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The Liszt Collection contains over one million, generally nineteenth-century engravings and images. The Liszt Collection is an international project to preserve a portrayal of history through contemporary engravings, articles and books. The Liszt Collection mainly covers Europe and the United States as well as other locations in the rest of the world, such as Canada, Australia, certain African countries, and South America and Asia.
The Collection (Ocean Colour Scene album). The Collection (Divinyls album). Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age, and in the 1840s he was considered to be the greatest pianist of all time, although Liszt stated that Charles-Valentin Alkan had superior technique to his own. Liszt was also a well-known and influential composer, piano teacher and conductor
Pianomusic for the Left Hand Alone. Liszt scores at Sheet Music Plus. Miscellaneous information. S" numbers for works are taken from Humphrey Searle: The Music of Liszt (London, 1966), with additions by Sharon Winklhofer and Leslie Howard. Table of Contents: Top - - Chart. Album for Viola and Piano (Hermann, Friedrich). Album of Classical Themes for the Junior String Orchestra (Various). Anthology of Modern Classics (Oesterle, Louis). B. Biblioteca d'oro (Longo, Alessandro). Blue Album of 20 Pieces for the Organ (Various). Buch der Lieder (Liszt, Franz). C. 101 Classics (Dunstan, Ralph).
Variation: "Liszt - Album XXV" hand written on cover and signed "Gunnar Johansen"
The Joy Of Liszt is a wonderful collection of 18 original Piano pieces by the towering Romantic virtuoso. This book includes the pieces Un Sospiro, Cantique 'd'amour, the ever-popular Rakoczy March and selections from Consolatio. 0 EUR - Sold by Woodbrass Pre-shipment lead time: 3-10 days - In Stock Supplier.
The Liszt Art Gallery has thousands of art works from the worlds leading artists. Purchase canvas prints, framed prints, and more featuring artwork from Liszt Collection.
Exclusive discount for Prime members. Sample this album Artist (Sample). I don't think Rubinstein ever loved Liszt the way he loved Chopin and Brahms, and as he grew older the Hungarian composer's music gradually began dropping out of his repertoire. Rubinstein's vast stereo discography contains only three Liszt items, and he made no Liszt recordings after 1965. Rubinstein best Liszt playing has all the brilliance of certain Liszt "specialists" without the vulgarity one often hears - but not everything in this collection represents him at his best. Disc one contains all of Rubinstein's stereo Liszt recordings.
The Collection (album series). The Collection is an album series by American hip hop group Bone Thugs-N-Harmony. Volume One, consisting of hit songs between 1994 and 1998, was released on November 24, 1998, on Ruthless Records. Volume Two was released in 2000. K" is a remake of a song by Eazy-E entitled "Black Nigga Killa".
Coinciding with Byron Janis’ 85th birthday in March 2013, Sony has compiled a complete album collection encompassing the pianist’s RCA Victor recordings, which date from 1947 to 1959. Individual volumes replicate original LP contents and artwork, along with one CD devoted to Janis’ 1947 78-rpm singles, and another featuring a previously unissued Mussorgsky Pictures at an Exhibition. However, this collection is not quite complete. Furthermore, the collection only includes one out of three 1957 Liszt selections (the Rigoletto Paraphrase) published for the first time in Philips’ Great Pianists series. Why these omissions? In any event, the recordings certainly uphold Janis’ youthful reputation as one of the most exciting and dynamic American pianists to have emerged on the post-war scene.
