Overlapping Hands: Eight Segments.

Marilyn Crispell & Irène Schweizer ‎– Overlapping Hands: Eight Segments. Label: Fmp ‎– fmp CD 30. Format: CD, Album.

Overlapping Hands: Eight Segments by CRISPELL SCHWEIZER, released 12 June 1991 1. Segment 2. Segment 3. Segment 4. Segment 5. Segment 6. Segment 7. Segment 8. Segment "One of the essential piano recordings of the decade. Two classically informed kindred spirits command the entire instrument (including a distinctive use of the strings) and perform with uncanny grace and urgency. Coda "The two are perfectly in tune with each other and the music ebbs and builds as each player intuitively responds to the dynamic transitions. An essential recording.

July 2015, 20:57 Marilyn Crispell & Irene Schweizer, Overlapping Hands: Eight Segments Used drive : HL-DT-STDVDRAM GT70N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 103 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete.

Overlapping Hands: Eight Segments (FMP, 1991), with Marilyn Crispell. Irène Schweizer & Pierre Favre (Intakt, 1992), with Pierre Favre. Irène Schweizer & Han Bennink (Intakt, 1996), with Han Bennink. European Masters of Improvisation (Captain Trip, Tokyo Tower Wax Museum, 1997), with Mani Neumeier. Twin Lines (Intakt, 2002), with Co Streiff. Ulrichsberg (Intakt, 2004), with Pierre Favre. Where's Africa (Intakt, 2005), with Omri Ziegele. Live in Zürich (Intakt, 2013), with Pierre Favre.

Listen to music from Marilyn Crispell & Irène Schweizer like Segment 2, Segment 1 & more. Find the latest tracks, albums, and images from Marilyn Crispell & Irène Schweizer. Overlapping Hands: Eight Segments.

Overlapping Hands: Eight Segments. Marilyn Crispell & Irène Schweizer. Works for Piano, Toy Piano & Prepared Piano, Vol. III. John Cage; Joshua Pierce, Maro Ajemian, Marilyn Crispell, Joe Kubera. Album + Compilation + Live.

Recently, Crispell's artistic proclivities have shifted focus, emphasizing the lyrical aspects of her music and an increasing willingness to embrace silence and space. Soft-spoken and unassuming in person, pianist Marilyn Crispell's modest mien belies her dynamic musical personality, a key force and central voice in modern jazz piano since the early '80s. A native of Baltimore, MD, Crispell had early training in classical music at the Peabody Music School, followed by tenure at the New England Conservatory of Music, where she studied piano and composition. She recorded Images: The Reggie Workman Ensemble in Concert (Music & Arts, 1989) and Overlapping Hands (FMP, 1991)-a compelling piano duet with Irène Schweizer.

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