Tracklist

1-1	–Lin Zhiying	Hawker + Vendor Music	2:35
1-2	–Zhang Jianfu	Spectrogram Of The Spectacle Of Tw Power Plants	4:58
1-3	–China Sound Unit	Eat! Eat! Stuff Yourself To Death!	2:21
1-4	–Wei Wei	iPhone Improvisation	5:58
1-5	–Zhang Anding	Mirror	13:15
1-6	–Zhang Liming	Poem Zero	6:15
1-7	–Zhang Jungang*	Gao Jian Said I Kissed Him	0:54
1-8	–Wang Zhipeng	Poetics Of Disillusion	3:05
1-9	–Sun Wei	Song Of 100 Children	5:48
1-10	–Zhou Pei	Annoying 2.10	5:19
1-11	–Zhong Minjie	Just Pick One! You're Not Picking A Wife	6:24
1-12	–Samson Young	Brahms String Quartet No. 1, Mv. 1	6:59
1-13	–Wang Changcun	Klone Concert (Side 2, Cut 3)	11:04
1-14	–Wang Changcun	Klone Concert (Side 2, Cut 1)	2:42
2-1	–Xu Cheng	Chatroom English	6:38
2-2	–Yan Jun	The Wah	6:13
2-3	–Mind Fiber	Dusk At Yachaban	7:05
2-4	–Jiang Zhuyun	Start With Wei	5:30
2-5	–Fu Yu*	net.soundscape	4:05
2-6	–Lee Yehlin*	Sanjiaodu Dock, Taipei	1:14
2-7	–Edwin Lo	Nostalgia Of Seascape	12:14
2-8	–Weng Wei	Twice Cooked Pork	3:22
2-9	–Zhou Risheng	UFO Manufacturing Plant	6:32
2-10	–Dajuin Yao	Bridge Listening Beijing	8:07
2-11	–Xie Zhongqi	Composition In Retrospect	5:47
2-12	–Torturing Nurse	Hidden Energy	10:30

Companies, etc.

• Copyright (c) – Post Concrete

Credits

• Compiled By, Edited By, Mastered By, Design, Photography By – Dajuin Yao

Notes

a survey of chinese sound art

1-1: 2006 - Raw phonography of Cantonese hawker and nearby shop music.
1-2: 2013 - Self-made hardware noise makers, phonography.
1-3: 1998 - Cellphone interception of Beijing couple fighting.
1-4: 2012 - Transducers attached to iPhone body.
1-5: 2007 - Virtual sounscape in SecondLife.com.
1-6: 2013 - Samuel Beckett, Chinese poets, phonography.
1-7: 2006 - Phonography from Harbin.
1-8: 2012 - Electroacoustic Northern dialect speech.
1-9: 2006 - Chinese printing machine printing folk lyrics.
1-10: 2004 - Electronics hardware improvisation
1-11: 2006 - Stealth recording in front of prostitutes, scholar theorizing on prostitution pricing.
1-12: 2012 - Score precisely vocalized but without reference to pitch.
1-13, 1-14: 2007: Algorithmic composition; parody piano improvisation concert.

2-1: 2005 - Internet phonography.
2-2: 2012 - Dialect text sound duo performance.
2-3: 2010 - Environmental improvisation with guitar & computer.
2-4: 2005 - Live cellphone apparatus performance.
2-5: 2002 - Web browser phonography.
2-6: 2013 - Raw phonography.
2-7: 2012 - Acousmatic processed phonography.
2-8: 2013 - Real-time controlled hardware phonetic device.
2-9: 2007 - Software & hardware improvisation.
2-10: 2000 - Diachronic schizophonia, raw recording at Yinding Bridge.
2-11: 2012 - John Cage's mesostic read in Chinese; experimental homage.
2-12: 2010 - Hardware electronics.

Program notes see > www.post-concrete.com

RPM: Sound Art China Exhibition 2013

The Christian A Johnson Endeavor Foundation
Visiting Artist-in-Residence
Made possible with additional support from the Colgate Arts Council, the Department of Art & Art History and the Film and Media Studies Program at Colgate University.

© 2013 Post-Concrete
Printed in the U.S.A.

Barcode and Other Identifiers

• Barcode: 8 84501 88976 6