Nosferatu is the 1922 classic silent German film, directed by . Murnau, based on the story of "Dracula

Nosferatu: A Symphony of Horror (German: Nosferatu, eine Symphonie des Grauens), or simply Nosferatu, is a 1922 German Expressionist horror film, directed by F. W. Murnau, starring Max Schreck as the vampire Count Orlok. The film, shot in 1921 and released in 1922, was an unauthorized adaptation of Bram Stoker's Dracula (1897); the Stoker Estate had refused permission.

Nosferatu" stands perfectly well on its own, as a unique and skillfully done adaptation of the story, and as one of the memorable classics of the silent era. Tags: 1922, Alexander Granach, bite mark, dracula, . Murnau, Germany, gothic, Gustav von Wangenheim, Max Schreck, self sacrifice, vampire. Learning to fly he finds out he never will be. Shocked, he runs away from home . 53 out of 60 found this helpful. Nosferatu is one of the few silent movies with a significant following today. It deserves a following. The film is a suspense piece.

Introducing the iconic vampire that is Count Dracula and the increased the popular term of "vampire" there have been many adaptations from movies, plays, etc. It was a tale that was like no other back in the day so of course with a big book like that a movie needs to be made right? That's when Nosferatu comes in, it's highly debated that this was the first Dracula movie ever made but actually the first one that was ever made.

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There he encounters the otherworldly Count Orlok - portrayed by the legendary Max Schreck, in a performance the very backstory of which, has spawned its own mythology - who soon after embarks upon a cross-continental voyage to take up residence in a distant new land, establishing his ambiguous dominion. As to whether the Count’s campaign against the plague-wracked populace erupts from satanic decree, erotic compulsion, or the simple impulse of survival - that remains, perhaps, the greatest mystery of all in this film that’s like a blackout.

The count sends his own coach, which travels in fast-motion, as does his servant, who scurries like a rat. Hutter is still laughing at warnings of vampirism, but his laugh fades at dinner, when he cuts himself with a breadknife and the count seems unhealthily interested in Blood-your beautiful blood! Two of the key sequences in the film now follow; both are montages in which simultaneous events are intercut.