONE: 1. Italiannette 2. Please, Please, Signore 3. Gotta Lotta Love 4. Mia Cara, Mia Amore 5. Lucky, Lucky 6. Love Me Forever. SIDE TWO: 1. Dream boy 2. O Dio Mio 3. That's Amore 4. Where's The Spumoni 5. Vieni Vieni 6. There's No Tomorrow.

Annette Peacock, the avant garde American composer, collaborator with Salvador Dalí, friend of Albert Ayler and Moog-synth pioneer, brought this seismically influential session out in 1972 – its synth-warped banshee vocals, morphed jazz ballads, Motown grooving and squelchy electronics were to touch many jazz and pop artists in that decade, most David Bowie and Mick Ronson. And for all the familiarity of computer-assisted vocals now, nothing prepares you for the howl of her searingly high notes spiralling up out of spooky organ chords and soul-brass riffs on the title track, or against the rolling blues groove of Pony, or the dark and prowling one of Blood. Elvis's Love Me Tender is the only cover, a blend of soft, lyrical intimacy and fierce exhortation.

Love to Love You Baby"'s 16 minutes and 48 seconds of arousal and refill - ticklishly sensitive rhythm and fusion - threw disco into a tizzy overnight, but the tonally starved blues-of-isolation on the B-side isn't to be missed, either: the broken promises Donna Summer bemoans in "Full of Emptiness"; "Need-a-Man Blues," with its. unrequitedly sexy guitar rhythm as out of range of Summer's voice as she of satisfaction; the imaginary seaside hold-me in "Whispering Waves"; and "Pandora's Box," where Summer and guitar scream.