The Curtis Counce Group – Carl's Blues Contemporary Records 7574 Vinyl, LP, Album, Reissue, Stereo US 1968 00:05 A1 Pink Lady 04:45 A2 I Can't Get Started12.

The Curtis Counce Group: A Fifth For Frank, Landslide, Sarah и другие песни. Вся дискография, Радио, Концерты, рекомендации и похожие исполнители.

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Bass, Liner Notes – Curtis Counce. Drums – Frank Butler. Engineer – Roy DuNann. Photography By – Cecil Charles. Piano – Carl Perkins (4). Producer – Lester Koenig. Carl's Blues ‎(CD, Album, RE, RM). Original Jazz Classics, Contemporary Records. The Curtis Counce Group. Carl's Blues ‎(LP, Album, Mono).

Bass, Liner Notes – Curtis Counce.

Carl's Blues is an album by American jazz bassist Curtis Counce recorded in 1957 and 1958 and released on the Contemporary label. Pink Lady" (Jack Sheldon) - 4:36. I Can't Get Started" (Ira Gershwin, Vernon Duke) - 7:59. Nica's Dream" (Horace Silver) - 7:58. Love Walked In" (George Gershwin, Ira Gershwin) - 4:58. Larue" (Clifford Brown) - 4:59. The Butler Did It" (Frank Butler) - 4:38.

Carl's Blues is a hard bop music album recording by CURTIS COUNCE released in 1960 on CD, LP/Vinyl and/or cassette. CURTIS COUNCE - Carl's Blues. Filed under Hard Bop By CURTIS COUNCE. A1 Pink Lady 4:36 A2 I Can't Get Started 7:59 A3 Nica's Dream 7:58 B1 Love Walked In 4:58 B2 Larue 4:59 B3 The Butler Did It 4:38 B4 Carl's Blues 5:54. The Curtis Counce Group/CARL'S BLUES (Contemporary OJCCD 423 2 (S-7574)) CD.

West Coast bassist Curtis Counce made three very solid records with his "Group" of Harold Land on tenor sax, Jack Sheldon on trumpet (it should be noted Gerald Wilson subs on two tracks), Carl Perkins on piano, and Frank Butler on drums for the Contemporary label in the late 1950s. Unfortunately Perkins' death put an end to one of . s best hard bop quintets. This album, recorded over three sessions in 1957 and early 1958, is dedicated to the pianist's memory with the fitting "Carl's Blues" as the disc's closer.

Although the Curtis Counce Quintet was not a commercial success, their four Contemporary albums (which have been reissued on CD) were all timeless in their own way, undated examples of high-quality hard bop from the late '50s