My Bloody Valentine - Loveless play album
Rock
-
Categories
Most discussed
-
-
-
-
-
-
-
The Seatbelts - Cowboy Bebop O.S.T. 1 play album
Electronic / Hip-hop / Jazz / Rock / Blues / Creative music
-
-
-
Top views
media.gsi-baltikum » Jazz » Various - Jazz In Britain - The 20's
A2 recorded London, November 1920
A3 recorded Hayes, Middlesex January 21st 1924
A4 recorded London, August 1924
A5 recorded Hayes, Middlesex, August 10th 1925
A6 recorded Hayes, Middlesex, May 26th 1927
A7, A8 recorded Hayes, Middlesex, June 22nd 1927
B1 recorded London, October 20th 1927
B2 recorded London, October 6th 1927
B3 recorded Hayes, Middlesex, December 15th 1927
B4 recorded Hayes, Middlesex, February 6th 1928
B5 recorded Hayes, Middlesex, March 20th 1929
B6 recorded London, April 12th 1929
B7, B8 recorded Hayes, Middlesex, September 10th 1929
Cornet, banjo and drums for The Original Capitol Orchestra, as well as trumpet, trombone, clarinet and alto sax for The Devonshire Restaurant Dance Band all listed as unknown. If anyone has more accurate info, please fill in!
Description
Listen free to Various Artists – Harlem Jazz: The 20's (Harlem's Araby, Hold 'Er Beacon and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Harlem Jazz: The 20's.
Complete your Various collection. 20th 1927 B2 recorded London, October 6th 1927 B3 recorded Hayes, Middlesex, December 15th 1927 B4 recorded Hayes, Middlesex, February 6th 1928 B5 recorded Hayes, Middlesex, March 20th 1929 B6 recorded London, April 12th 1929 B7, B8 recorded Hayes, Middlesex, September 10th 1929. If anyone has more accurate info, please fill in! "A PARLOPHONE recording, released in Australia exclusively by World Record Club
British jazz is a form of music derived from American jazz. It reached Britain through recordings and performers who visited the country while it was a relatively new genre, soon after the end of World War I. Jazz began to be played by British musicians from the 1930s and on a widespread basis in the 1940s, often within dance bands
Though jazz music burst into mainstream Britain in 1919, with the arrival of the Original Dixieland Jazz Band, the popularity of ragtime music in the Edwardian era laid the foundations for the acceptance of this syncopated music and its black (and sometimes white) musicians. During most of the First World War, Dan Kildare and his orchestra made Ciro’s nightclub the place to be for a spot of after hours fun–and drinking after curfew.
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list.
Jazz In Britain The 20's Retrospect Series LP Record VG+, VG+. EUR . 5. Jazz In Britain - The 30's UK 1969 LP Parlophone/EMI Records. Various - Bebop in Britain - Various CD TOVG The Cheap Fast Free Post The Cheap.
Released by VINTAGE MASTERS INC. Jun 2012 45 Tracks. Jazz In Britain is a English album released on Jun 2012. Jazz In Britain Album has 45 songs sung by Various Artist, Kenny Ball, His Jazzmen. Listen to all songs in high quality & download Jazz In Britain songs on Gaana. attr("src", $('. de tp. d t img.
At The Jazz Band Ball - Original Dixieland Jazz Band - Various Artists. 2. Way Down Yonder in New Orleans - PAUL WHITEMAN. 3. Snake's Hips - THE GEORGIANS. 20. Is It True What They Say About Dixie - THE SWING RHYTHM BOYS. 21. Just A Mood - GARLAND WILSON. 22. Lady Be Good - BUCK AND BUBBLES. There will be great press interest in this set and advertising will run in Jazz Journal and Jazzwise.
Jazz in Britain has been performed in the country since shortly after the music's first appearance on record in 1917. A number of British musicians have gained international reputations, although adherents of this music have often felt embattled within the UK itself. Jazz in Britain is usually said to have begun with the British tour of the Original Dixieland Jazz Band in 1919. That stated, British popular music aficionados in the 1920s generally preferred the terms "hot" or "straight" dance music to the term "jazz. During the 1930s most British jazz musicians made their living in dance bands of various kinds. Jazz became more important, and more separate as its own genre, in Britain during World War II. The war led to an increase in bands to entertain the troops and these bands began to refer to themselves as "jazz" groups more often.