| – | Piano Concerto No.1 In E Flat, S.124 | ||
| 1-1 | –Krystian Zimerman | 1. Allegro Maestoso | 5:31 |
| 1-2 | –Krystian Zimerman | 2. Quasi Adagio - Allegretto Vivace - Allegro Animato | 8:54 |
| 1-3 | –Krystian Zimerman | 3. Allegro Marziale Animato | 4:02 |
| – | Piano Concerto No.2 In A, S.125 | ||
| 1-4 | –Krystian Zimerman | 1. Adagio Sostenuto Assai - Allegro Agitato Assai | 7:27 |
| 1-5 | –Krystian Zimerman | 2. Allegro Moderato - Allegro Deciso | 8:19 |
| 1-6 | –Krystian Zimerman | 3. Marziale Un Poco Meno Allegro | 4:23 |
| 1-7 | –Krystian Zimerman | 4. Allegro Animato - Stretto (Molto Accelerando) | 1:44 |
| 1-8 | –Krystian Zimerman | Totentanz, S. 525 | 15:12 |
| 2-1 | –Shura Cherkassky | Fantasia On Hungarian Folk Tunes, S.123 | 15:52 |
| 2-2 | –Jorge Bolet | Malédiction, S121 | 15:15 |
| – | Concerto Pathétique In E Minor | ||
| 2-3 | –John Ogdon | 1. Allegro | 6:02 |
| 2-4 | –John Ogdon | 2. Andante Sostenuto | 5:00 |
| 2-5 | –John Ogdon | 3. Allegro | 8:57 |
| – | A Faust Symphony, S.108 (Live) | ||
| 3-1 | –Staatskapelle Dresden | 1. Faust | 25:09 |
| 3-2 | –Staatskapelle Dresden | 2. Gretchen | 19:08 |
| 3-3 | –Staatskapelle Dresden | 3a. Mephistopheles | 16:03 |
| 3-4 | –Vinson Cole | Final Chorus "Alles Vergängliche Ist Nur Ein Gleichnis" | 6:51 |
| – | A Dante Symphony, S.109 | ||
| 4-1 | –Staatskapelle Dresden | 1. Inferno | 21:27 |
| 4-2 | –Staatskapelle Dresden | 2. Purgatorio | 23:02 |
| 4-3 | –Staatskapelle Dresden | 3. Magnificat | 8:03 |
| 5-1 | –London Philharmonic Orchestra* | Prometheus, Symphonic Poem No.5, S.99 | 12:30 |
| 5-2 | –London Philharmonic Orchestra* | Les Préludes, Symphonic Poem No.3, S.97 (After Lamartine) | 16:48 |
| 5-3 | –London Philharmonic Orchestra* | Festklänge, Symphonic Poem No.7, S.101 | 20:12 |
| 5-4 | –Berliner Philharmoniker | Mazeppa, Symphonic Poem No.6, S.100 | 15:22 |
| 6-1 | –Orchestre De Paris | Tasso, Lamento E Trionfo, Symphonic Poem No.2, S.96 (After Byron) | 20:26 |
| 6-2 | –Orchestre De Paris | Scenes From Lenau's "Faust" - 2. The Dance In The Village Inn (1st Mephisto Waltz) | 10:27 |
| 6-3 | –Orchestre De Paris | Von Der Wiege Bis Zum Grabe, Symphonic Poem No.13, S.107 | 14:48 |
| 7-1 | –London Philharmonic Orchestra* | Héroïde Funèbre, Symphonic Poem No.8, S.102 | 27:08 |
| 7-2 | –London Philharmonic Orchestra* | Hungaria, Symphonic Poem No.9 S. 103 | 23:06 |
| 7-3 | –London Philharmonic Orchestra* | Hamlet, Symphonic Poem No.10, S.104 | 12:52 |
| 7-4 | –London Philharmonic Orchestra* | Hunnenschlacht, Symphonic Poem No.11, S.105 | 15:01 |
| 8-1 | –London Philharmonic Orchestra* | Ce Qu'on Entend Sur la Montagne, Symphonic Poem No.1, S.95 (After Victor Hugo) | 30:36 |
| 8-2 | –London Philharmonic Orchestra* | Orpheus, Symphonic Poem No.4, S.98 | 10:58 |
| 8-3 | –London Philharmonic Orchestra* | Die Ideale, Symphonic Poem No.12, S. 106 (After Schiller) | 26:58 |
| 9-1 | –Budapest Festival Orchestra | Hungarian Rhapsody No.1 In F Minor, S.359 | 10:44 |
| 9-2 | –Budapest Festival Orchestra | Hungarian Rhapsody No.2 In D Minor, S.359 | 10:28 |
| 9-3 | –Budapest Festival Orchestra | Hungarian Rhapsody No.3 In D, S.359 No.3 | 7:42 |
| 9-4 | –Budapest Festival Orchestra | Hungarian Rhapsody No.4 In D Minor, S.359 No.4 | 10:06 |
