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Selected Ambient Works Volume II is the second studio album by Aphex Twin, the pseudonym of British electronic musician Richard D. James. It was released by Warp in March 1994. Billed as a follow-up to James' debut, Selected Ambient Works 85–92, the album differs in sound by being largely beatless ambient music. James claimed that it was inspired by lucid dreaming, and likened the music to "standing in a power station on acid.

The same could be said for much of Aphex Twin’s debut album, Selected Ambient Works 85-92. It’s true that, even at its most intense, SAW 85-92 was gentler than his abrasive, reputation-making early singles like Digeridoo or Dodeccaheedron. But the pumping breakbeats and drum machines of tracks like Xtal and Pulsewidth were light-years from the interesting if ignorable air fresheners that Eno had originally proposed. But with 1994’s Selected Ambient Works Volume II, James made a clean break-with his own prior catalog, and with virtually everything else that was being trafficked in the genre. Then, as now, the first thing you become aware of with Selected Ambient Works Volume II is its purity, its starkness, its emptiness. There have been quieter records, more minimal records, more difficult records.

As an album, Selected Ambient Works Volume II persistently evades the sort of consensual understanding that is usually accorded full-length recordings of note. There is no remotely satisfying cocktail-banter pithy summary. For a largely instrumental album whose limited verbal material is more syllabic than textual, Aphex Twin’s Selected Ambient Works Volume II tells many stories. For one it is a tale of the populist flowering of British occultism, a rave-era echo of the Summer of Love. When in 1996 I interviewed Aphex Twin, who was then living in London, he described the Cornwall of his youth: It’s got a really sort of quite mystical sort of vibe to it: Lots of sort of folklore and folk tales and it’s full of stuff like that, and there’s lots of strange people, lots of sort of weird hermit.

Listen free to Aphex Twin – Selected Ambient Works Volume II ( and more). Selected Ambient Works Volume II, abbreviated as SAW2, is the second album by Aphex Twin, released in 1994. It is the follow-up to 1992's Selected Ambient Works 85–92. The album peaked at on the UK Albums Chart. It was number 62 on Pitchfork Media's "Top 100 Albums of the 1990s". Volume II differs significantly from the first volume in the series, in that it consists of lengthy, textured ambient compositions with minimal percussion and occasional vocal samples, in a vein.

On a practical level, Selected Ambient Works Volume II was a discombobulating experience. Instead of conventional track titles, there were pie charts paired with small photos of random scenes and household objects. These were painstakingly assembled by Paul Nicholson, who designed James's iconic logo, and taken by James's then-girlfriend Sam, who also shot the album artwork. Along with Selected Ambient Works 85-92, it remains his defining release, a record so beloved and influential it would end up altering the course of electronic music. Perhaps its most striking feature is its dominant mood. Ambient fans used to the bright and feel-good haze of Brian Eno were presented with an LP that was, for the most part, anything but: dark, tense, foreboding.

Aphex Twin – 1994 - Selected Ambient Works Volume II CD. :15. Aphex Twin – 1994 - Selected Ambient Works Volume II CD. :42. Selected Ambient Works Volume II CD1 (1994) – Curtains.

More often, it’s chamber music for humorless cyber-nerds (or the Styx basement tapes we never wanted to hear). much to my surprise, i actually found this more engaging than the original selected ambient works 85-92, despite the heavy focus on pure ambience in this one. i actually put this one off for a very long time, as i was expecting to find it incredibly boring, but even the pure ambient tracks were quite engaging to me. i guess it requires. this album was also greatly benefited by tracks like blur, weathered stone, and shiny metal rods (as well as some others.