Tracklist
| A1 | –The Original Dixieland Jazz Band* | My Baby's Arms |
| A2 | –Billy Arnold's Novelty Band* | Stop It |
| A3 | –The Original Capitol Orchestra | Tiger Rag |
| A4 | –Carolina Club Orchestra* | Ain't You Ashamed |
| A5 | –Jack Hylton's Kit-Kat Band | Milenberg Joys |
| A6 | –The Devonshire Restaurant Dance Band | Sugar Foot Stomp |
| A7 | –Fred Elizalde And His Cambridge Undergraduates | Stomp Your Feet |
| A8 | –Fred Elizalde And His Cambridge Undergraduates | Clarinet Marmalade |
| B1 | –Piccadilly Revels Band | Buffalo Rhythm |
| B2 | –Piccadilly Revels Band | Go, Joe, Go |
| B3 | –Jack Hylton's Rhythmagicians | Grieving For You |
| B4 | –The Rhythmic Eight | There's A Cradle In Caroline |
| B5 | –New Mayfair Dance Orchestra* | Deep Hollow |
| B6 | –Fred Elizalde And His Music | Nobody's Sweetheart |
| B7 | –Noble Sissle And His Orchestra | Kansas City Kitty |
| B8 | –Noble Sissle And His Orchestra | Miranda |
Credits
- Alto Saxophone – Al Starita (tracks: A5), Arthur Lally (tracks: A6), Ben Williams (tracks: A4), Bobby Davis (tracks: B6), Buster Bailey (tracks: B7, B8), Dan Wyllie (tracks: A7, A8), Edward O. Pogson* (tracks: B3), Ernie Smith (tracks: B1, B2), G. Webb (tracks: A3), Harry Johnson (tracks: A2), Jack Donaldson (tracks: A7, A8), Jack Miranda (tracks: B5), Jim Kelleher (tracks: A5), Joe Gillespie (tracks: A4), Laurie Payne (tracks: B5), Manuel "Lizz" Elizalde (tracks: A7, A8), Murray Barley (tracks: A3), Perley Breed (tracks: B4), Phil Cardew (tracks: B1, B2), Ralph Duquesne (tracks: B7, B8), Rudy Jackson (tracks: B7, B8)
- Banjo – George Monkhouse (tracks: A7, A8), Jack Hill (tracks: B1, B2), Jack Simmons (tracks: A6), Len Fillis (tracks: A5), Warren Harris (tracks: B7, B8)
- Baritone Saxophone – Arthur Lally (tracks: A6), Hal Kemp (tracks: A4), Laurie Payne (tracks: B5), Maurice Allom (tracks: A7, A8), Perley Breed (tracks: B4)
- Bass – John Ricks (tracks: B7, B8), Tiny Stock (tracks: B6)
- Bass Saxophone – Adrian Rollini (tracks: B6)
- Brass Bass – "Bud" Williams (tracks: A7, A8), Alfred Field (tracks: A5), Billy Bell (tracks: B4), Billy Wolfe (tracks: A4), Clem Lawton (tracks: B1, B2), Henry Edwards (tracks: B7, B8)
- Clarinet – Al Starita (tracks: A5), Arthur Lally (tracks: A6), Ben Williams (tracks: A4), Buster Bailey (tracks: B7, B8), Edward O. Pogson* (tracks: B3), Ernie Smith (tracks: B1, B2), Hal Kemp (tracks: A4), Henry Arnold (tracks: A2), Jack Donaldson (tracks: A7, A8), Jack Miranda (tracks: B5), Jim Kelleher (tracks: A5), Joe Gillespie (tracks: A4), Johnny Helfer (tracks: B4, B5), Larry Shields (tracks: A1), Manuel "Lizz" Elizalde (tracks: A7, A8), Max Farley (tracks: B6), Murray Barley (tracks: A3), Perley Breed (tracks: B4), Phil Cardew (tracks: B1, B2), Ralph Duquesne (tracks: B7, B8), Ray Starita (tracks: B1, B2), Rudy Jackson (tracks: B7, B8)
- Cornet – Nick LaRocca (tracks: A1)
- Drums – Chris Lee (tracks: A2), Eddie Collis (tracks: B4), Eric J. Saundars (tracks: A7, A8), Eric Little (tracks: A5), Harry Robbins, Sr. (tracks: B3), Jack Trebble (tracks: A6), Jesse Baltimore (tracks: B7, B8), Jimmy Brooks (tracks: A4), Ronnie Gubertini (tracks: B6), Rudy Starita (tracks: B1, B2, B5), Tony Sbarbaro (tracks: A1)
- Guitar – Al Bowlly (tracks: B6), Noel "Chappie" d'Amato* (tracks: B3), Joe Brannelly (tracks: B4, B5)
- Leader – Bert Firman (tracks: A6), Carroll Gibbons (tracks: B5), Hal Kemp (tracks: A4), J. V. "Bud" Sheppard (tracks: A3), Noble Sissle (tracks: B7, B8), Ray Starita (tracks: B1, B2)
- Other [Hot Fountain Pen] – Laurie Payne (tracks: B5)