| 9-5 | –Budapest Festival Orchestra | Hungarian Rhapsody No.5 In E Minor, S.359 No.5 | 9:39 |
| 9-6 | –Budapest Festival Orchestra | Hungarian Rhapsody No.6 In D, S.359 No.6 | 11:00 |
| 10-1 | –Roberto Szidon | Hungarian Rhapsody No.1 In C Sharp Minor, S.244 | 14:16 |
| 10-2 | –Roberto Szidon | Hungarian Rhapsody No.2 In C Sharp Minor, S.244 | 9:14 |
| 10-3 | –Roberto Szidon | Hungarian Rhapsody No.3 In B Flat, S.244 | 4:17 |
| 10-4 | –Roberto Szidon | Hungarian Rhapsody No.4 In E Flat, S.244 | 4:40 |
| 10-5 | –Roberto Szidon | Hungarian Rhapsody No.5 In E Minor, S.244 Heroïde-Elégiaque | 10:18 |
| 10-6 | –Roberto Szidon | Hungarian Rhapsody No.6 In D Flat, S.244 | 6:27 |
| 10-7 | –Roberto Szidon | Hungarian Rhapsody No.7 In D Minor, S.244 | 5:40 |
| 10-8 | –Roberto Szidon | Hungarian Rhapsody No.8 In F Sharp Minor, S.244 | 5:59 |
| 10-9 | –Roberto Szidon | Hungarian Rhapsody No.9 In E Flat, S.244 "Pesther Carneval" | 10:46 |
| 10-10 | –Roberto Szidon | Hungarian Rhapsody No.10 In E, S.244 "Preludio" | 5:23 |
| 11-1 | –Roberto Szidon | Hungarian Rhapsody No.11 In A Minor, S.244 | 5:38 |
| 11-2 | –Roberto Szidon | Hungarian Rhapsody No.12 In C Sharp Minor, S.244 | 9:40 |
| 11-3 | –Roberto Szidon | Hungarian Rhapsody No.13 In A Minor, S.244 | 9:06 |
| 11-4 | –Roberto Szidon | Hungarian Rhapsody No.14 In F Minor, S.244 | 11:49 |
| 11-5 | –Roberto Szidon | Hungarian Rhapsody No.15 In A Minor, S.244 Rákóczy March | 6:01 |
| 11-6 | –Roberto Szidon | Hungarian Rhapsody No.16 In A Minor, S.244 | 5:25 |
| 11-7 | –Roberto Szidon | Hungarian Rhapsody No.17 In D Minor, S.244 | 3:21 |
| 11-8 | –Roberto Szidon | Hungarian Rhapsody No.18 In F Sharp Minor, S.244 | 3:03 |
| 11-9 | –Roberto Szidon | Hungarian Rhapsody No.19 In D Minor, S.244 | 11:47 |
| 11-10 | –Roberto Szidon | Rhapsodie Espagnole, S. 254 | 13:20 |
| – | Années De Pèlerinage: Première Année: Suisse, S.160 | ||
| 12-1 | –Lazar Berman | 1. La Chapelle De Guilaume Tell | 6:42 |
| 12-2 | –Lazar Berman | 2. Au Lac De Wallenstadt | 3:06 |
| 12-3 | –Lazar Berman | 3. Pastorale | 1:33 |
| 12-4 | –Lazar Berman | 4. Au Bord D'une Source | 3:33 |
| 12-5 | –Lazar Berman | 5. Orage | 3:58 |
| 12-6 | –Lazar Berman | 6. Vallée D'Obermann | 14:27 |
| 12-7 | –Lazar Berman | 7. Eglogue | 2:44 |
| 12-8 | –Lazar Berman | 8. Le Mal Du Pays | 6:07 |
| 12-9 | –Lazar Berman | 9. Les Cloches De Genêve | 6:19 |
| – | Années De Pèlerinage: Deuxième Année: Italie, S.161 | ||
| 13-1 | –Lazar Berman | 1. Sposalizio | 8:13 |
| 13-2 | –Lazar Berman | 2. Il Penseroso | 4:39 |
| 13-3 | –Lazar Berman | 3. Canzonetta Del Salvator Rosa | 2:49 |
| 13-4 | –Lazar Berman | 4. Sonetto 47 Del Petrarca | 5:17 |
| 13-5 | –Lazar Berman | 5. Sonetto 104 Del Petrarca | 6:42 |
| 13-6 | –Lazar Berman | 6. Sonetto 123 Del Petrarca | 7:05 |
| 13-7 | –Lazar Berman | 7. Après Une Lecture Du Dante (Fantasia Quasi Sonata) | 16:59 |
| – | Venezia E Napoli, S.162 (rev. Version 1859) Supplement To Années de Pelerinage, 2ème Année: Italie (S.161) | ||
| 13-8 | –Lazar Berman | 1. Gondoliera | 6:00 |
| 13-9 | –Lazar Berman | 2. Canzone | 3:59 |
| 13-10 | –Lazar Berman | 3. Tarantella | 9:21 |
| – | Années de Pèlerinage: Troisième Année, S.163 | ||
| 14-1 | –Lazar Berman | 1. Angelus (Prière Aux Anges Gardiens) | 10:14 |
| 14-2 | –Lazar Berman | 2. Aux Cyprès de la Villa D'Este No.1 (Thrénodie) | 7:19 |
| 14-3 | –Lazar Berman | 3. Aux Cyprès de la Villa D'Este No.2 (Thrénodie) | 10:55 |
| 14-4 | –Lazar Berman | 4. Les Jeux D'eau à la Villa D'Este | 7:44 |
