Tracklist

1	Irregular Sleep Wake (Tryptophan)	8:12
2	Delayed Sleep Phase (Melatonin)	3:29
3	Periodic Limb Movement Disorder (Light Therapy)	3:51
4	Hypnic Jerk (Zeitgeber)	6:48
5	Suprachiamastic Nucleus (Barbiturates)	8:01
6	Sleep Paralysis (Amitriptyline)	4:30
7	Bruxism (Biofeedback)	5:13

Credits

• Design – Fabio Perletta
• Mastered By – Gianclaudio Hashem Moniri
• Mixed By – Fabio Perletta, Marco Bonini
• Photography By – Agnese Gambini

Notes

LOGOS: “The idea of dedicating a record to sleeping disorders hit my mind as an illumination when two tracks were already done and I was trying to find out their obscure sense. The more I searched for it the more I couldn’t sleep at night. Composing during nightime, through headphones, is a kind of sleep treatment for me. In a big city like Rome silence is a nearly nonexistent condition; only at night I seem to have the silence I need to concentrate, but some lonely car running down the road always comes to disrupt it. Insomnia is the most common among the most known and clinically studied disorders. I suffered, and I still suffer, from the oddest of them, known as Hypnagogia, or sleeping paralysis. I dedicated to this disorder a track performed in all but real time. It consists in awakening only with the mind, while for some time the body remains asleep and does not respond to our commands. During this time of semi-awakening, sound hallucinations keep arising. In ancient times, these experiences generated beliefs about extra-body travel and demonic possession; today, alas, in the internet age, as soon as we wake up we can find all kinds of scientific information about this pathology, including pharmaceutical treatments.” Marco Bonini

TEKNE: This is a project based on the sound of strings. Six strings can generate at least six different worlds; as a guitar player, Bonini always wondered what real multiplication of universes can be obtained by bouncing the strings through the digital world. The noises and field recordings heard in the CD are homemade, and they went through so many elaborations that he cannot remember their origins and the path of their changes. The method is based on multi-strata improvisations (several improvisations on top of one another), then brought back to a more or less stable form by means of montage, and later again mixed on digital platforms.