- Piano – Arthur Young (tracks: B3), Billy Arnold (tracks: A2), Billy Jones (tracks: A1), Billy Mason (tracks: B6), Carroll Gibbons (tracks: B5), Donald Thorne (tracks: B1, B2), Fred Elizalde (tracks: A7, A8, B6), J. V. "Bud" Sheppard (tracks: A3), John Firman (tracks: A6, B4), Lloyd Pinckney (tracks: B7, B8), Sid Bright (tracks: A5), "Slatz" Randall* (tracks: A4)
- Soprano Saxophone – Henry Arnold (tracks: A2)
- Tenor Saxophone – Billy Ternent (tracks: B3), Fud Livingston (tracks: B6), George Smith (tracks: A5), Hal Kemp (tracks: A4), Johnny Helfer (tracks: B4, B5), Maurice Allom (tracks: A7, A8), Ramon Usera (tracks: B7, B8), Ray Starita (tracks: B1, B2)
- Trombone – Bill Hall (tracks: B1, B2), Billy Trittel* (tracks: A2, A3), "Buck" Weaver* (tracks: A4), Emile Christian (tracks: A1), James Reevy (tracks: B7, B8), Lew Davis (tracks: B3, B5), Ted Heath (tracks: A5)
- Trumpet – "Red" Honeycutt (tracks: A4), Andy Richardson (tracks: B1, B2), Charles F. Kleiner (tracks: A2), Chelsea Quealey (tracks: B6), Demas Dean (tracks: B7, B8), Dennis Radcliffe (tracks: B4), Dick Battle (tracks: A7, A8), Edwin Knight (tracks: A5), Freddy Pitt (tracks: B1, B2), Jack Jackson (tracks: B3), John D'Arcy Hildyard (tracks: A7, A8), Monk Buie (tracks: A4), Norman Payne (tracks: B5), Pike Davis (tracks: B7, B8), Sylvester Ahola (tracks: B4), Tom Smith (tracks: A5)
- Violin – Bert Firman (tracks: A6), Eric Siday (tracks: B1, B2, B5), Hugo Rignold (tracks: A5, B3, B5), Jean Pougnet (tracks: B5), "Juice" Wilson* (tracks: B7, B8), William Rosemand (tracks: B7, B8)
- Vocals – Noble Sissle (tracks: B7, B8)
Notes
A1 recorded London, January 8th 1920A2 recorded London, November 1920
A3 recorded Hayes, Middlesex January 21st 1924
A4 recorded London, August 1924
A5 recorded Hayes, Middlesex, August 10th 1925
A6 recorded Hayes, Middlesex, May 26th 1927
A7, A8 recorded Hayes, Middlesex, June 22nd 1927
B1 recorded London, October 20th 1927
B2 recorded London, October 6th 1927
B3 recorded Hayes, Middlesex, December 15th 1927
B4 recorded Hayes, Middlesex, February 6th 1928
B5 recorded Hayes, Middlesex, March 20th 1929
B6 recorded London, April 12th 1929
B7, B8 recorded Hayes, Middlesex, September 10th 1929
Cornet, banjo and drums for The Original Capitol Orchestra, as well as trumpet, trombone, clarinet and alto sax for The Devonshire Restaurant Dance Band all listed as unknown. If anyone has more accurate info, please fill in!
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| PMC 7075 | Various | Jazz In Britain - The 20's (2xLP, S/Sided, Comp, W/Lbl) | Parlophone | PMC 7075 | UK | Unknown |
| 3217 | Various | Jazz In Britain - The 20's (LP, Comp, Mono, Club) | World Record Club | 3217 | Australia | 1974 |
Related to Various - Jazz In Britain - The 20's
Ambrose & His Orchestra / The Lew Stone Band - London Jazz Scene The 30's play album
Jazz
Fred Elizalde - Westward Bound / Ol' Man River play album
Jazz
Various - The Great British Dance Bands Play the Music of Noel Coward play album
Jazz
Various - Il Jazz In Italia - Dalle Origini Alle Grandi Orchestre - Jazz And Hot Dance Music Volume 1 play album
Jazz
Fletcher Henderson And His Orchestra - Blue Rhythm / Sugar Foot Stomp play album
Jazz
Various - The Golden Age Of British Dance Bands play album
Jazz / Pop / Classical
Noble Sissle / Cab Calloway - Noble Sissle - Cab Calloway play album
Jazz
Various - Happy Days Are Here Again Hits Of The 30's play album
Jazz
The Dorsey Brothers Orchestra - Tailspin / Milenberg Joys play album
Jazz
Connie's Inn Orchestra / King Oliver's Jazz Band - Sugar Foot Stomp / Dipper Mouth Blues play album
Jazz