| 14-5 | –Lazar Berman | 5. Sunt Lacrimae Rerum (En Mode Hongrois) | 7:56 |
| 14-6 | –Lazar Berman | 6. Marche Funèbre (En Mémoire de Maximilien I) | 8:11 |
| 14-7 | –Lazar Berman | 7. Sursum Corda (Erhebet Eure Herzen) | 4:18 |
| 15-1 | –Krystian Zimerman | Piano Sonata In B Minor, S.178 | 30:37 |
| 15-2 | –Krystian Zimerman | Nuages Gris, S.199 | 3:13 |
| 15-3 | –Krystian Zimerman | La Notte, S.602 | 9:45 |
| 15-4 | –Krystian Zimerman | La Lugubre Gondola, S.200 No.2 | 9:53 |
| 15-5 | –Krystian Zimerman | Funérailles | 12:18 |
| – | 12 Etudes D'exécution Transcendante, S.139 | ||
| 16-1 | –Alice Sara Ott | No.1 Prélude (Presto) | 0:53 |
| 16-2 | –Alice Sara Ott | No.2 Molto Vivace | 2:18 |
| 16-3 | –Alice Sara Ott | No.3 Paysage (Poco Adagio) | 5:15 |
| 16-4 | –Alice Sara Ott | No.4 Mazeppa (Presto) | 7:45 |
| 16-5 | –Alice Sara Ott | No.5 Feux Follets (Allegretto) | 3:56 |
| 16-6 | –Alice Sara Ott | No.6 Vision (Lento) | 6:28 |
| 16-7 | –Alice Sara Ott | No.7 Eroica (Allegro) | 5:06 |
| 16-8 | –Alice Sara Ott | No.8 Wilde Jagd | 5:26 |
| 16-9 | –Alice Sara Ott | No.9 Ricordanza (Andantino) | 10:13 |
| 16-10 | –Alice Sara Ott | No.10 Allegro Agitato Molto | 4:29 |
| 16-11 | –Alice Sara Ott | No.11 Harmonies Du Soir (Andantino) | 8:42 |
| 16-12 | –Alice Sara Ott | No.12 Chasse Neige (Andante Con Moto) | 5:38 |
| – | 2 Etudes De Concert, S.145 | ||
| 17-1 | –Jorge Bolet | No.1 Waldesrauschen | 3:59 |
| 17-2 | –Jorge Bolet | No.2 Gnomenreigen | 3:07 |
| – | 3 Etudes De Concert, S.144 | ||
| 17-3 | –Jorge Bolet | No. 1 In A Flat "Il Lamento" (A Capriccio - Allegro Cantabile) | 10:21 |
| 17-4 | –Jorge Bolet | No. 2 In F Minor "La Leggierezza" (A Capriccio - Quasi Allegretto) | 4:56 |
| 17-5 | –Jorge Bolet | No. 3 In D Flat Major - "Un Sospiro" (Allegro Affettuoso) | 5:35 |
| 17-6 | –Jorge Bolet | Consolation No.1, Andante Con Moto | 1:28 |
| 17-7 | –Jorge Bolet | Consolation No.2 | 3:19 |
| 17-8 | –Jorge Bolet | Consolation No.3 | 3:49 |
| 17-9 | –Jorge Bolet | Consolation No.4, Quasi Adagio | 3:12 |
| 17-10 | –Jorge Bolet | Consolation No.5, Andantino | 2:54 |
| 17-11 | –Jorge Bolet | Consolation No.6 | 3:19 |
| 17-12 | –Jorge Bolet | Réminiscences De Don Juan, S. 418 | 19:02 |
| 18-1 | –Jorge Bolet | Liebestraum No.1 In A Flat Major, S.541 | 6:16 |
| 18-2 | –Jorge Bolet | Liebestraum No.2 In E Flat Major, S.541 | 4:45 |
| 18-3 | –Jorge Bolet | Liebestraum No.3 In A Flat Major, S.541 | 4:53 |
| – | Legende S. 175 | ||
| 18-4 | –Wilhelm Kempff | St. Francis Of Assisi Preaching To The Birds | 10:06 |
| 18-5 | –Wilhelm Kempff | St. Francis Of Paola Walking On The Water | 8:49 |
| – | 6 Etudes D'exécution Transcendante D'après Paganini, S.140 | ||
| 18-6 | –Nikita Magaloff | 1. Trémolo | 4:24 |
| 18-7 | –Nikita Magaloff | 2. Octaves | 4:12 |
| 18-8 | –Nikita Magaloff | 3. La Campanella | 4:42 |
| 18-9 | –Nikita Magaloff | 4. Arpeggio | 2:06 |
| 18-10 | –Nikita Magaloff | 5. La Chasse | 2:56 |
| 18-11 | –Nikita Magaloff | 6. Thème Et Variations | 5:12 |
| 19-1 | –Jorge Bolet | Die Forelle, S.564 | 3:57 |
| 19-2 | –Jorge Bolet | Der Müller Und Der Bach, S.565 | 6:05 |
| 19-3 | –Jorge Bolet | Wohin?, S.565 | 2:58 |
| 19-4 | –Jorge Bolet | Lebe Wohl!, S.563 | 4:40 |
| 19-5 | –Jorge Bolet | Das Wandern, S.565 | 1:52 |
| 19-6 | –Jorge Bolet | Der Lindenbaum, S.561 | 5:09 |
| 19-7 | –Jorge Bolet | Ständchen ("Horch, Horch! Die Lerch"), S.558 | 3:26 |
| 19-8 | –Jorge Bolet | Auf Dem Wasser Zu Singen, S.558 | 5:09 |
| 19-9 | –Jorge Bolet | Die Post, S.561 | 2:55 |
