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Sainthood is the sixth studio album by the Canadian indie pop duo Tegan and Sara, released on October 27, 2009, by Sire Records. The album was a shortlisted nominee for the 2010 Polaris Music Prize. This is the first album by Tegan and Sara to feature a song co-written by the pair, as they usually choose to write separately. However, it was not written while Tegan and Sara stayed together in New Orleans as an attempt to write together.

Tegan and Sara's fifth album, The Con, found them expanding their sound to incorporate more texture and space in their approach. With the help of producer Chris Walla, they built on what they had done before to make something more complex and adult-sounding. Their sixth album, Sainthood, retains Walla as producer but discards much of the restraint and atmosphere of The Con in favor of a punchier, more direct feel that's more in line with the duo's best album, So Jealous

The LP comes with a bonus CD of the whole album. Other Versions (5 of 9) View All.

I'll Take The Blame, 2007. Walking with a Ghost, 2004.

Tegan And Sara will release their sixth studio album, "Sainthood," on October 2. .27. The album, produced by Howard Redekopp and Death Cab For Cutie 's Chris Walla, is the follow-up to the Canadian band's critically acclaimed 2007 release, " The Con. The two sisters also plan to release a three-book set that chronicles different time periods from the past year of the band members' lives: the 2008 US national tour, the 2009 Australian tour and a joint writing session in New Orleans for the new album.

Listen free to Tegan and Sara – Sainthood (Arrow, Don't Rush and more). Sainthood is Tegan and Sara's sixth full-length studio album, released on 27 October 2009. No songs from that time made it on to the album, although one such song lends its title to that of the record. The song was inspired by a Leonard Cohen lyric.

Their sixth album, Sainthood, retains Walla as producer but discards much of the restraint and atmosphere of The Con in favor of a punchier, more direct feel that's more in line with the duo's best album, So Jealous. The arrangements are less cluttered, the songs are more straightforward, and the simple to understand and feel emotional impact of the album is visceral. It may be unfair to split them so clearly, but Sara seems like the artist and Tegan the pop kid. She definitely writes and sings the catchier tunes; her "The Cure" sounds like the hit single from the album, "Northshore" is a punky blast of fun, and her other tracks aren't far behind in the hook department. That's not to say that Sara can't write catchy songs (her "Alligator" would be the second single); they are just a little less open and more mysterious. There's a depth to her writing that Tegan's songs don't always have.