The Asylum Years albümünü ve albüme ait şarkıları bu sayfada görebilir ve dinleyebilirsiniz. Ayrıca Tom Waits şarkıcısına ait diğer albümleri de görebilirsiniz.

Asylum Years is the second "best of" compilation covering Tom Waits' Asylum Records years. The album retreads more than half of the track-listing of Anthology of Tom Waits. Songs written by Tom Waits, except where noted. Diamonds on My Windshield" - 3:08. (Looking For) The Heart of Saturday Night" - 3:55.

Written-By – Tom Waits (tracks: A1 to A11, B1 to B4, B6, B8, B9). Notes. Single panel J-card printed on both sides. Black Cassette shell with Grey paper labels, Black print. CrO2 Cassette (Chromedioxide). On inlay & Cassette: "Manufactured in Germany, Fanbriqué en Allemagne".

Album · 1986 · 14 Songs. The Asylum Years Tom Waits. Tom Traubert's Blues (Four Sheets to the Wind In Copenhagen).

The Asylum Years Tom Waits. Manufactured and Distributed by Anti, a division of Epitaph, A California Corp.

Album Name Asylum Years. Data de aparición 1986. Labels Asylum Records. Miembros poseen este álbum3. 1. Diamonds on My Windshield. 2. (Looking For) The Heart of Saturday Night. 4. The Ghosts of Saturday Night (After Hours at Napoleone's Pizza House).

The second British Tom Waits compilation was a more extensive look at the 1973-1980 Asylum Records catalog than the first, Bounced Checks from 1981 (four more tracks), but it was another idiosyncratic selection.

Tom Waits had one of the wildest trajectories of any rock artist in the 1970s-or possibly ever. A regular presence in San Diego’s coffeehouse folk scene in the late 1960s, he was living out of his car when Herb Cohen, the manager for the Mothers of Invention and Linda Ronstadt, discovered him and helped to secure a record deal with the fledgling Asylum Records. David Geffen and Elliot Roberts had just opened the label in 1971, but already it was a home to some of Southern California’s finest singer-songwriters, including Jackson Browne, Judee Sill, Joni Mitchell, and Neil Young. It’s a live album, but only sort of. Waits and producer Bones Howe assembled a small audience of friends at the Record Plant in . rolled out a piano and a microphone, and let Waits bend their ears for a few hours. It’s not a real nightclub, more like a Hollywood film set.

The Asylum Years, 1999. The Asylum Years, 1999. The Ghosts of Saturday Night, 03:16. Grapefruit Moon, 04:50. Blue Valentines, 05:46. Kentucky Avenue, 04:49.