Ships from and sold by gasmol. 3. Symphony No. 2 in C minor, WAB 102: Scherzo: Mabig schnell, Trio: Gleiches Tempo. 4. 2 in C minor, WAB 102: Finale: Mehrschnell. Performer: Anton Bruckner, Carlo Maria Giulini, Vienna Symphony Orchestra. Audio CD (October 9, 2001). Published on January 8, 2007.

Симфония № 2; Symphonie nº 2 de Bruckner; Symphony No. 2; Symfonie nr. 2; Sinfonia . 2; II Simfonija; Simfonia núm. 2; 2. Sinfonie; 交響曲第2番; Sinfonía . 2; Sinfonia n. 2; Symffoni Rhif 2 (Bruckner); 2. symfoni; Sinfonía nᵘ 2. Name Aliases. 2 in C minor; WAB102. Opus/Catalogue NumberOp. Finale: Ziemlich schnell. Year/Date of CompositionY/D of Comp. 1872 (1st version), revised 1873, (2nd version), revised 1892. 1873-10-26 in Vienna.

Symphony No. 2 in c minor WAB 102 (Version 1877). Feierlich, etwas bewegt. The recording - Bruckner’s Symphony No. 2 - originally released by EMI was hailed as ‘Perhaps the greatest of all recordings of the work‚ spacious‚ involved‚ profoundly human’. Wiener Symphoniker’s new release is a direct copy of the original tape mastered at Abbey Road Studios, digitally re-mastered with the original sound.

Anton Bruckner’s Symphony No. 2 in C minor, sometimes known as the Symphony of Pauses, was completed in 1872. It was actually the fourth symphony composed by Bruckner, after the Study Symphony in F minor (1863), the Symphony No. 1 in C minor (1866), and the Symphony "No. 0" in D minor (1869).

1877 version, ed. L. Nowak) Carlo Maria Giulini Vienna Symphony Orchestra. 2 in C minor, WAB 102. 1. Moderato. Scherzo: Mabig schnell, Trio: Gleiches Tempo. Finale: Mehrschnell. blue highlight denotes track pick.

The Symphony No. 2 in C Minor exists in several versions. There is the 1872 First Version and the 1877 Version. Both have been prepared by William Carragan. Notes by David Griegel Notes by Jose Marques Timed Analysis by William Carragan

Symphony no. 2 in C minor. US. Testament (UK classical).

Wiener Symphoniker, Carlo Maria Giulini. Perhaps the greatest of all recordings of the work, spacious, involved, profoundly human. Giulini's ability to convey fervour without sentimentality is little short of miraculous, and it's clear from the way the early stages of the first movement effortlessly project an ideal balance between the lyrical and the dramatic that this reading will be exceptional. The recording might not have the dynamic range of current digital issues, and resonance can sound rather artificial in louder passages. There's also an obtrusive extension of the trumpet triplets seven bars before the end of the first movement. Bruckner, Anton (1824-96). Bruckner: Symphony No. Giulini, Carlo Maria.