My Bloody Valentine - Loveless play album
Rock
Electronic / Hip-hop / Jazz / Rock / Blues / Creative music
INV 1, for harpsichord, live electronics & tape. 9. Breath across autumnal ground, for harpsichord & live electronics.
WIRED: works for harpsichord and electronics. harpsichord Jane Chapman.
Wired - Works for Harpsic. has been added to your Basket. Includes FREE MP3 version of this album. The longer pieces use electronics to accompany or alter the sound of the instrument, so that previously impossible harpsichord music can be made, using drones and the internal sounds of the instrument. The approach each composer has taken to their work is different and some may find the results challenging.
Jane Chapman Harpsichord, Paul Dibley Electronics. 4. INV 3, for harpsichord and interactive computer. layer 6), for harpsichord and live electronics.
Jane Chapman (harpsichord). Release Date: 16th Feb 2009. Catalogue No: NMCD145. The sound of the harpsichord is manipulated via various means of electronic devices and effects. Other albums by Jane Chapman.
Listen to music from Jane Chapman like Rounds for Harpsichord. Find the latest tracks, albums, and images from Jane Chapman. WIRED: works for harpsichord and electronics.
Chapman's recordings include a three-CD set of 17th century music from the Bauyn Manuscript, described by The Times as 'stylish and eloquent', and selected as a Critics' Choice by Gramophone Magazine. Her other recordings for Collins Classics under the title of 'The Lady's Banquet' - harpsichord and spinet music of the 18th century - have been highly acclaimed, and Volume 1 was chosen by BBC Music Magazine in its top fifty recordings for that year. Recent releases include Three Windows (Dark Energy) - a CD of contemporary works for harpsichord and electric guitar by Mark Wingfield featuring jazz saxophonist Iain Ballamy,; and WIRED (NMC) - which includes premieres of solo and electroacousic works for harpsichord by James Dillon, Paul Whitty and Paul Dibley, Sam Hayden, Mike Vaughan, Roger Redgate, Paul Newland, and Sohrab Uduman.
| 1 | Seven Pages 1Composed By – Paul Whitty |
3:48 |
| 2 | BirlComposed By – James Dillon |
1:02 |
| 3 | ResiduaComposed By – Roger Redgate |
8:58 |
| 4 | Inv 3, For Harpsichord & Interactive ComputerComposed By – Paul Dibley |
7:53 |
| 5 | 1-4, For Harpsichord & Ebow, 1-2Composed By – Paul Newland |
6:04 |
| 6 | In Memoriam... (layer 6), For Harpsichord & Live ElectronicsComposed By – Mike Vaughan |
10:34 |
| 7 | 1-4, For Harpsichord & Ebow, 3-4Composed By – Paul Newland |
6:04 |
| 8 | Inv 1, For Harpsichord, Live Electronics & TapeComposed By – Paul Dibley |
5:40 |
| 9 | Breath across autumnal ground, for harpsichord & live electronicsComposed By – Sohrab Uduman |
7:30 |
| 10 | Scintilla, For HarpsichordComposed By – Sam Hayden |
4:15 |
| 11 | Seven Pages No. 2, For Harpsichord, Contact Microphones & Signal ProcessorsComposed By – Paul Whitty |
4:12 |
Classical
Classical
Classical
Classical
Classical
Classical
Classical
Classical
Classical
Classical