이↖촉이↗촉이↖ 와↗♬ Everybody, CHOK CHOK DANCE! SUPER JUNIOR-D&E’s 1st Album "The Beat Goes On" has been released.

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An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats.

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They earn those shrieks, too: The band’s self-titled 2013 debut LP was chock full of candy-coated potential crossover smashes, as nervy and energetic as Arctic Monkeys and as smooth and delectable as Hall and Oates - like a Maroon 5 album where every song was as undeniable as This Love. Why They’re Not Higher: The lyrics, uh, aren’t quite there yet, making hits like Chocolate ( Now run, run away from the boys in blue, Oh, my car smells like chocolate ) less enjoyable the closer you listen to them. But since 2007’s The Red Album, the band has steadily drifted out of the metal gutter towards a more all-inclusive hybrid bridging heavy music, classic rock, and indie rock, yielding a series of albums that have improved significantly with each release.

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2017 was yet another year chock-full of great blues rock albums. 20. Tyler Bryant and the Shakedown: Tyler Bryant and the Shakedown. The Shakedown are no longer the kids they were when they made Wild Child. This album has moments of familiarity and warmth found in a Fleetwood Mac album, and even the mystical hazy elements of the 1968 album Nancy & Lee, all while honoring the theme of blues rock. Listeners are certainly in for a treat with Belle of the West, and although there shouldn’t be any pressure, with the rate Fish is turning these albums out, one can only hope for a new one sometime soon.

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Bedreyminn is chock-full of piano, brass and strings (courtesy of amiina, who recently toured as a part of Sigur Rós). The album is at its best when the band finds moments of serene calm, which are further heightened by bringing in these additional musicians. Ambátt’ is a stunning example of these elements coming together and working exquisitely in tandem, whilst the soaring, operatic soprano vocals provided by Margrét Soffía Einarsdóttir on ‘Hula’ elevates the song to an other-worldly, celestial plane. For Manchester Orchestra’s fifth album (or sixth if you include Hope, the quartet’s ‘quieter’ re-imagining of their unapologetically driving hard-rock opus Cope) song-writer Andy Hull wanted to take the Atlanta quartet in a different direction. Alongside his brother-in-law and guitarist Robert McDowell, he spent the best part of a year re-establishing and re-defining the sonic palette from which Manchester Orchestra operated.