Bert Kaempfert And His Orchestra: все альбомы, включая Strangers In The Night, Portrait in Music, Blue Midnight и другие.

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Sounds Like Bert Kaempfert (1972). Album by Bert Kaempfert.

Listen free to Bert Kaempfert – Sounds Like (Me And My Shadow, My Melancholy Baby and more). 5 tracks (). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Bert Kaempfert (also Kämpfert) (b. 16 October 1923 - d. 21 June 1980) was a German orchestra leader and songwriter. He made easy listening and jazz-oriented records, and wrote the music for a number of well-known songs, such as "Strangers in the Night" (originally recorded by Ivo Robić) and "Spanish Eyes".

Bert Kaempfert (born Berthold Heinrich Kämpfert, 16 October 1923 – 21 June 1980) was a German orchestra leader, t, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples". Kaempfert was born in Hamburg, Germany, where he received his lifelong nickname, Fips, and studied at the local school of music

1967 - Sounds Like/Herb Alpert & The Tijuana Brass . .1967 - Sounds Like/Scans/ - . 0. 1967 - Sounds Like/Scans/booklet 04-05. 1967 - Sounds Like/Scans/booklet 10-11. 1967 - Sounds Like/Scans/cd. 1967 - Sounds Like/Scans/front small. Christmas Album '1968. The Beat Of The Brass '1968. Herb Alpert's Ninth '1967. The Beat Of The Brass & Sounds Like '1967. Herb Alpert's Ninth (2015 Remastered) '1967.

Golden Hits By Bert Kaempfert. Happy Sounds Forever. James Last, Bert Kaempfert.

Bert Kaempfert advised me to go easy on the lower notes (these were to come from the double-bass) and the high notes were to be accentuated so that it would really ‘crack’. This was how the term for the Bert Kaempfert sound – ‘cracking bass’ – was born. In the course of the years, Bert Kaempfert received a number of awards and gold LPs as a reward for the huge success of this album all over the world. But he was particularly delighted to receive a gold LP from South Africa.

It all sounds like stuff that you've heard, probably because, if you were born before 1956, you likely did, in those moments when your parents settled down after dinner (assuming that you lived in someplace like the Cleaver household on Leave It to Beaver). But seriously, this is nicely executed, safe, uncompelling but appealing pop music wallpaper from that period when the 1950s were ending but the 1960s hadn't really begun.