The Firesign Theatre ‎– In The Next World, You're On Your Own.

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In the Next World, You're on Your Own was the last comedy album recorded by the Firesign Theatre for Columbia Records. It was released in October 1975. Police Street" – 21:30. We've Lost Our Big Kabloona" – 22:30. The first side of the album, "Police Street", features a group of sketches interconnected by the kind of police show satire reminiscent of Phil Austin's detective fiction (Austin being best known as the detective character Nick Danger).

The Firesign Theatre (also known as The Firesigns) was an American surreal comedy group who first performed live on November 17, 1966 on the Los Angeles radio program Radio Free Oz, first on station KPFK FM, then on KRLA 1110 AM, then on KMET FM through February 1969. They produced fourteen record albums and a 45 rpm single under contract to. Columbia Records from 1968 through 1976, and had three nationally syndicated radio programs: The Firesign Theatre Radio Hour Hour in 1970 on KPPC-FM; and Dear Friends (1970–1971) and Let's Eat! (1971–1972) on KPFK  .

Featuring Firesign Theatre's IN THE NEXT WORLD YOU'RE ON YOUR OWN plus from the DUKE OF MADNESS MOTORS collection.

In the fall of 1967, the Firesign Theatre broadcast on Sunday nights from The Magic Mushroom club in LA. In September 1967, they performed an adaptation of Jorge Luis Borges' short story "La Muerte y La Brujula" ("Death and the Compass") on Radio Free Oz. In 1969, they created a number of improvised television commercials for Jack Poet Volkswagen in Highland Park, California, with the characters of Christian Cyborg (Bergman), Coco Lewis (Proctor), Bob Chicken (Austin), and Tony Gomez (Ossman). In 1975, they released the black comedy album In the Next World, You're on Your Own, penned by Ossman and Austin. This album, like Not Insane, also sold poorly, and Columbia declined to offer them a third contract in 1976. This time, the Firesigns didn't protest. Bergman said, "The group had really split apart; we had just burned out. I mean it was five years non-stop work.

The Firesign Theatre (Peter Bergman, Philip Proctor, Phil Austin, and David Ossman) lost their prestigious recording contract with Columbia Records, under which they had produced fourteen albums (including one on the subsidiary Epic Records label), after their thirteenth album In the Next World, You're on Your Own sold poorly in 1975. Ben Bland's All-Night Matinee, Part Two (Tudor Nightmare Village and Confidence in the System) (6:20). Any More Rocket Fuel For You Hardhats? (7:39). Pass the Indian, Please (5:08). The "Ben Bland" segments are among the few items of new material written for the album. These segments parody the old hosted afternoon ("Dialing for Dollars") movies. Host "Blend--Ben Bland" comes off as utterly high, stoned, or perhaps senile, desperately trying to act straight, and unable to resist free association.

Followed by. 'The Firesign Theatre's Big Mystery Joke Book. The Firesign Theatre's Big Book Of Plays is a collection of transcriptions written by The Firesign Theatre for the title tracks of each of their first four albums. The book also contains some introductory material that is serious as well a few pieces that parody introductory material. Photos of the group-childhood photos, casual snapshots, and full-costume publicity shots vaguely related to the written material-are included. Some of the material from the group's first four albums that was not included in this collection can be found in the 1974 book, The Firesign Theatre's Big Mystery Joke Book. A later printing of the "Big Book of Plays" (circa 1980) has a bright yellow cover, with different cover illustrations than the original shown here. A Straight, Forward Look at the Firesign Theatre.

By fusing the high-concept comic vision of Stan Freberg with the expansive studio experimentation of the Beatles, the Firesign Theatre singlehandedly dragged the comedy album into the psychedelic er. Their 1969 follow-up, How Can You Be Two Places at Once When You're Not Anywhere at All?, featured the first appearance of Nick Danger, their popular parody of Sam Spade and hardboiled crime fiction. With 1970's Don't Crush That Dwarf, Hand Me the Pliers, Firesign perfected the formula, offering a fragmentary, cut-and-paste set of mock news broadcasts and radio drama satires. After the sci-fi paranoia of 1975's In the Next World You're on Your Own, the group's longtime association with Columbia ended, and Firesign moved to the Butterfly label for 1977's Just Folks: A Firesign Chat.