media.gsi-baltikum
» » Domingo Justus - Juju Music in Nigeria 1928, Vol. 1
Domingo Justus - Juju Music in Nigeria 1928, Vol. 1 album

Domingo Justus - Juju Music in Nigeria 1928, Vol. 1 album

  • Performer: Domingo Justus
  • Genre: Folk music
  • Title: Juju Music in Nigeria 1928, Vol. 1
  • Released: 2015
  • MP3 version size: 1355 mb
  • FLAC version size: 1288 mb
  • Other: XM AC3 AUD DXD ADX MP1 MMF
  • Rating: 4.5
  • Votes: 620

Description

The Singles 1923-1928, Vol. 1 - Bessie Smith. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией

Prince Ade-Oye is the maestro of juju music in Benin. As Yoruba descendent he trained under successful juju musicians in Nigeria in the early seventies.

Complete your Domingo Justus record collection. Discover Domingo Justus's full discography. Juju Music in Nigeria 1928, Vol. 1 ‎(LP).

Justus is the eleventh studio album by the Monkees. The album was recorded in celebration of their 30th anniversary and released on October 15, 1996 (although the television show premiered on September 12, 1966, Justus does coincide with the release of their first album, The Monkees, which was released on October 10, 1966). This album (released on CD) featured the return of Michael Nesmith. Justus was the first Monkees album since Head was released in 1968 to feature all four Monkees

LP. Reverend Sam Dixon. My Soul Says Yes, album, CD My Soul Says Yes, album, LP. Chastity.

Ships Free in the . 1 (LP) Domingo Justus. Fanti Guitar in West Africa 1928, Vol. 1 (LP) Kumasi Trio.

Get Notified about the latest hits and trends, so that you are always on top of the latest in music when it comes to your friends. Okay, Got it! DJANGOLOGIE VOL1, 1928 - 1936. Djangologie Vol1, 1928 - 1936 Album has 14 songs sung by Django Reinhardt, Coleman Hawkins, Garnet Clark Hot Club Four. Listen to all songs in high quality & download Djangologie Vol1, 1928 - 1936 songs on Gaana. attr("src", $('. de tp.

On the contrary, Justus was a West African transplant to Brazil, originally from Lagos, Nigeria, relocated to London. Such transplant culture was a significant component of the immigrant experience, particularly during the United Kingdom's colonial era. The music resulting from these experiences is likewise imbued with a sense of this duality and transitory way of life.

Juju Music: This evolved in the 1930s as a fusion of palmwine guitar music and traditional Yoruba music and was the sound of urban western Nigeria. Olowokere, . Dairo, Kayode Fashola etc. The most prominent were King Sunny Ade and Ebenezer Obey. It started in 1981 with an experimental recording by Radio Jockey Ron Ekundayo, followed by the first hip-hop album released in 1988 by Sound on Sound, consisting of Americans Scratch, Mr Kool and Jedi and Nigerian singers Ebony Olaoye and Monica Omorodion. The 1990s saw the emergence of a home-grown brand, consisting of rap in ‘Pidgin English’, with the two pioneers being the groups Emphasis and the duo Junior and Pretty in 1991.

African Popular Music in 78 RPM (1925-1955) Vol. 2. Various Artists. Aronke Macailay (Zulu). Tunde King & His Group. Ndol'a Jomba Scrobbling is when Last. fm tracks the music you listen to and automatically adds it to your music profile. Recent Listening Trend.

Tracklist

A1 Bandele
A2 Bi Mo Bi Omo Ti Oku Maron Lo Lewe
A3 Koju Gbagpe
A4 Eni Ba Dami
A5 Oluronbi
A6 Egbe Wa Ki
B1 Ore Bi Ole Jo Ma Mi
B2 Adabi Baba Epe
B3 Bi Ina La Ku Fi Eru Boju
B4 Oniya Awa Lolare
B5 Igba Lahu
B6 Ele Shihe Wa

Notes

From back cover:

The music of Domingo Justus is some of the earliest known recorded in the African folk tradition. Quite interestingly, however, the music was recorded in the city of London, and Justus himself was not believed to be a resident of the African continent at the time. On the contrary, Justus was a West African transplant to Brazil, originally from Lagos, Nigeria, relocated to London. Such transplant culture was a significant component of the immigrant experience, particularly during the United Kingdom's colonial era. The music resulting from these experiences is likewise imbued with a sense of this duality and transitory way of life.

In his time, specifically circa 1925-1927, Justus recorded several original and traditional songs inspired by his experiences as part of the African Diaspora, mixing his Lagosian and Yoruba folk song roots within the context of his day-to-day existence in his adopted home. He also provided backing vocals to many Ghanaian performers recording around the same time, and much of this output was recorded for the Zonophone Record label of the RCA-Victor Group.

While efforts were made in the mastering process to attain the highest possible audio quality, the limitations of the source 78s are evident. Do not, however, let that disturb your listening enjoyment or regard for their historical significance.