| 19-10 | –Jorge Bolet | Aufenthalt, S.560 | 3:40 |
| 19-11 | –Jorge Bolet | Lob Der Tränen, S.557 | 5:37 |
| 19-12 | –Jorge Bolet | Erlkönig, S.558 | 5:09 |
| 20-1 | –Claudio Arrau | Concert Paraphrase On Rigoletto, S.434 | 7:20 |
| 20-2 | –Claudio Arrau | Ernani: Concert Paraphrase, S.432 | 8:40 |
| 20-3 | –Claudio Arrau | Il Trovatore: Miserere, Concert Paraphrase S.433 | 8:10 |
| 20-4 | –Claudio Arrau | I Lombardi: Salve Maria: Concert Paraphrase, S.431 | 5:58 |
| 20-5 | –Claudio Arrau | Aida: Danza Sacre E Duetto Finale: Concert Paraphrase, S.436 | 11:36 |
| 20-6 | –Claudio Arrau | Don Carlo: Coro di Festa E Marcia Funebre: Concert Paraphrase, S.435 | 7:39 |
| 20-7 | –Claudio Arrau | Réminiscences de Simone Boccanegra, S.438 After Verdi's Opera | 10:56 |
| 21-1 | –Daniel Barenboim | Entry Of The Guests On The Wartburg, S. 445 | 10:33 |
| 21-2 | –Daniel Barenboim | Spinning Song From Der Fliegende Holländer, S.440 | 5:57 |
| 21-3 | –Daniel Barenboim | Elsa's Dream And Lohengrin's Rebuke, S. 446 | 10:28 |
| 21-4 | –Daniel Barenboim | Isoldes Liebestod, S.447 | 7:27 |
| 21-5 | –Daniel Barenboim | Ballade From The Flying Dutchman, S.441 | 5:45 |
| 21-6 | –Daniel Barenboim | Fantasy On Themes From Rienzi, S.439 | 9:48 |
| – | Fantasy And Fugue On "Ad Nos, Ad Salutarem Undam", S. 259 | ||
| 22-1 | –Thomas Trotter | 1. Moderato | 10:32 |
| 22-2 | –Thomas Trotter | 2. Adagio | 10:59 |
| 22-3 | –Thomas Trotter | 3. Fuga | 9:20 |
| 22-4 | –Thomas Trotter | Weinen, Klagen, Sorgen, Zagen - Variations On Bach's Cantata, S.179 | 16:48 |
| 22-5 | –Thomas Trotter | Evocation To The Sixtine Chapel, S.658 | 11:21 |
| 22-6 | –Thomas Trotter | Prelude And Fugue On The Name B-A-C-H, S.260 (1855 Version) | 12:49 |
| 23-1 | –Thomas Trotter | Prelude And Fugue On The Name B-A-C-H, S.260 | 12:47 |
| 23-2 | –Thomas Trotter | Orpheus, Symphonic Poem No.4, S.98 | 11:13 |
| 23-3 | –Thomas Trotter | Ave Maria | 8:01 |
| 23-4 | –Thomas Trotter | Prometheus, Symphonic Poem No.5, S.99 | 15:11 |
| 24-1 | –Dietrich Fischer-Dieskau | O Lieb, So Lang Du Lieben Kannst, S.298 | 5:41 |
| 24-2 | –Dietrich Fischer-Dieskau | "Es Muss Ein Wunderbares Sein" S.314 | 2:06 |
| 24-3 | –Dietrich Fischer-Dieskau | Die Loreley, S.273 | 5:39 |
| 24-4 | –Dietrich Fischer-Dieskau | Angiolin Dal Bionda Crin S.269 | 4:45 |
| 24-5 | –Dietrich Fischer-Dieskau | Im Rhein, Im Schönen Strome S.272 | 2:38 |
| 24-6 | –Dietrich Fischer-Dieskau | La Tombe Et la Rose S.285 | 3:37 |
| 24-7 | –Dietrich Fischer-Dieskau | Le Vieux Vagabond S.304 | 6:23 |
| 24-8 | –Dietrich Fischer-Dieskau | Gastibelza S.286 | 7:47 |
| 24-9 | –Dietrich Fischer-Dieskau | Hohe Liebe (Uhland) | 2:21 |
| 24-10 | –Dietrich Fischer-Dieskau | Gestorben War Ich S.308 | 2:13 |
| 24-11 | –Dietrich Fischer-Dieskau | Wie Singt Die Lerche Schön S.312 | 1:59 |
| 24-12 | –Dietrich Fischer-Dieskau | Kling Leise, Mein Lied S.301 | 4:16 |
| 24-13 | –Dietrich Fischer-Dieskau | Es Rauschen Die Winde S.294 | 3:24 |
| 24-14 | –Dietrich Fischer-Dieskau | Ein Fichtenbaum Steht Einsam S.309 | 2:50 |
| 24-15 | –Dietrich Fischer-Dieskau | Schwebe, Schwebe, Blaues Auge S.305 | 3:41 |
| 24-16 | –Dietrich Fischer-Dieskau | Die Vätergruft S. 281 | 6:00 |
| 25-1 | –Dietrich Fischer-Dieskau | Anfangs Wollt' Ich Fast Verzagen S.311 | 1:47 |
| 25-2 | –Dietrich Fischer-Dieskau | Lasst Mich Ruhen (Fallersleben) | 3:32 |
| 25-3 | –Dietrich Fischer-Dieskau | In Liebeslust S.318 | 2:13 |
| 25-4 | –Dietrich Fischer-Dieskau | Ich Möchte Hingehn (Herwegh) | 8:17 |
