Strong (underrated) leftfield/ambient album LP by Ryuichi Sakamoto (with guitar appearance by Arto Lindsay and percussion by Yas-Kaz) called "Esperanto", released in 1985 on Midi Inc, here as a full vinyl recording (starting with the B-side).

Esperanto ‎(Cass, Album). Esperanto ‎(CD, Album, Ltd, RE, RM, SHM).

By: Ryuichi Sakamoto (1985, Electronic). More albums from Ryuichi Sakamoto: BTTB by Ryuichi Sakamoto. うでの夢 by Ryuichi Sakamoto. Beauty by Ryuichi Sakamoto. 楽図鑑 by Ryuichi Sakamoto. Summer Nerves by Ryuichi Sakamoto. Playing The Orchestra by Ryuichi Sakamoto. Futurista by Ryuichi Sakamoto. Thousand Knives Of by Ryuichi Sakamoto. View all albums . Esperanto. By: Ryuichi Sakamoto (1985, Electronic). 1. A Wongga Dance Song.

Remix – Ryuichi Sakamoto, Shigeru Takise. Technician – Koji Kanemaru. Esperanto ‎(CD, Album).

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Album · 1985 · 10 Songs. Released: Oct 5, 1985. 2015 MIDI INC. More By Ryuichi Sakamoto. See All. The Revenant (Original Motion Picture Soundtrack). Playing the Piano (Bonus Version).

Ryuichi Sakamoto – Esperanto, 1985. Guest post by Andy Beta (Twitter, IG). Last year was brutal in almost every aspect, from the social to the international to the personal. Originally commissioned for a dance performance from New York-based choreographer Molissa Fenley, it’s one of Sakamoto’s earliest forays into sample-based music and it’s as bewildering, playful, formidable and forward-looking as anything in his catalog.

One of Sakamoto's strangest, most uncompromising albums, Esperanto features music written for a dance performance by New Yorker Melissa Fenley. Using weird, clipped samples of ethnic instruments, electronically modified sound bites, and distorted vocals, Sakamoto builds a very icy soundscape that juts out at the listener like pointy modernist architecture. Leaving lots of breathing space in the arrangements for the dancers, this is music that stretches langorously over rhythms and snatches of melody.

Chasm (stylized as CHASM) is the 15th studio album by Ryuichi Sakamoto and was released in 2004. The album is experimental, pairing Sakamoto's piano work with ambient and glitch programming. Notably, Sakamoto's former bandmates from Yellow Magic Orchestra, Haruomi Hosono and Yukihiro Takahashi, contribute on several songs under their own production name, Sketch Show.