Hungarian rock band from 1974.

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Слушать locomotiv gt album онлайн. Locomotiv GT. Lady Of The Night.

Locomotiv GT (album). Locomotiv GT is the debut album of the Hungarian rock group Locomotiv GT. It was released in December 1971

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Locomotiv GT is the debut album of the Hungarian rock group Locomotiv GT (LGT). It was released in December 1971. Compared to other Hungarian music albums of the time, the sound of Locomotiv GT was heavier (most reminiscent of Éjszakai országút, released by Omega in 1970), and with the exception of "Ezüst nyár", the album lacked so-called hits

Made in Czechoslovakia ℗ 1976. -- Recorded October 27–30, 1975, Supraphon studio Dejvice, Prague. Liner notes according to the group’s promo material. Also released for PZO Artia as Locomotiv GT - Motor City Rock, different cover design, identical catalog and matrix numbers. Matrix, Runout (Side A, label): E 3563.

Listen to music from Locomotiv GT like Neked írom a dalt, embertelen dal & more. Locomotiv GT (often abbreviated LGT) is a Hungarian rock band formed in 1971. It is one of the most influential bands in the history of Hungarian rock music. The band was formed in Budapest on April 6, 1971. The founders were already well-known musicians – Gábor Presser (songwriter, keyboardist, singer) had been member of the famous band Omega, just like the drummer József Laux.

Locomotiv GT is the debut album of the Hungarian rock group Locomotiv GT. Compared to other Hungarian music albums of the time, the sound of Locomotiv GT was harder (most reminiscent of Éjszakai országút, released by Omega in 1970), and with the exception of "Ezüst nyár", the album lacked so-called hits. That was the result of a conscious decision made by the group; they intended to play high-quality rock music resembling more to that of made by English and American groups. Unlike albums released by LGT in the second half of the 1970s, the instrumentation of Locomotiv GT is somewhat simple, the saxophone being the only "exotic" instrument.

The album feels like Andy Johns is in control, as it has more of his homogenized approach than Jimmy Miller's clever rhythms and variety of sounds. Miller adds his percussion to some of the tracks, but not to the level that dripped lots of frosting on "Jumpin' Jack Flash," "Honky Tonk Women," "Loving Cup," and other delights. That's the biggest problem with Locomotiv G T - there is no standout hit to draw an audience in, and Miller certainly knew better than to leave an album somewhat naked