| 25-5 | –Dietrich Fischer-Dieskau | Du Bist Wie Eine Blume (Heine) | 2:04 |
| 25-6 | –Dietrich Fischer-Dieskau | "Vergiftet Sind Meine Lieder" S.289 | 1:03 |
| 25-7 | –Dietrich Fischer-Dieskau | Morgens Steh' Ich Auf Und Frage S.290 | 1:39 |
| 25-8 | –Dietrich Fischer-Dieskau | Wer Nie Sein Brot Mit Tränen Aß S.297 | 4:03 |
| 25-9 | –Dietrich Fischer-Dieskau | Über Allen Gipfeln Ist Ruh S.306 | 4:33 |
| 25-10 | –Dietrich Fischer-Dieskau | Der Du von Dem Himmel Bist S.279 | 4:50 |
| – | Drei Lieder Aus "Wilhelm Tell" S.292 | ||
| 25-11 | –Dietrich Fischer-Dieskau | 1. Der Fischerknabe | 2:59 |
| 25-12 | –Dietrich Fischer-Dieskau | 2. Der Hirt | 3:43 |
| 25-13 | –Dietrich Fischer-Dieskau | 3. Der Alpenjäger | 1:35 |
| 26-1 | –Dietrich Fischer-Dieskau | Die Drei Zigeuner S.320 | 5:34 |
| 26-2 | –Dietrich Fischer-Dieskau | Die Stille Wasserrose S.321 | 3:17 |
| 26-3 | –Dietrich Fischer-Dieskau | Wieder Möcht' Ich Dir Begegnen (Cornelius) | 3:16 |
| 26-4 | –Dietrich Fischer-Dieskau | Blume Und Duft (Hebbel) | 2:09 |
| 26-5 | –Dietrich Fischer-Dieskau | "J'ai Perdu Ma Force Et Ma Vie" S.327 Tristesse | 4:10 |
| 26-6 | –Dietrich Fischer-Dieskau | "Ihr Glocken von Marling" S.328 | 2:58 |
| 26-7 | –Dietrich Fischer-Dieskau | Des Tages Laute Stimmen Schweigen S.337 | 4:11 |
| 26-8 | –Dietrich Fischer-Dieskau | "Oh, Quand Je Dors" S 282 | 5:00 |
| 26-9 | –Dietrich Fischer-Dieskau | Comment, Disaient-ils S 276 | 1:48 |
| 26-10 | –Dietrich Fischer-Dieskau | Enfant, Si J'étais Roi S.283 | 3:05 |
| 26-11 | –Dietrich Fischer-Dieskau | S'il Est Un Charmant Gazon S 284 | 1:55 |
| 26-12 | –Dietrich Fischer-Dieskau | Der Traurige Mönch S.348 | 5:18 |
| – | Tre Sonetti di Petrarca, S. 270 | ||
| 26-13 | –Dietrich Fischer-Dieskau | 1. Pace Non Trovo | 7:52 |
| 26-14 | –Dietrich Fischer-Dieskau | 2. Benedetto Sia 'l Giorno | 6:05 |
| 26-15 | –Dietrich Fischer-Dieskau | 3. I' Vidi In Terra | 6:09 |
| 27-1 | –Hildegard Behrens | Jugendglueck, S. 323 - O Suesser Zauber Im Jugendmut | 1:57 |
| 27-2 | –Hildegard Behrens | Die Loreley, S.273 - Ich Weiss Nicht, Was Soll's Bedeuten | 6:17 |
| 27-3 | –Hildegard Behrens | "Ihr Glocken von Marling" S.328 | 3:24 |
| 27-4 | –Hildegard Behrens | Es War Ein König In Thule, S. 278 | 3:31 |
| 27-5 | –Hildegard Behrens | Freudvoll Und Leidvoll, S. 280 (ca. 1860) 2. Fassung Der 1. Vertonung | 2:18 |
| 27-6 | –Hildegard Behrens | Ich Liebe Dich, S. 315 | 2:39 |
| 27-7 | –Hildegard Behrens | Wo Weilt Er?, S. 295 (ca. 1845) | 2:29 |
| 27-8 | –Hildegard Behrens | Jeanne D'Arc Au Bûcher, S. 293 - Mon Dieu! J'etais Une Bergère | 8:18 |
| 27-9 | –Hildegard Behrens | Mignons Lied, S. 275 (ca. 1856) - Kennst Du Das Land | 5:56 |
| 27-10 | –Hildegard Behrens | Freudvoll Und Leidvoll, S. 280 (ca. 1848) 2. Vertonung | 1:22 |
| 27-11 | –Hildegard Behrens | Tre Sonetti di Petrarca, S. 270 - 3. I' Vidi In Terra | 5:17 |
| 27-12 | –Hildegard Behrens | La Perla, S. 326 - Sono Del Mare Bianca la Figlia | 5:40 |
| 27-13 | –Hildegard Behrens | Die Fischerstochter, S. 325 - Die Fischerstochter Sitzt Am Strand | 6:03 |
| 27-14 | –Hildegard Behrens | "Es Muss Ein Wunderbares Sein" S.314 | 2:00 |
| 27-15 | –Hildegard Behrens | O Lieb, So Lang Du Lieben Kannst, S.298 | 4:31 |
| 28-1 | –Brigitte Fassbaender | O Lieb, So Lang Du Lieben Kannst, S.298 | 4:33 |
| 28-2 | –Brigitte Fassbaender | Freudvoll Und Leidvoll, S.280 | 2:25 |
| 28-3 | –Brigitte Fassbaender | Mignons Lied - Kennst Du Das Land, S.275 | 6:41 |
