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From back of jacket: "Above, Below, and In Between is a site-specific composition, commissioned and performed May 1, 2015, at Benaroya Hall with the Seattle Symphony Orchestra conducted by music director, Ludovic Morlot, with extended voice, Jessika Kenney. A-side disc label signed by Trimpin. Jacket screen-printed.
Album including Album cover. Formats & Prices. Info for Trimpin: Above, Below and in Between (Live). Trimpin with the Seattle Symphony is made possible through Music Alive, a residency program of the League of American Orchestras and New Music USA. This national program is designed to provide orchestras with resources and tools to support their presentation of new music to the public and build support for new music within their institutions. Funding for Music Alive is provided by The Andrew W. Mellon Foundation, The Aaron Copland Fund for Music and The ASCAP Foundation Bart Howard Fund.
Listen to music from Trimpin like Above, Below & In-between: Part III and Above, Below & In-between: Part VI. Find the latest tracks, albums, and images from Trimpin. Trimpin: Above, Below and in Between (Live). Hmm, it looks like we don't know anything about this artist!
22 Feb 2016 TRIMPIN Above, Below, and In Between. Part I, Seattle Symphony, Seattle Symphony Media.
Commissioned by the Seattle Symphony, and conceived for a one-time only presentation in the acoustically superb lobby of Benaroya Hall, the work featured a motion-controlled robotic piano, electronically activated chimes and horns, live orchestra musicians and soprano voice, conducted by Music Director Ludovic Morlot with the aid of the Microsoft Kinect
Above, Beyond, & In Between or: Nancarrow Pianos and Henry Brant’s Chimes. Posted on May 1, 2015 by Seattle Symphony Orchestra. By now, hundreds of thousands of people across the world from visual, sonic, dance, and creative communities have encountered the work of sound-sculptor and composer Trimpin. Right now, sound-sculptor, composer, MacArthur genius, and inventor Trimpin is gearing up for the premiere of his newest work, Above, Below, and In Between, in the Grand Lobby of Benaroya Hall for the Seattle Symphony’s final concert of the season. This will not be an event to miss. But before we delve too far into the May 1 premiere of this work, let’s talk for a second about how he’s helped inspire the infinitely creative city of Seattle to jump in and make some of their own sounds with their own invented instruments and found objects through #MIXTRUMENT!
Album ∙ 2017 ∙ 1 Songs. Above, Below And In Between.
Trimpin: Above, Below and in Between (Live). View all on this site. Listen to Trimpin in full in the this site app.
| A1 | Part 1 - Vorsetzer, Prepared Piano | 1:36 |
| A2 | Part 2 - Vorsetzer | 2:55 |
| A3 | Part 3 - For Jessika - Vorsetzer, Extended Voice | 4:12 |
| A4 | Part 4 - Henry's Chimes, Vorsetzer | 2:34 |
| B1 | Part 5 - Small Orchestra, Vorsetzer | 6:00 |
| B2 | Part 6 - Extended Voice, Small Orchestra, Vorsetzer | 5:00 |
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