Stream Tracks and Playlists from OMORI SOUND TEAM on your desktop or mobile device. Pedro Silva (Slime Girls) and Jami Lynne (clover & sealife) are making noises into microphones and playing with toy keyboards for a lovely game by OMOCAT (OMOCAT) and it is called OMORI.

Watch the video for Into The Lens from Yes's Drama for free, and see the artwork, lyrics and similar artists.

The second release from Austin's Sound Team, Into the Lens, borrows a page from the foundational sounds of the psychedelic popsters of the 1960s and the contemporary Elephant 6 artists to create a sprawling 22-song set of varied and challenging indie pop songwriting. Less hit-or-miss than their debut, shades of the more twisted Beach Boys recordings and the burned-out country-rock of the Beachwood Sparks help fill out the almost epic feel of the disc, as it shifts from jaunty fairytale sounds to cryptic faux-hillbilly creepiness

Sound Team was an American band based in Austin, Texas that formed in 2000 around principal songwriters Bill Baird and Matt Oliver. Sanford and Michael Baird left the group in 2006

Into The Lens is a music singles/eps/fan club/promo recording by YES (Symphonic Prog/Progressive Rock) released in 1980 on cd, lp, vinyl and/or cassette. Taken in the context of the album, one has to question why on earth Yes would release these two songs in single format. Into The Lens' is anything but single material. It is far too progressive to even get a sniff at commercial success. A fantastic piece of music no doubt and a worthy contributor to the Drama archive but a single? Not! ' Does It Really Happen also great in album format but perhaps works better as the additional track as opposed to ' Into the Lens' be the main release.

Into the Lens" is a song originally written by Trevor Horn and Geoff Downes of The Buggles. It was first released as "Into the Lens" on the Yes album Drama in 1980, and the year after on Adventures in Modern Recording, the second and last album of The Buggles. Both versions were also released as singles: "Into the Lens (I Am a Camera)" by Yes in 1980 and "I Am a Camera" in October 1981 by The Buggles (on Carrere Records).

Radio interview with composer Benjamin James Abbott and writer/director Oscar Forshaw Swift on the post-production process behind Through The Lens and the inspiration behind the soundtrack. Through The Lens, post-production, music and distribution, radio interview. Composer Benjamin Abbott and Writer and Director Oscar Forshaw Swift talk about the post-production process of Through The Lens. 21 January 2015 ·. A still from the teams apocalypse feature film pilot, Hills.

Cinematic SFX, underscore elements, and sound libraries for filmmakers and sound designers. Original SFX Breath life into your visuals with risers, hits, whooshes, and more. Anticipation SFX. Bright, optimistic sound effects for inspiring projects.

Sound Team, Category: Artist, Albums: "Yes" Special Cassette & "Every Day Is New Year" Cassette, "Movie Monster", Into the Lens, Singles: Empty Rooms 12", Born To Please, Born To Please, Work EP, Biography: Although Sound Team didn't officially form until later, the band had its beginnings in a friendship started up by University of Texas classmates Bill Baird and Matt Oliver. Monthly Listeners: 812, Where People Listen: Houston, Chicago, New York City, Austin, Los Angeles. Although Sound Team didn't officially form until later, the band had its beginnings in a friendship started up by University of Texas classmates Bill Baird and Matt Oliver. They were both playing around in various bands, but their interest in home recording brought them together musically.

Top Sound Team Albums. I Love Sex Movie Monster. Work - EP. Into the Lens. Related Information for Sound Team Sound Team was a . band based in Austin, Texas. Several of the band's previous and current members - including Bill Baird, Michael Baird, Will Patterson, Jordan Johns, and Sam Sanford - attended Alamo Heights High School in San Antonio, Texas, where they played music in several different loud ensembles. Bill Baird and Matt Oliver met in Austin in 2001, when each was a sideman in one of the many pick-up groups playing.