| 28-4 | –Brigitte Fassbaender | Es War Ein König In Thule, S.278 | 3:26 |
| 28-5 | –Brigitte Fassbaender | Über Allen Gipfeln, S.306 | 3:37 |
| 28-6 | –Brigitte Fassbaender | Der Du von Dem Himmel Bist, S.279/1 | 3:27 |
| 28-7 | –Brigitte Fassbaender | Ich Möchte Hingehn, S.296 | 8:29 |
| 28-8 | –Brigitte Fassbaender | Und Wir Dachten Der Toten, S.338 | 2:04 |
| 28-9 | –Brigitte Fassbaender | Lasst Mich Ruhen, S.317 | 3:08 |
| 28-10 | –Brigitte Fassbaender | Blume Und Duft, S.234 | 2:35 |
| 28-11 | –Brigitte Fassbaender | Du Bist Wie Eine Blume, S.287 | 2:05 |
| 28-12 | –Brigitte Fassbaender | Im Rhein, Im Schönen Strome, S.272 | 2:29 |
| 28-13 | –Brigitte Fassbaender | Was Liebe Sei, S.288 | 0:51 |
| 28-14 | –Brigitte Fassbaender | Hohe Liebe, S.307 | 1:30 |
| 28-15 | –Brigitte Fassbaender | Einst, S.332 | 0:38 |
| 28-16 | –Brigitte Fassbaender | Wieder Möcht' Ich Dir Begegnen, S.322 | 2:51 |
| 28-17 | –Brigitte Fassbaender | Ihr Auge S.310 | 0:48 |
| 28-18 | –Brigitte Fassbaender | Die Drei Zigeuner, S.320 | 5:00 |
| 28-19 | –Brigitte Fassbaender | "Vergiftet Sind Meine Lieder" S.289 | 2:02 |
| 28-20 | –Brigitte Fassbaender | Ein Fichtenbaum Steht Einsam S.309 | 3:08 |
| 28-21 | –Brigitte Fassbaender | "Es Muss Ein Wunderbares Sein" S.314 | 2:03 |
| 28-22 | –Brigitte Fassbaender | "Oh, Quand Je Dors" S 282 | 4:54 |
| 28-23 | –Brigitte Fassbaender | Comment, Disaient-ils S 276 | 2:28 |
| 28-24 | –Brigitte Fassbaender | S'il Est Un Charmant Gazon S 284 | 2:39 |
| 28-25 | –Brigitte Fassbaender | Enfant, Si J'étais Roi S.283 | 3:02 |
| – | Die Legende von Der Heiligen Elisabeth | ||
| 29-1 | –Siegfried Heinrich | 1. Ankunft Der Elisabeth Auf Wartburg - Introduction | 10:14 |
| 29-2 | –Siegfried Heinrich | 1. Ankunft Der Elisabeth Auf Wartburg - Willkommen Die Braut | 3:28 |
| 29-3 | –István Berczelly | 1. Ankunft Der Elisabeth Auf Wartburg - Willkommen Mein Töchterlein | 0:43 |
| 29-4 | –István Berczelly | 1. Ankunft Der Elisabeth Auf Wartburg - So Leg' Ich Dieses Teure Pfand | 3:03 |
| 29-5 | –István Berczelly | 1. Ankunft Der Elisabeth Auf Wartburg - Was Vaterliebe Treu Vermag | 2:21 |
| 29-6 | –Siegfried Heinrich | 1. Ankunft Der Elisabeth Auf Wartburg - Fröhliche Spiele Sannen Wir Aus | 3:36 |
| 29-7 | –Klaus Lapins | 2. Landgraf Ludwig - Aus Dem Nebel Der Täler Erschalle Hervor | 3:27 |
| 29-8 | –Klaus Lapins | 2. Landgraf Ludwig - Doch Sieh, Was Schimmert Durch Das Grün | 5:57 |
| 29-9 | –Klaus Lapins | 2. Landgraf Ludwig - Was Seh' Ich, Rosen! | 3:27 |
| 29-10 | –Klaus Lapins | 2. Landgraf Ludwig - Ein Wunder! Ja, Ich Will Ihn Loben | 10:06 |
| 29-11 | –Siegfried Heinrich | 3. Die Kreuzritter - Ins Heil'ge Land, Ins Palmenland | 1:34 |
| 29-12 | –Klaus Lapins | 3. Die Kreuzritter - Versammelt Hab' Ich Meine Treuen | 8:56 |
| 29-13 | –Klaus Lapins | 3. Die Kreuzritter - Ins Heil'ge Land, Ins Palmenland - Hörst Du Den Mahnungsruf? - Es Folg' Uns, Wer Sein Christenschwert | 3:49 |
| 30-1 | –Doreen Millmann | 4. Landgräfin Sophie - Herein! Herein! Hast Du Die Botschaft Schon Gehört? | 5:48 |
| 30-2 | –Maria Szechowska | 4. Landgräfin Sophie - O Tag Der Trauer, Tag Der Klage | 1:58 |
| 30-3 | –Doreen Millmann | 4. Landgräfin Sophie - Entschieden Ist Dein Los - Du Willst Wie Eine Bettlerin - Noch Diese Nacht? - Hier Ist Des Mitleids Stimme Tot | 9:21 |
| 30-4 | –István Berczelly | 4. Landgräfin Sophie - Die Pforte Schloß Sich Hinter Ihr - Es Wächst Der Sturm | 5:19 |
| 30-5 | –Maria Szechowska | 5. Elisabeth - Es Beruhigt Sich Das Toben | 6:35 |
