Never achieving the success he so richly deserved, especially as a band leader, Steve Marcus, who left the planet in 2005, strived to fuse jazz and the psychedelic rock of the day, attempting to create a movement, which for the most part, known as jazz fusion, seemed to happen without him. This album, Tomorrow Never knows, taken from The Beatles song, along with other progressive rock hits of the day, including The Byrds’ “Eight Miles High,” “Mellow Yellow” by Donovan and others, was certainly applauded by many as an adventure into the world of rock meets avant-garde jazz ... it was also seen as a lightweight sellout by an equal number, which must have left Steve Marcus rather shocked, and a bit dismayed when Miles Davis laid down Bitch’s Brew, and gained renowned success and adulation. Regardless ... after so many years, those in the know, have come to accept this creation as sublime, making Steve Marcus one of the over looked godfathers of the progressive jazz, and the jazz fusion scene. Tomorrow Never Knows is not adventurous in its fervor, but relies on its simple brilliance and integrity of thought, consideration, and delivery. The album is one of the best I’ve ever heard when it comes to sequential track presentation, where Steve presents what I can only call a meaningful set of music that ebbs and flows together flawlessly as Marcus and Coryell develop a musical rhythmic tug of war that both pushes each other apart, and draws them together again in an effort to propel each into heretofore unknown realms that don’t so much abandon the rules, rather creating new rules that exist within a structural confine that builds, moves at a delightful pace, and then drifts back into a cloud of recognizable normalcy. Review by Jenell Kesler