For Discos Only: Indie Dance Music From Fantasy & Vanguard Records (1976-1981). Открывайте новую музыку каждый день.

Listen free to Various Artists – Henry Street Music Vol. 3 (We Got A Love - Original, 2001 Fever - Original and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

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Paul Simon, you've probably heard of, but the Super Tens maybe not - directly anyway.

The Indestructible Beat of Soweto, Vol. 1 - Various Artists CD Condition: Very Good. Time left: 1d 19h 49m 8s. Ships to: Worldwide. The Indestructible Beat of SOWETO - 1989 - CD - South Africa Condition: Good. Time left: 1d 21h 6m 25s.

Boys - Lekopokopo Single Moqashoa 7. Saitana - 1,2,3 8. The Movers - Soweto Disco 9. Abafana Bama Soul - Masisizwane 10. Xoliso - Manano 11. Damara - Mmamakhabtha 12. Margaret Singane - Ubukhwele 13. Harari - Give 14. Isaac & The Sakie Special Band - Get Down 15. The Drive - Ain't Sittin' Down Doin' Nothing Strut’s acclaimed series of South African music stops in at 1975 to 1985 when the township jive, mbaqanga sound had begun to embrace soul and post-punk and a slew of rock bands following the huge success of homegrown heroes Harari.

Album · 2008 · 22 Songs. Street Music 2 Various Artists. Listen on Apple Music.

I’ve always wondered whether the influence of European music upon African musicians is really such a one-way street. Still, if you were not told the title of this album, or the origin of its music, some of the tracks might just have easily have come from Philadelphia, Memphis, or New York. Harari’s disco-gospel call and response number ‘Give’ is a stonkingly impressive dancefloor hit, in the ‘You Make Me Feel (Mighty Real)’ sense. Almon Memela’s ‘The Things We Do in Soweto’ has a funky bassline and wah-wah guitar befitting inclusion on Curtis Mayfield’s Superfly.

Various Artists, ‘The Indestructible Beat of Soweto’. The best album ever tagged as "world music," this compilation of South African pop is still fresh – full of funky, loping beats and gruff vocals, with a sweet track by Ladysmith Black Mambazo, who soon appeared on Graceland. Billy Joel, ’52nd Street’. The heavy roadwork dictated by the success of The Stranger produced a leaner, rock-oriented follow-up.