| 30-6 | –Maria Szechowska | 5. Elisabeth - Hier Wohnt Sie Unterm Hüttendach | 6:23 |
| 30-7 | –Maria Szechowska | 5. Elisabeth - Die Lüfte Schauern Kühl | 4:11 |
| 30-8 | –Siegfried Heinrich | 5. Elisabeth - Der Schmerz Ist Aus, Die Bande Weichen | 4:14 |
| 30-9 | –István Berczelly | 6. Feierliche Bestattung Der Elisabeth - So Kommt, Laßt Uns Zur Letzten Huldigung - Decorata Novo Flore | 6:10 |
| – | Missa Choralis (S.10) | ||
| 31-1 | –Choir Of St. John's College, Cambridge* | Kyrie | 6:32 |
| 31-2 | –Choir Of St. John's College, Cambridge* | Gloria | 4:38 |
| 31-3 | –Choir Of St. John's College, Cambridge* | Credo | 6:46 |
| 31-4 | –Choir Of St. John's College, Cambridge* | Sanctus | 2:55 |
| 31-5 | –Choir Of St. John's College, Cambridge* | Benedictus | 5:04 |
| 31-6 | –Choir Of St. John's College, Cambridge* | Agnus Dei | 6:02 |
| – | Hungarian Coronation Mass, S.11 | ||
| 31-7 | –Magda Tiszay* | 1. Kyrie | 5:01 |
| 31-8 | –Irén Szecsödy* | 2. Gloria | 7:22 |
| 31-9 | –Sándor Margittay | 3. Graduale (Psalm 116) | 4:55 |
| 31-10 | –Sándor Margittay | 4. Credo | 5:33 |
| 31-11 | –Hungarian State Orchestra | 5. Offertorium | 5:26 |
| 31-12 | –Irén Szecsödy* | 6. Sanctus | 2:57 |
| 31-13 | –József Simándy | 7. Benedictus | 6:43 |
| 31-14 | –József Simándy | 8. Agnus Dei | 6:25 |
| – | Missa Solemnis Zur Einweihung Der Basilika In Gran | ||
| 32-1 | –András Faragó | 1. Kyrie | 7:47 |
| 32-2 | –Mária Werner | 2. Gloria | 14:01 |
| 32-3 | –Alfonz Bartha | 3. Credo | 18:06 |
| 32-4 | –Mária Werner | 4. Sanctus | 6:01 |
| 32-5 | –Olga Szönyi | 5. Benedictus | 7:05 |
| 32-6 | –Alfonz Bartha | 6. Agnus Dei | 8:39 |
| – | Via Crucis | ||
| 33-1 | –Netherlands Chamber Choir* | Andante Maestoso "Vexilla Regis Prodeunt" | 5:12 |
| 33-2 | –Netherlands Chamber Choir* | Station I: Jesus Wird Zum Tode Verdammt | 1:44 |
| 33-3 | –Netherlands Chamber Choir* | Station II: Jesus Trägt Sein Kreuz | 2:47 |
| 33-4 | –Netherlands Chamber Choir* | Station III: Jesus Fällt Zum Ersten Mal | 1:43 |
| 33-5 | –Netherlands Chamber Choir* | Station IV: Jesus Begegnet Seiner Heiligen Mutter | 2:48 |
| 33-6 | –Netherlands Chamber Choir* | Station V: Simon von Kyrene Hilft Jesus Das Kreuz Zu Tragen | 3:35 |
| 33-7 | –Netherlands Chamber Choir* | Station VI: Sancta Veronica | 3:17 |
| 33-8 | –Netherlands Chamber Choir* | Station VII: Jesus Fällt Zum Zweiten Mal | 1:39 |
| 33-9 | –Netherlands Chamber Choir* | Station VIII: Die Frauen von Jerusalem | 3:03 |
| 33-10 | –Netherlands Chamber Choir* | Station IX: Jesus Fällt Zum Dritten Mal | 1:45 |
| 33-11 | –Netherlands Chamber Choir* | Station X: Jesus Wird Entkleidet | 2:22 |
| 33-12 | –Netherlands Chamber Choir* | Station XI: Jesus Wird Ans Kreuz Geschlagen | 1:03 |
| 33-13 | –Netherlands Chamber Choir* | Station XII: Jesus Stirbt Am Kreuze | 7:23 |
| 33-14 | –Netherlands Chamber Choir* | Station XIII: Jesus Wird Vom Kreuz Genommen | 4:21 |
| 33-15 | –Netherlands Chamber Choir* | Station XIV: Jesus Wird Ins Grab Gelegt | 5:58 |
| – | Légendes De Saint Francois | ||
| 34-1 | –Gerd Albrecht | Francesco Di Paolo | 8:59 |
| 34-2 | –Gerd Albrecht | Francesco D'Assisi | 11:50 |
| 34-3 | –Gerd Albrecht | Cantique Au Soleil Pour Baryton, Choeur Et Orchestre | 14:58 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 0289 477 9525 4 | Liszt* | The Collection (Piano Music, Orchestral Works, Concertos, Choral Works, Lieder) (Box + 34xCD) | Deutsche Grammophon, Universal | 0289 477 9525 4 | Europe | 2011 |
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