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Carl Nielsen - Tivolis Koncertsals Symfoniorkester, Carl Garaguly ‎– Symfoni Nr. 2 Opus 16 "De Fire Temperamenter", Lille Suite For Strygeorkester Opus 1. Label: Fona Klubben ‎– SLPK 51. 4. Allegro Sanguinico. Lille Suite For Strygeorkester Opus 1. B2. 1. Präludium: Andante Con Moto.

Carl Nielsen - Tivolis Koncertsals Symfoniorkester, Carl Garaguly ‎– Symfoni Nr. Label: Fona Klubben ‎– LPK 51.

Carl Nielsen, Tivolis Koncertsals Symfoniorkester, Carl Garaguly ‎– Symfoni nr. 2 opus 16 "De fire temperamenter". Label: FONA ‎– PW 110. Label: Fona ‎– tf 12.

Nielsen, Tivoli Concert Symphony Orchestra, Carl Garaguly, Hilmer Nielsen, Jörn Nilsson, . Sørensen, Asger Lund Christiansen, Johan Poulsen ‎– Symphony No. 2 - "The Four Temperaments", Little Suite For String Orchestra, Serenata In Vano. Label: Turnabout ‎– TV 34049DS, Turnabout ‎– TV 34049 DS, Turnabout ‎– TV 34049-DS. Symphony No. 2, Op. 16 - "The Four Temperaments". Conductor – Carl Garaguly Orchestra – Tivoli Concert Symphony Orchestra. A1. First Movement: Allegro Collerico.

Composed By – Carl Nielsen. Conductor – Carl Garaguly. Liner Notes – David Hall (10). Orchestra – Tivoli Concert Symphony Orchestra. Later pressing with deep blue labels. Also released in mono with catalog number TV 4049.

on cover, second on label. Nielsen, Tivoli Concert Symphony Orchestra, Carl Garaguly - Symphony No. 2 "The Four Temperaments" ‎(LP).

Symfoni NR. 2, Opus 16 book. 2, Opus 16 by Carl Nielsen. Details (if other): Cancel. Thanks for telling us about the problem. Symfoni NR. 2, Opus 16: de Fire Temperamenter Symphony No. 6, Opus 16: The Four Temperaments.

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Symphony No. 2 De fire Temperamenter, "The Four Temperaments", Op. 16, FS 29 is the second symphony by Danish composer Carl Nielsen, written in 1901–1902 and dedicated to Ferruccio Busoni. It was first performed on 1 December 1902 for the Danish Concert Association, with Nielsen himself conducting. As indicated in the subtitle, each of its four movements is a musical sketch of a humor of the four temperaments: choleric, phlegmatic, melancholic, and sanguine. Despite its apparent concept of program music, the work is a fully integrated symphony in traditional symphonic structure.