The Clash - 5 Album Box Set (Unboxing). SME (от лица компании "Sony BMG Music UK"); UBEM, LatinAutor, UMPI, CMRRA, ASCAP, UMPG Publishing, LatinAutor - UMPG" и другие авторские общества (6).

The Clash é o primeiro álbum da banda britânica de punk rock The Clash.

Give 'Em Enough Rope. Авторы текста и музыки. Mick Jones, Joe Strummer, Topper Headon, Paul Simonon. Give 'Em Enough Rope.

The Clash is the debut studio album by English punk rock band the Clash. It was released on 8 April 1977 through CBS Records. Written and recorded over three weeks in February of 1977 for a paltry £4,000, it would go one to reach on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time

Live At Shea Stadium by The Clash. Give ‘Em Enough Rope by The Clash. Cut The Crap by The Clash. Sandinista! by The Clash. More albums from The Clash: The Clash 5 Studio Album LP Set by The Clash. The 12″ Tape (Five 12″ Mixes On One Cassette) by The Clash. London Calling by The Clash. Combat Rock by The Clash. Live At Shea Stadium by The Clash.

Live At Shea Stadium. By: The Clash ( 2008, Rock ) Download album. 1. Kosmo Vinyl Introduction. 3. Police On My Back. 4. The Guns Of Brixton.

The self-titled debut album by The Clash is about as punk as it gets. Strummer's heart was undoubtedly in the right place. The Clash were avowedly anti-fascist, and in 1978, they played "White Riot" to thousands of people at a Rock Against Racism festival in London's Victoria Park. And yet Strummer's inability to recognize his own privilege - again in the parlance of our times - threatens to undercut his point. Maybe he's found a level of dissatisfaction he can live with. That's not good enough for the 27-plus punk rockers ("22 singers," "five guitar players," an unspecified number of bassists and drummers) bashing away in "Garageland. The closing number on The Clash is one of the band's great works of self-mythology and the most idealistic song on the album. It's the group's pledge to maintain its integrity in the face of record companies getting interested in punk.

Never Mind the Bollocks may have appeared revolutionary, but the Clash's eponymous debut album was pure, unadulterated rage and fury, fueled by passion for both rock & roll and revolution. Though the cliché about punk rock was that the bands couldn't play, the key to the Clash is that although they gave that illusion, they really could play - hard. The charging, relentless rhythms, primitive three-chord rockers, and the poor sound quality give the album a nervy, vital energy