Charlie Haden & Chris Anderson Naim Album None But The Lonely Heart The Things We Did Last Summer.

Album · 1996 · 9 Songs. Charlie Haden: The Private Collection. Nightfall - The Cal Arts Sessions.

None but the Lonely Heart (album). None But the Lonely Heart is an album by pianist Chris Anderson and bassist Charlie Haden recorded in 1997 and released on the Naim label.

07. It Never Entered My Mind. 09. Good Morning Heartache. 02. I Hear A Rhapsody. 06. The Things We Did Last Summer.

Artist: Charlie Haden & Chris Anderson Title Of Album: None But the Lonely Heart (Remaster) Year Of Release: 2013 (1977) Label: Naim Country: USA Genre: Jazz Quality: FLAC (tracks, . ookle. 1 The Night We Called It A Day 13:21 2 I Hear A Rhapsody 7:04 3 Alone Together 6:52 4 Nobody's Heart 10:33 5 Body And Soul 6:24 6 The Things We Did Last Summer 5:26 7 It Never Entered My Mind 9:04 8 CC Blues 5:25 9 Good Morning Heartache 8:03. Chris Anderson - piano Charlie Haden - bass Recorded at the Cami Hall, New York (5th - 7th July 1997). Recorded in True Stereo analogue by Ken Christianson, Pro Musica, Chicago.

1997 studio album by Charlie Haden and Chris Anderson. None But the Lonely Heart. Studio album by. Charlie Haden and Chris Anderson.

Nocturne is an album by American jazz musician Charlie Haden, released through Universal/Polygram in 2001. In 2002, the album won Haden the Grammy Award for Best Latin Jazz Album. Nocturne may well be the best candlelight dinner music ever, but Haden and his guests are capable of more.

Charlie Haden and Chris Anderson - None But the Lonely Heart (Live) (1997) {Naim Label. Audiophile Recording}/front. Charlie Haden and Chris Anderson - None But the Lonely Heart (Live) (1997) {Naim Label. Audiophile Recording}/cd. Audiophile Recording}/Charlie Haden and Chris Anderson - None But the Lonely Heart. Audiophile Recording}/Scans/ - . 0.

Some of the finest moments in Charlie Haden’s distinguished career have come in duo recordings-and as they have lately come to dominate his recorded work, they raise some interesting questions. Foremost among these is, where is the Charlie Haden whose sense of the elasticity of time and harmonic frameworks elevated him to the top of his craft? He peeks out on this recording only briefly, on the several choruses that introduce CC Blues. It’s not that there is anything unmusical about his playing on this and other recent duo recordings: there isn’t. Time, taste and intonation are all in place.